The Water Boys are a five-piece band made up of college students from the East End. Initially starting in 2019 as a group of high schoolers jamming in the basement of their drummer Dan Stark, they’ve grown to do shows across the East End and up-island. Their sound combines blues and jam band influences with the energy of 90s/00s punk and pop. At the heart of this is the lead guitar duo of Grayson Fox and Jack Oats who complement each other’s playing and drive them to new, sonic heights, while Vinny Palermo holds it down on bass. Concert-goers should be ready for a night of impassioned improvisations combined with uptempo sing-alongs. The band plays a mix of originals written by lead singer James Puccio and a variety of covers from artists like the Grateful Dead, John Mayer, Green Day, Taylor Swift and Sublime. With such a variety of songs and unique style, this is a band that you won’t want to miss.

Talkhouse

The Water Boys-from Long Island, NY

The Stephen Talkhouse

Karaoke!! w/ JBM

“We can argue politics and policies, but, at the end of the day, we are bound together beyond these,” shares Americana singer-songwriter Inda Eaton. “I do what I do to connect—music has this great disarming quality—it leads to vulnerability quickly as people lay down their shields.”In a career that spans 8 albums in 20 years, and a blur of endless tours, for her latest album, Shelter In Place, Inda opted for once to stay put. The 11-song record was literally tracked in the Springs, New York-based artist’s backyard. In the stillness of the album writing process, she sifted through her scrapbook of travels, and created a Huck Finn-spirited collection of story-rich heartland rock songs brimming with adventure, and personal reflection.Inda’s warm humor, free-spirited emotionality, and literate flair make her songs feel as comfy as a favorite pair of jeans. Inda’s vocals have a whiskey and honey-tinged raspy quality that’s both stirring and soothing. Her stories and musings feel instantly resonate. Inda’s songwriting spans fist-pumping anthemics and bucolic balladeering, and it embraces a wide swath of influences, including country, classic rock, folk, and pop.Inda’s music has been a global passport, taking her through Latin America, Australia, and Germany in her early years. There, she became something of a charming troubadour, winning over audiences with her quick wit, affable onstage connectivity, and her ability to fuse rousing hooks within a downhome roots-rock sensibility. These formative experiences have served her well in building an engaged following in the U.S.Inda has toured in various configurations throughout America, both as a captivating solo performer and a powerful bandleader with a trusted posse of ace musicians. Select live highlights include opening for noted names like John Hiatt, Blues Traveler, Earl Scruggs, Hootie and the Blowfish, LeAnn Rimes, Shemekia Copeland, and Molly Hatchet. Additional performance highlights include tours for American Society of Young Musicians and VH1’s Save the Music Program.Inda has been a fixture on the CMJ alternative charts, earned an AFIM “Best Independent Album” nomination, and garnered critical industry acclaim in publications such as Billboard and Relix.Through it all, her DIY flag has flown majestically. She has her own music publishing company, Skin to the Wind Productions, and Inda has self-produced or co-produced many of her albums.In 2010, Inda formally committed to sharing music with younger generations in school music programs with what has become <a href="http://ideastoinspire.org/">Ideas to Inspire™</a>, an arts-fostering organization that works to provide students with creative experiences through music, storytelling and self-expression. When not touring in support of her albums, Inda and her bandmates can be found traveling from one k-12 classroom to another supporting i2i programs across the country.For album 8, however, Inda put the brakes on to ponder her winding path, thus far. “The road is a muse for me—the best way to ground ideas for me is a road trip. This album is kind of the shelter to process the trips I’ve been on,” she details.Besides geographic travels, Shelter In Place is rife with coming of age themes couched in loss. Also threaded throughout the album is Inda’s multi-layered take on America. Inda was born in California and raised in Wyoming and Arizona, so one could say she deeply feels the heart of the heartland. She’s also a gay woman who married in 2011.“I do come from the heartland, and identify so much as an American—it feels like anything is possible here. We are the best chance for hope,” Inda says.  “I just get upset when we can’t get along.”

Inda Eaton w/ Nick Kessler Opening

From fist pumping, sing-a-long anthems, to high energy Top 40, Party Rock and Dance (even some Country), Fast Five is New York&#39;s most exciting new cover band providing the best in live entertainment!  We are a dynamic group of 5 veteran musicians who have played every scene, including bars, nightclubs, colleges, weddings, corporate parties, and national venues. Our song list is huge and constantly growing!  We tailor our act to suit every type of audience, from late night club crowds, to country club parties and everything in between.  Playing songs that are meant to be played live, every Fast Five show is a high energy, live music experience!

Fast Five

&#34;Fusing Mardi Gras Indian culture with swaggering Bayou funk in a defiant, delicious gumbo, The Rumble featuring Chief Joseph Boudreaux Jr. is among the more exhilarating bands to bubble up from New Orleans onto the national landscape in some time.&#34; - <a href="https://liveforlivemusic.com/news/chief-got-a-new-suit-the-rumble-grammy-live-at-the-maple-leaf-listen/" target="_blank" rel="noopener noreferrer">Live For Live Music</a>&#34;It’s a Mardi Gras experience that hangs around all year long, a funky, feather rufflin’ extravaganza good for second line strutting no matter the season.&#34; - <a href="https://www.nodepression.com/album-reviews/album-review-live-and-kicking-the-rumble-captures-sounds-and-sights-of-mardi-gras/" target="_blank" rel="noopener noreferrer">No Depression</a>“Through their steadfast stomping sound and grooving connectivity, the collection has the spirit of a parade contained within a building bursting at the seams.” - <a href="https://relix.com/blogs/song_premieres/detail/song-premiere-the-rumble-ft-chief-joseph-boudreaux-jr-my-people/" target="_blank" rel="noopener noreferrer">Relix</a>“When a band this funky and tight can draw from deep wells of instrumental prowess and match that with vocal strength and ability, you get the feeling they’re gonna be around and thriving for a long while.” - <a href="https://www.jambase.com/article/new-orleans-jazz-fest-2024-review-weekend-2-highlights" target="_blank" rel="noopener noreferrer">JamBase</a>• 2025 Grammy Nominees for Best Regional Roots Album for the album <a href="https://therumbleband.com/music" target="_blank" rel="noopener noreferrer">“Stories From The Battlefield”</a> • 2024 Grammy Nominees for Best Regional Roots Album for the album <a href="https://therumbleband.com/music" target="_blank" rel="noopener noreferrer">“</a><a href="https://distrokid.com/hyperfollow/therumblechiefjosephboudreauxjr/the-rumble-ft-chief-joseph-boudreaux-jr-live-at-the-maple-leaf-bar" target="_blank" rel="noopener noreferrer">Live at the Maple Leaf”</a>On Mardi Gras morning, your eyes may feast on the intricate and elaborate beadwork of the Indians as they dance down the street, but the first thing you&#39;ll hear when they make their way toward you is the back line, known as &#34;the rumble&#34;. Featuring seven GRAMMY-nominated musicians, The Rumble is more than just a band — it&#39;s an opportunity to be immersed in a wholly unique facet of New Orleans culture. Composed of Second Chief Joseph Boudreaux Jr. of the Golden Eagles, trumpeter Aurélien Barnes, trombonist José Maize Jr., bassist TJ Norris, guitarist Ari Teitel, keyboardist Andriu Yanovski, and drummer Trenton O’Neal, the group fuses iconic New Orleans funk in the vein of The Meters and The Neville Brothers — but updated, modern and vibrant befitting the next generation — with electrifying brass and the singular visual splendor of the Black Masking carnival tradition. The Rumble&#39;s debut album, “Live at the Maple Leaf”, received a GRAMMY nomination for Best Regional Roots Album 2024. Their live show is a symphony of rich color and propulsive sound, with each member sharing vocal duties and engaging the audience in the classic Mardi Gras Indian-style call-and-response chanting. The group pays homage to trailblazers like Wild Magnolias and Golden Eagles, both of which featured the vocal stylings of Boudreaux’s father, Monk Boudreaux. The Rumble continues the fight to preserve the legacies and traditions of the community for the next generation while bringing new layers of depth to their live performance. The Rumble provides audiences with not only a top-tier musical event, but a chance to participate in a culture that, while deeply rooted in centuries-old tradition, is thriving and evolving through the active work of this next generation of bold and passionate culture-bearers.

The Rumble ft. Chief Joseph Boudreaux Jr.

The Memberberries are NYC’s hottest 90’s-00’s pop/rock cover band. They perfectly replicate classic pop/rock nostalgic songs while still adding a touch of their own flare. These musicians are professionals that have spent years dedicating themselves to delivering a high quality show. Along with an engaging performance, the band is able to supply top of the line sound quality from their own state of the art PA system as well as an advanced lighting system that is sure to set the tone for a night of fun for any occasion.

The Memberberries

Hailing from Richmond, Virginia, The Jack Wharff Band play a strikingly unique blend of bluegrass, Country and rock. Known for their electric live performances, masterful instrumentation, and their ability to make music that consistently defies the confines of genre, the young band burst onto the scene last year with snippets of jaw-dropping original songs posted to TikTok and Reels. Composed of vocalist/frontman Jack Wharff, drummer Garrett Howell, bassist Ryan Atchison and guitarist Evan Novoa, the salt of the earth four-piece have quickly captivated audiences with their infectious energy and unrelenting passion for the craft. The band has taken everything that has come their way in stride – viral videos of their original songs, a record deal with Big Machine Records, a move to Music City and more – earning a loyal following along the way. With an unparalleled ability to command an audience with vibrant stage presence far beyond their years and toe-tapping anthems that beg to be sung along to, it’s clear that this is just the beginning for The Jack Wharff Band. For more information and tour dates, please visit jackwharffmusic.com.

The Jack Wharff Band W/ Keenan O'Meara opening

<div><h1>HOT DATE BAND</h1></div><div>High Energy / Party Rock / Dance / Cover Band</div>

Must arrive 30min within showtime to ensure entry.

Hot Date

GA (arrive 30min within showtime to ensure entry)

Depending on the day of the week, Improvement Movement might be described as a loose amalgamation of Atlanta songsmiths, a hostile corporate takeover of your dad&#39;s favorite band, or a generous waste of time.Don&#39;t Delay, Join Today!William Wild:Though Garrett Sale’s last release as William Wild arrived in 2022, the Knoxville songwriter’s short creative hiatus has felt like an eternity. Between his 2016 breakthrough, “Morning,” steady work as a producer, and syncs from shows like Yellowstone, the William Wild project was growing steadily and gaining momentum. Then came an avalanche of obstacles – personal and professional. Between a divorce, depression, and multiple relocations across the country, Sale was at his lowest. His music was ignored. Slowly, after reprioritizing his health, and his relationship with music itself, Sale began to piece together his newest William Wild project. The result is his forthcoming album, Touchy. Far and away the rawest recording in the Wild canon. It’s immediate, nearly tangible — his pain, grief, triumph, and joy, tactile against these gorgeous, homespun backdrops. To get to where he is now, though, Sale had to grow and shrink, to rise out of his own pain and focus on the delicate craft of capturing a perfect moment to tape.“Touchy represents a strong shift in my music,” Sale explains, noting how the writing process came from experimenting for an hour a day, willing himself to write when he was at his lowest. “I was listening to some crazy records by Sun Ra and improvisational noise music. I was just telling myself, ‘go mess around.’ I would take these ideas and mold them into songs, but the breakthrough came when I was untethered from expectation; writing to keep myself sane.”The irony of the newest William Wild album being something Sale originally thought was only half-done isn’t lost on him. Rather than it being a palate cleanser or a chance at starting over, it’s the defining statement of his career. “I was trying to focus less on music and ended up making something that I&#39;m the most proud of,” he explains. “I thought it was halfway finished, but I eventually realized I couldn’t do anything else with it, and I had to share it. It’s who I am, it’s what I have to say.”After a decade of touring, features in American Songwriter, No Depression, and Ones to Watch, and major syncs in Yellowstone and Wind River – William Wild returns with his third full length album Touchy on 6/6..

Improvement Movement w/ William Wild opening

Reggae Night w/ Winston Irie

The Moondogs’ Mystery TourRoll up, roll up!The Moondogs are back, with the Moondogs’ Mystery Tour: a trip through every psychedelic second of Magical Mystery Tour, plus a handpicked selection of hits—and a few deep cuts—from the Beatles’ touring years, 1963-1966! The Moondogs are: Fred Gilde (keyboards/vocals), Mick Hargreaves (guitar/vocals), Dan Koontz (keyboards/vocals), Joe Lauro (bass/vocals), Jeff Levitt (guitar), Mark Pohl (drums/vocals) and Michael Schiano (guitar/vocals).

The Moondogs

Madden Novogratz is a Brooklyn based singer-songwriter putting her own twist on the NYC indie-rock sound. While her recent single, “Lead Me On,” takes inspiration from the soul-pop tonality of Lake Street Dive, allowing the naturally deep character of Novogratz’s voice to shine, much of her unreleased music has more Alanis Morissette-esque, distorted feel. This marriage of genres combined with her magnetic persona and her terrific three piece band (with Mercer Meeks on the electric guitar, Ruby Chaffer on Bass and Jack Galardi on the drums) makes Novogratz a beacon of energy on stage. Novogratz has built her chops as a performer, playing around the smaller NYC circuit—having done shows at venues like Heaven Can Wait, The Bitter End and Club Groove. She can’t wait to release the second single off her debut EP on March 25th, 2025. Look out for “Butterflies” by Madden Novogratz. Instagram: https://www.instagram.com/maddennovogratz/ (https://www.instagram.com/maddennovogratz/) TikTok: https://www.tiktok.com/&#64;maddennovogratz (https://www.tiktok.com/&#64;maddennovogratz) Youtube: https://www.youtube.com/channel/UCA2xwFd3mgq3iqK3NL5-v0w (https://www.youtube.com/channel/UCA2xwFd3mgq3iqK3NL5-v0w)Spotify: https://open.spotify.com/artist/6w4vdqpjThTscsYBLHK5Ir (https://open.spotify.com/artist/6w4vdqpjThTscsYBLHK5Ir)

Madden Novogratz

&#34;Come dance, sing and party with Pink Mirror! We are a super fun, high energy NYC based cover band bringing you all of your favorites - from the most current hits, to the best songs from over the decades! We tailor our sets for any audience - night clubs, daytime hangs, private parties, etc. Our goal is to help you get your groove on, bring a smile to your face and take you on an amazing musical adventure!&#34;

Pink Mirror

Get ready to unleash your inner 80s aficionado with the Cherry Bombs! This explosive tribute band is here to take you on a time-traveling journey back to the neon-soaked era of big hair, shoulder pads, and leg warmers. Whether you&#39;re looking to dance, sing along, or simply bask in the nostalgic glow of the 80s, the Cherry Bombs are the band to see.Formed in 2022, the Cherry Bombs were brought together after their fateful encounter at the annual Battle of the Fantasy Girl Bands held at the iconic Stephen Talkhouse. Their shared love for the music of the 80s and their electrifying performances catapulted them into the spotlight, capturing the hearts of audiences far and wide.Yuka Silvera, the grooving bassist, lays down the funky foundation that will keep your feet moving all night long. An exciting new addition to the band is the dynamic multi-sensory solo performer, Mila Tina on drums who will blow your mind.Leading the charge is the charismatic Lola Lama, whose captivating vocals can effortlessly transport you from power ballads to high-energy anthems. Vanessa Lynah’s sultry vocals adds the perfect touch. Adding a touch of je ne sais quoi is Nika Nesgoda, the band&#39;s cellist, whose strings soar through the mix, weaving a unique tapestry of sound.But the Cherry Bombs&#39; explosive performances wouldn&#39;t be complete without the multi-musician, Christopher Walsh who ignites the stage with his scorching guitar riffs, the young talented artist Matthew Brand on keyboards.Dust off your mixtapes, dig out your cassette player, and get ready to be transported back to a time when MTV ruled the airwaves and the 80s were in full swing. The Cherry Bombs are here to take you on a musical journey through the greatest hits of the decade, ensuring a night of unforgettable fun and infectious nostalgia. Get ready to rock out with the Cherry Bombs and experience the neon glow of shoulder pads, spandex, and Stiff Stuff like never before!The Cherry BombsMila Tina on Drums, Yuka Silvera on Bass, Nika Nesgoda on Cello, Lola Lama and Vanessa Lynah Lead Vocals, Christopher Walsh on guitars, Matthew Brand on Keyboards Follow Us: <a href="https://www.instagram.com/cherrybombsmusic/">CherryBombsMusic</a>

The Cherry Bombs

Black &amp; Yellow is the collaboration of local Hamptons frontman Ray Ramos and renown drummer Julian Edmond, both formerly of the band Hello Brooklyn. The band&#39;s lineup also features NYC-based singer Jason Karnell, who will co-front the band with Ramos. Black&amp;Yellow promises to feature musical selections from the early days of Motown, dance and R&amp;B to hip-hop and chart topping hits today.

Black & Yellow

Paco Versailles is a collaboration between guitarist/composer Vahagni and songwriter/producer Ryan Merchant (of Capital Cities).Their sound is a mix of flamenco guitar rhythms with disco- leaning electronic production and captivating vocals, a new genre they call Dancemenco. The name Paco Versailles was conceived while imagining a collaboration between their biggest influences, the legendary Spanish guitarist Paco De Lucia and French electronic artists Daft Punk and Air, both products of the Parisian suburb of Versailles.

Paco Versailles

Looking for a fun band? Find Peat Moss and The Fertilizers. They are the most animated, fun loving and talented group of performers on the circuit today. Together since high school, this tight-knit group of friends have come a long way, with thousands of performances under their belt! Their ever-expanding song list of fun, upbeat material wows all music fans from any age group.One thing heard time and time again about the band is that they possess tremendous energy and a love of their craft, which shines through in every performance. This provides the audience with a ‘vacation from reality,’ as one viewer remarked. Peat Moss and The Fertilizers will never let you down and never leave an audience unfulfilled. So get on the dance floor, forget all of your problems and be prepared to dance the night away.

Peat Moss & the Fertilizers

<h3>Secret Sellebrity Society</h3><h4>The best party band.</h4><div>Top secret musicians from NYC and the Hamptons band together for an unforgettable party. HELLO BROOKLYN:Hello Brooklyn is an NYC-based cover band servicing the tri-state area. Throwing parties since 2011, we aim to provide you with an unforgettable live music experience. Whether you’re having a wedding, birthday bash, or a party for no reason, you can count on us to get everyone on the dance floor.</div>

Secret Sellebrity Society Band 8pm & Hello Brooklyn 10:30pm!

Secret Sellebrity Society Band & Hello Brooklyn!

GA- 6pm to 7pm (Must arrive prior to 7pm)

GA- 7pm to 8pm (Must arrive prior to 8pm)

GA- 8pm to 9pm (Must arrive prior to 9pm)

GA- 9pm to 10pm (Must arrive prior to 10pm)

GA- 10pm to 11pm (Must arrive prior to 11pm)

GA- 11pm -12pm (Must arrive prior to 12pm)

12pm-close

Alternative/pop rock band - Kids That Fly - formed in the fall of 2018, while attending the University of Connecticut. It wasn’t long before they fell into a rhythm playing shows around CT while simultaneously commuting in and out of NYC for recording both in Manhattan and Brooklyn; they have been on a trajectory ever since. In 2024, Kids That Fly take their alt/pop melodies and electrifying live show on the road, up and down the East Coast and beyond.

Kids That Fly w/ Sum Sun

LHT Little Head Thinks--cool and down to Earth. the group is located in a perfect place--the Hamptons--for their laid back rap/rock party that they throw while on stage. Putting their fingerprints all over an eclectic mix of covers from the 70&#39;s, 80&#39;s and 90&#39;s while intertwining some of their own catchy originals, LHT keeps the party moving, the drinks flowing and the dance floor packed. LHT has plays regularly at the legendary Stephen Talkhouse as well as other venues in the Hamptons. LHT has lended their talents to benefit Wounded Warriors, The Blue Point Fired Department, as well as local individuals in the community in need of help for medical issues. LHT regularly plays private parties including weddings, providing the perfect atmosphere for any fun party. LHT has shared the stage with Chad Smith, G.E. Smith, and Jimmy Buffet, as well has played shows with Susan Vega, Tribe Called Quest, Paul Simon, and many more.

DUNE BLUE treads between indie rock, psychedelic, surf, and reggae. Crafted at the Dune Lagoon in Williamsburg, Brooklyn, Dune Blue emerged on the NYC club scene during the summer of 22 with four sold out shows. Dune Blue mixes the punky reggae groove of West Coast artists like Sublime, Sensi Trails and Dirty Heads with the big sound and indie rock energy of Aussie contemporaries like Sticky Fingers, Ocean Alley and Skegss. The boys released their debut EP in July &#39;23, recorded in Brooklyn and mixed by Callum Howell at Forbes Street Studios in Sydney, Australia. Roland Mounier - Vocals/Guitar Jensen Meeker - Drums Liam Cashin - Bass Connor Picascio - Lead GuitarPan Arcadia is a band from New York.While paying homage to prior guitar acts like The Ramones and The Strokes, the 5-piece builds on classic rock by incorporating elements boom-bap, bossa-nova, synth-pop and pop-punk.

Dune Blue w/ Pan Arcadia

CC&amp;TheBoys are a Pro Country/Southern Rock Party and Show Band based in NYC! Doing ALL the hits and sing-along party favorites from Willie Nelson to Dolly, Southern Rock Favs like Lynyrd and Creedence… all the way to current Country Party hits like Luke Combs, Morgan Wallen  and Kacey Musgraves! Performing across the country in some of country music’s biggest venues including “Opry City Stage” (Grand Ole Opry) and Blake Shelton’s Nashville staple “Ole Red”. CC&amp;TheBoys show the true style and show of country music. Looking for a good time, Look no further. Let’s Boot, Scoot and Boogie.  CCandtheBoys.com

CC & The Boys

<h3>&#34;Okay...The Allmost Brothers Band&#34;</h3>The Allmost Brothers Band is a progressive tribute act honoring the tradition of the legendary Allman Brothers Band. Working within the framework of the incredible and vast song book of the ABB, The Allmost Brothers inject something new, fresh and exciting into the material. In a matter of words: high level musicianship, authentic improvisational interplay, dedication to the high octane performance, and power that established theoriginal ABB back in 1969, and sustained their 45 year carreer.The Allmost Brothers Band are: Sean McGrath, and Dave Filloramo on lead guitars, Joe Wasserman on Vocals &amp; Keys, Dave Losee and Dan Roth on Drums, and Tom Hooker on the Bass.This band of brothers truly thrives on chemistry and improvisation bringing a unique fire every night to the song book of the ABB.Duane Allman had a clear vision all those years ago, to spread the gospel of American Blues, R&amp;B, &amp; Jazz music to the people.  With this gospel the original ABB created a new sound that would fill concert halls, car radios, and smokey bars for decades to come.  The Allmost Brothers share in this same vision, and bring their explosive sound to paying tribute to  the greatest live band in history.  From the Fillmore to the Beacon, The Allmost Brothers stretch from the original Duane Allman &amp; Dickey Betts lineup to the recent Warren Haynes &amp; Derek Trucks lineup and everything in between.At the heart of things The Allmost Brothers Band are more than a tribute act, they are an experience.

The Allmost Brothers Band

&#34;Their name says it all: The Dave Matthews Tribute Band. For nearly 20 years, the band has been performing sold out shows around the world; playing over 1,500 dates in 46 states and 8 countries. Many go to their live shows with reservations, high expectations, and the burning question, &#34;Do these guys sound like the real Dave Matthews Band?&#34; Almost always the answer is &#34;Yes!&#34;Beyond mastering the DMB sound and the relentless touring, what separates The Dave Matthews Tribute Band from other cover bands is their passion, love, and respect for DMB and their music. That is what makes you come out of one of their shows saying, &#34;Yeah, they really do sound like the real Dave Matthews Band.&#34;

Dave Matthews Tribute Band

From house to techno and everything in between, with a forte for contagious rhythmic environments, Kikaii will get you moving. Don&#39;t miss an amazing night of dancing, good music, and good vibes.

DJ Kikaii

<div>Kaleb Cohen is a rising artist known for his raw storytelling and soulful vocals. A gifted pianist and</div><div>songwriter, Kaleb has the rare ability to play almost anything by ear—a skill that fuels the emotional</div><div>depth and authenticity of his music. His latest single, East Coast Summers, has quickly caught ﬁre,</div><div>amassing over 2 million streams within its ﬁrst month and capturing the attention of listeners</div><div>nationwide.</div><div>Born in July 2005 and raised in a deeply musical family, Kaleb grew up immersed in every genre</div><div>imaginable—from classic rock and indie folk to contemporary R&amp;B. These inﬂuences converge in his</div><div>unique sonic identity—one that doesn’t ﬁt neatly into a box but instead creates a sound that feels</div><div>both familiar and entirely his own. With a natural gift for melody and a voice that cuts straight</div><div>through, Kaleb Cohen is carving out a space as one of the most exciting new artists to watch</div>

Kaleb Cohen

Bombargo is a Canadian based international touring band that drops a vibrant splash of soulover their distinctive ‘vintage-pop’ sound. Well known for bringing unrivaled energy to the stagewith sing-along anthems, double-brother harmonies, and a powerful message that combinedmake for one of the most captivating live shows ever! Frontman Nathan Thoen&#39;s passionateconviction and ‘Jagger-like’ dance moves even impressed billionaire and music industry icon SirRichard Branson, quoting “I haven’t seen this type of energy since The Rolling Stones!” - and hewould know, having personally signed The Rolling Stones to Virgin Records.The band began with lead singer Nathan Thoen and guitarist Spencer Chilliak after the twospontaneously met and drove 16 hours to attend Sasquatch Music Festival where they becameinspired to start a band. The duo wrote their debut single “Let It Grow” during their very firstwriting session and as part of Bombargo’s debut EP Back on Main which would go on to beincluded in “The Top 10 Best Saskatchewan Albums of 2015” by SaskMusic. This furtherinspired them to continue writing, touring, and release their first full-length album titled We AreBombargo. The group has since evolved into a 7-piece touring band adding Nathan’s brotherAnthony Thoen on guitar, additional brothers Matt and Sammy Folkersen on keys and bassrespectively, Connor Newton on saxophone, and Niall Cubbon on drums.Bombargo went on to receive massive acclaim when pop star icon Taylor Swift added their2018 single “Mr. No Good” to her Spotify Playlist titled “Songs Taylor Loves” alongside megaartists including Ed Sheeran, Camilla Cabello, and Kendrick Lamar. Being the only unsignedband on this star-studded playlist saw Bombargo featured on CBC’s the Q, NME, Exclaim,Fashion, Noisey, People, and Billboard. This success was followed up by the release of theirmost successful single to date - “Oxygen” which pushed Bombargo into the Canadian Hot ACTop 40 Charts for the first time in the fall of 2019. The band also made its US touring debut inlate 2019 with their 33 date “North American Dream Tour” which kicked off with Bombargoplaying the sold-out Roughriders Labour Day Classic Half-Time Show to over 33,000 people.The band’s highly anticipated US debut at Hotel Cafe in Hollywood, CA gained heavy presscoverage including a raving article in Billboard Magazine.Bombargo has opened for legendary acts including John Butler Trio, Michael Franti &amp;Spearhead, Joel Plaskett and most recently performed on the Okeechobee festival main stagein Florida with over 40,000 in attendance. They have surpassed 4.5 million streams on Spotify,received over 715,000 views on YouTube, and were nominated for the Saskatchewan MusicAwards “Pop/Rock Artists of the Year&#39;&#39; in both 2018 and 2019. In August of 2020 the bandlanded a ‘most excellent’ cameo in the hollywood blockbuster “Bill &amp; Ted 3: Face The Music”.There’s no doubt Bombargo will continue spreading The Goodtime GuaranteeTM long into thefuture with the release of their new album ‘nubula.’ (released in May of 2022), and upcoming“Goodtime Guarantee Tour” this coming fall.

Bombargo

GA(Arrive 30min within showtime to ensure entry)

The East Coast’s Premiere Cover Band. Playing all the Throwbacks and Top Hits from your favorite artists.

Nicolls Road

The Wailers 2024 Tour: Celebrating the Legacy of &#39;Legend&#39; and the Release of &#39;Bob Marley: One Love&#39; Ladies and gentlemen, prepare for an extraordinary musical journey with The Wailers in their 2024 Tour! This year, the iconic reggae band celebrates two significant milestones: the anniversary of Bob Marley&#39;s legendary album &#34;Legend&#34; and the release of the eagerly awaited biopic &#34;Bob Marley: One Love.&#34; Under the skilled leadership of Aston Barrett Jr., The Wailers are not just preserving their timeless sound but also enriching it with new dimensions. The addition of Mitchell Brunings, with his soulful voice and dynamic stage presence, has infused the band with fresh energy and charisma, enhancing their already electrifying performances. This tour is set to be a spectacular tribute to the &#34;Legend&#34; album, bringing its classic hits to life on stage. Fans will be treated to a unique blend of nostalgia and contemporary reggae rhythms, making each concert an unforgettable experience. In a remarkable crossover into film, Aston Barrett Jr. debuts his acting skills in &#34;Bob Marley: One Love,&#34; portraying his father. The film, directed by Reinaldo Marcus Green, features an impressive cast, including Kingsley Ben-Adir as Bob Marley. Scheduled for release on February 14, 2024, the biopic promises an intimate look into Marley&#39;s life, his rise to fame, and his lasting impact on music and culture. Don&#39;t miss this opportunity to witness The Wailers as they celebrate the rich legacy of Bob Marley&#39;s &#34;Legend&#34; and the cinematic homage &#34;Bob Marley: One Love.&#34; Join us for a tour filled with love, unity, and the powerful, uplifting vibes of reggae. The Wailers are back, bringing their A-game to stages across the world!

The Wailers

<h2>Grab your friends and your dancing shoes! CANDY SHOP will get you movin’ and groovin’ all night long!</h2>Packaged with energetic stage presence, professional musicians, and colorful outfits, CANDY SHOP delivers an exciting show sure to get you out of your seats. Showcasing a trio of young divas singing alongside an all star band mixing covers and original music from the upbeat, pop, and funk styles of the 70’s to now.<div><div><h2>WE DO IT ALL!!</h2></div></div>

Candy Shop

“Their expansive sound, penchant for experimentation and incredible shows combine a psychedelic southern blues-rock aesthetic with danceable electronics… Continually exhilarating.” –David Dye, NPR’s World CafeAustin psych-rippers The Bright Light Social Hour have made a triumphant return with their delectable and electrifying new album “Emergency Leisure”. Comprised of Jackie O&#39;Brien (bass/vocals), Curtis Roush (guitar/vocals), Mia Carruthers (keys/vocals), Zac Catanzaro (drums), and Juan Alfredo Ríos (percussion), the band once again showcase their exceptional and infectious melodies, flooded with their distinctive propulsive rhythms and carnal energy.The Bright Light Social Hour have established themselves as a relentless force in the tapestry of American psych-rock. With four prior studio albums, including the highly acclaimed Space Is Still the Place and Jude I &amp; II, their sound defies conventions and continues to transmute. Their impressive portfolio includes composing original soundtracks for HBO, MTV, and Nintendo, and they even had the honor of writing and recording the award-winning theme for Amazon&#39;s &#34;Sneaky Pete&#34; at the request of Bryan Cranston. Their reputation for explosive live performances has led them to grace the stages of prestigious festivals like Austin City Limits, Lollapalooza, and Electric Forest, sharing the spotlight with legendary acts such as Aerosmith, Spoon, Thee Oh Sees, and The Flaming Lips. The Bright Light Social Hour&#39;s innovative sound has garnered critical acclaim from esteemed publications like CLASH, NPR, The Wild Honey Pie, Earmilk, and many more.“Transportive… like you&#39;re floating off to a galaxy far, far away.” – Vice“Surreal, dreamlike… take me right to bed vocals.” — The Denver Post“A lush, space-western odyssey.” – Consequence of Sound“A touch of grunge, a little grime, and lots of spacey, psychedelic mind-melting sounds.” — Leafly

The Bright Light Social Hour

For the first time in almost a decade, brothers Taylor and Griffin Goldsmith grace the cover of a Dawes record. It’s just the two of them this time, and as such, Oh Brother marks a distinctive new chapter for the California rock band — one that is both introspective and accessible, all while maintaining their beloved sense of sincerity. After the amicable departure of two bandmates last year, Taylor realized that the group’s natural evolution was nothing to hide from Dawes’ dedicated fans. He likens it to looking back on The Rolling Stones’ career — eras with Brian Jones versus Ronnie Wood — or Dire Straits’ lineup with and without brothers Mark and David Knopfler together, or The Cure’s fluctuating cast encircling Robert Smith. People change. Music evolves. But a band is still a band. “We’re not shying away from this information, because then it just seems cowardly or something,” Taylor says. “Rather than try to hide something, let’s celebrate it. Let’s call our record Oh Brother.” The title of Dawes’ ninth LP serves as a sort of double entendre too, an exasperated sigh acknowledging that change can still be challenging. “We’re gonna miss our dudes,” he says. “They’re still brothers.” Still, Oh Brother steers Dawes decidedly forward, honoring 15 years of Taylor and Griffin’s musical relationship, as well as the next era of their band. That spirit informed much of the album’s writing and recording, too. Each of the nine songs began with just Taylor on guitar and vocals and Griffin on drums. They initially tracked each one live together, before adding in additional instrumentation and collaborating with touring guitarist Trevor Menear in the studio. Additionally, Oh Brother is the first record the brothers have co-produced, working alongside longtime friend Mike Viola. Lyrically, the songs on Oh Brother encompass personal moments in their lives and larger ideas of what consistency and stability mean. “House Parties,” a musical sibling to 2015’s “All Your Favorite Bands,” came toward the end of the recording process for 2022’s Misadventures of Doomscroller. Shortly thereafter, “The Game” and “Surprise!” — a six-and-a-half-minute not-quite-center, centerpiece about life not going as expected — came as Taylor was settling into fatherhood. Elsewhere, “King of the Never-Wills” subtly addresses addiction and “Mister Los Angeles” serves as a sardonically satirical commentary on their hometown. At this point in the Goldsmiths’ career, Dawes has cemented itself as one of the most earnest, no-bullshit musical acts out there. To some degree, Taylor acquiesces, “I definitely choose to believe that definitive work can always be out in front of us instead of behind us, but it’s also a fact that we have established a personality.” They’re a band that can move seamlessly between folk rock, piano ballads, and sprawling jams while maintaining both an immediately recognizable sound and a freedom from expectations. Across its heartfelt songs — sometimes silly and sometimes serious, and all filled with sing-along choruses, deeply felt poetic lyrics, and sterling musicianship — Oh Brother highlights the band’s independence. Even as the Goldsmith brothers navigate new chapters in their personal and professional lives, they remain creative, ambitious, and inspired. “All you can really do is find out what are the most essential, truest, and idiosyncratic parts of yourself,” Taylor says. “And I like the fact that Griffin and I are kind of clinging to each other and holding on to each other more than we ever have. We’re grateful for each other in a new way. But we’ve also been through a lot. “It feels like we’re reborn in a way, and I mean that with so, so much love and gratitude to everyone we’ve ever played with before! This is what it means to be a lifer, to have iterations. It means having phases and chapters, and this is a very clear delineation as to the beginning of a new one. So Oh Brother feels like a ninth record, but it also feels like a first record.”

Dawes

Reggae w/ Rum Punch Mafia

<div><div> </div></div><div><div><blockquote><div><div>Epiphany Get Paid:Is a live singing internationally popular drag queen who bounced from LA to NYC to Berlin to Mýkonos and everywhere in between before making a home in Key West. She’s bringing some of the top drag talent from Fire Island to perform for you this summerMiss StonewallMiss Fire IslandMiss Long Island Queen Mother of Key WestGlobally travelling drag queen based in South Florida!Ariel Sinclair: 2 time winner Miss Long Island Miss Fire Island 2002Celebrating her 29th season at the Ice palace in Cherry Grove .  Hostess at Lips NYCBeatrix Dixie :Beatrix Dixie, is a name you’re going to remember once you&#39;ve experienced AquaPlex Key West. Not only is she a powerhouse dancer and singer, Beatrix is also at dynamite hostess extraordinaire. She performs with passion, confidence, sharp choreography and goofy quips! </div></div></blockquote> </div><div> </div><div> </div><div> </div></div>

Live Drag Show! w/Special Guest Richard!!

Based in Athens, Georgia, Wim Tapley came of age playing shows in Washington D.C. where he honed his voice with the passion of a born troubadour.Since 2021, Wim and his live band The Cannons have called Athens home. His first week in Georgia, he made his way onto a local bill, etching a name for himself as a fresh and favorite hometown voice. He is ardently received by his ever-growing following at legendary venues like Eddie’s Attic and the Georgia Theatre, along with tours across the East Coast.Firmly rooted in Americana and dashed with catchy pop sensibilities, the swinging depths of neo-soul, and a sprinkling of riotous horns, Wim’s arresting sound is as fresh as it is ageless, as fevered as it is raucous fun. A sonic westward expansion of fuzzed-out guitars, saloon pianos, defiant horns, and dusty vocals, his discography blazes a new take on folk and soul while honoring the songwriting giants that paved the way before him like Jason Isbell, Bill Withers, and Chris Stapleton. Follow Wim on Spotify and Instagram and never miss out on the musical misadventures of the East Coast’s resident space cowboy.Spotify: <a href="https://open.spotify.com/artist/0hBKnsxER0S51JUH21uYLi?si&#61;r3tGSroBTGqDzEUhmwZDqA">https://open.spotify.com/artist/0hBKnsxER0S51JUH21uYLi?si&#61;r3tGSroBTGqDzEUhmwZDqA</a>Website:<a href="http://www.wimtapley.com/">www.wimtapley.com</a>Instagram:<a href="http://instagram.com/wimtapley">instagram.com/wimtapley</a>Bandsintown:<a href="https://www.bandsintown.com/a/15311192-wim-tapley-and-the-cannons?came_from&#61;257&amp;utm_medium&#61;web&amp;utm_source&#61;home&amp;utm_campaign&#61;search_bar">https://www.bandsintown.com/a/15311192-wim-tapley-and-the-cannons?came_from&#61;257&amp;utm_medium&#61;web&amp;utm_source&#61;home&amp;utm_campaign&#61;search_bar</a>

Wim Tapley & The Cannons

Prepare to be transported back to the vibrant 1970s as New York City’s premier ABBA tribute band, Mamma Mania! brings the classic hits of one of pop music&#39;s most iconic groups to life. With their dazzling costumes, flawless harmonies, and captivating stage presence, this tribute captures the essence of ABBA’s unforgettable sound.From &#34;Dancing Queen&#34; to &#34;Mamma Mia,&#34; fans will enjoy a night filled with nostalgia from a stellar cast of musicians! Performers include current or former touring members of: Mamma Mia - Official North American Tour, Marc Martel’s Queen Extravaganza, INXS, Britney Spears, Rob Thomas, The Weeknd and many more! Mamma Mania! pays homage to ABBA&#39;s legacy, celebrating the timeless melodies and uplifting lyrics that have charmed listeners for generations.Join us for an evening of music that showcases not only the incredible songs but also the joyful spirit of ABBA. Whether you’re a lifelong fan or new to their music, this tribute promises to be an unforgettable experience filled with energy, enthusiasm, and plenty of dancing. Don&#39;t miss your chance to be part of this extraordinary celebration of ABBA from some of New York’s finest!!

Mamma Mania- ABBA Tribute Band

Paradise Pop. 10 feels a lot like finding an unpublished collection of short stories, scrawled hastily on the sides of airsickness bags and cocktail napkins, each one detailing the life of the unwitting passenger fortunate enough to be seated next to Christian Lee Hutson on their flight to Fort Worth.Anyone who has had the good fortune of falling in love with his earlier albums – 2020&#39;s Beginners and 2022&#39;s Quitters – knows that he is a keen observer of both himself and the world. Those albums earned the Californian singer-songwriter international attention, with Pitchfork noting that, &#34;Few lyricists can paint such clear portraits in such a small space; even fewer can set them so naturally to such long-breathed melodies,&#34; the UK&#39;s Guardian commending his work as &#34;small films in song, delicate and devastating, lingering long&#34; and No Depression heralding the arrival of &#34;an artist fully formed and wise beyond his years.&#34;From the first line of the first song on this new album – &#34;Tonight your name is Charlotte / In a play within a play&#34; – he reminds the listener that he is again weaving a web of autobiographical fiction. However, this time he has somehow both simplified and sharpened his style.On Paradise Pop. 10 you will visit the CC Club in Minneapolis, a San Francisco stage production of a Tom Stoppard play, a bowling alley at the Jersey Shore, and a 2003 Subaru where two dads consider kissing each other after a game of pick-up basketball. Despite how broad the world Hutson creates is, the album gives you the impression that you are at an airport gate of sorts, and all these characters are gathered together, waiting for their lives to begin. They make light conversation with each other as their flight continues to be delayed… just another 15 minutes.Recorded at Figure 8 Studio in Brooklyn NY, the lifelong Angelino and his frequent collaborators – 4 x GRAMMY winner Phoebe Bridgers, GRAMMY-nominated producer &amp; songwriter Marshall Vore, and GRAMMY-nominated engineer &amp; multi-instrumentalist Joseph Lorge – ventured east to make Paradise Pop.10 and picked up some friends along the way. Lauded singer-songwriter Maya Hawke – whose latest album credits Hutson as producer and co-writer – co-wrote and sings harmony on the sharp and shoegaze-y earworm &#34;Carousel Horses.&#34; The song is a spiritual sequel to &#34;Age Difference,&#34; a single from Christian&#39;s last record,Quitters, which depicts the crumbling of an unbalanced love affair: &#34;You shouldn&#39;t feel stupid/ I just knew before you did/ Now I&#39;m sitting here spinning my wheels/ I bet you know how that feels.&#34;Recorded in the depths of winter, the close-knit talents from Los Angeles hunkered down to craft a brilliantly constructed and tender album. A captivating, breezy charm permeates every track, with each song hooked around Hutson&#39;s warm, earthy vocals and dexterous story-telling. Whether fragile, finger-picking folk or rousing, beachy, power pop, these songs are informed by a sense of creeping melancholy about the place Hutson had spent most of his life; the sprawling, inscrutable city of Los Angeles had become haunted in his mind. A move to the East Coast, and the &#34;eyes up&#34; city of New York, was required to refresh his memory banks. &#34;I wanted to make an eyes up record. A looking forward record,&#34; he says.He explains, &#34;Sometimes when you live somewhere for a really long time, the place starts to feel like a memory graveyard. Every corner becomes kind of haunted in a way, kind of dragging you out of the present. That&#39;s the street that Mikey used to live on. I smoked a cigarette in that alley with Zoe. There&#39;s the rooftop we used to watch planes land from… y&#39;know? That&#39;s what LA became like for me, in the time after I made Quitters.&#34; He expounds, &#34;My last two records were really about exploring the past and mapping a little &#34;star tour&#34; of memories. Spending so much time revisiting all these emotional landmarks ended up giving me the feeling that I was missing my life. Like it was passing me while I was looking the other way. It felt really connected to the city. I would spend half my life in the car, just completely on autopilot, reliving my life from the beginning on repeat every day.&#34; Having relocated to New York City he says he feels a very different energy around him, one he describes as,&#34;You&#39;re alive right now. You&#39;re living your life today.&#34;Accompanied by Shahzad Ismaily&#39;s synths, Hutson&#39;s rich voice shines most clearly on the album&#39;s first single &#34;After Hours.&#34; He sings from a condominium in a corporatized Heaven to the woman he misses back on earth. &#34;Big budget productions of the lives of your loved ones / The good stuff is behind a paywall.&#34; Though the citizens of this Heaven are offered daily glimpses into life on Earth, our narrator prefers to imagine the minutiae of his love&#39;s routine while he waits for her to join him.One of the album&#39;s most sparse tracks, &#34;Flamingos,&#34; finds Hutson at the piano backed by longtime musical collaborator, and the album&#39;s co-producer, Phoebe Bridgers singing harmony. In this song we catch a glimpse of an anxious traveler, fresh off a flight from Tokyo, as he weaves and bobs through a crowd to reunite with a girlfriend. &#34;I&#39;m taking the red eye over the dateline / A sea of slow walkers all taking their sweet time.&#34; As he describes what he sees in her, we see him struggle to resist the urge to point out the differences between them, always reminding her of the score. &#34;Losers remember the people who won / Winners are never afraid to lose / You only think about falling in love / I only think about you.&#34; The listener is left with the question: If you love someone as they are, could you ever really lose?The album is somehow both literary and unpretentious, maybe best exhibited in the final track, &#34;Beauty School.&#34; Singer-songwriter Katy Kirby sings backing vocals on this surprising pop-punk tinged dose of poolside folk rock. &#34;In a mirror universe / Time is moving in reverse / I&#39;m gonna turn my life around / everything is different now.&#34; The lyrics to this chorus call back to that of another song from the record; &#34;Candyland.&#34; &#34;Dismantling my time machine / I&#39;ll probably put back together for the final scene.&#34;Again, Hutson gives the keen listener the impression that he is actively re-narrativizing his life. That he has wound up somewhere he never thought he would be and is trying to wrap his head around how not to ruin it.Paradise Pop. 10 takes its name from a real life &#34;town&#34; set deep in the woods of Parke County, Indiana, near where Hutson spent some of his childhood. There, just past the population sign, you&#39;ll find a row of five houses on one side of the road and a cemetery on the other. Hutson shares, &#34;When I was a kid, my dad used to take me up there, mostly because of the novelty of the town limits sign, but also because it was so quiet and peaceful. For years, he would say that if life ever got too crazy, we could go up there and start living our real lives; be the people we were always meant to be. It occurred to me while making this record, that most of our lives we spend waiting to &#34;be the people we were always meant to be.&#34; I wanted to name this record after that town because it always symbolized an arrival to me. It was the &#39;when&#39; that I looked forward to as a child. &#39;When&#39; it all made sense and I was finally who I was meant to be.&#34;Such a sleepy backwater could feel like a limbo of sorts, like time is frozen; leaving room for your mind to wander either backward into your regrets of the past or forward into the future, into the unknown. But if you can learn to quiet these thoughts, you might realize you aren&#39;t waiting at all. There is no delay. You are living. You are here.Olive Plunk July 2024

Christian Lee Hutson

Hailing from a small South Carolina beach town, Winyah emerged onto the music scene in early 2023 and has swiftly made their mark. They’ve shared stages with acclaimed artists such as The Red Clay Strays, The Vegabonds and The Stews, while also shredding festivals like Bonnaroo. Winyah’s live performances are a testament to their distinctive blend of indie and southern rock, featuring electrifying guitar solos and soulful vocals reminiscent of icons like Led Zeppelin, The Backseat Lovers, and flipturn. The band draws its name from Winyah Bay, a cherished landmark in their hometown where all five members spent their formative years. Their music is a reflection of the five rivers that converge into Winyah Bay, capturing the eternal summer vibes of their coastal upbringing. On the surface, Winyah delivers youthful energy and raw power, but their music also delves into themes of nostalgia and the bittersweet longing for childhood memories and cherished places.

Winyah

Faces For Radio is a high-energy party band that plays the greatest songs ever recorded. If you&#39;re not having fun at a Faces For Radio show, you&#39;re doing something wrong. Founded in 2019, FFR has grown from small bar gigs to performing at some of the biggest venues, events, and weddings on the east coast. Known for turning any room into a full-blown party, FFR’s setlist includes current hits, throwback anthems, and unexpected crowd-pleasers. Catch Faces For Radio at Stephen Talkhouse or anywhere you love to see live music.

Faces For Radio

GA-(must arrive 30min within showtime)

We&#39;re Stolen Gin, a band from New York City. We&#39;re known for our high-energy live act and avid improvisation — we never play songs the same way twice. We met as students at New York University, and first came together playing college parties on NYC rooftops. Our goal then was the same as it is now: to make every gig feel like a party, and to keep people dancing.– Jackson, Evan, Will, Josh and Sawyer

Must arrive 30min within show time to ensure entry

Stolen Gin

GA(arrive 30min within showtime to ensure entry)

Hello Brooklyn is an NYC-based cover band servicing the tri-state area. Throwing parties since 2011, we aim to provide you with an unforgettable live music experience. Whether you’re having a wedding, birthday bash, or a party for no reason, you can count on us to get everyone on the dance floor.<div> </div><div> </div>

Mus arrive 30min within showtime to ensure entry.

Hello Brooklyn

Bogmen w/ QUESTA opening

Social Gold -- The New East Coast Party Band! A powerful &amp; lively performance with superior quality, reaching all ages from the crowd. Playing everyone&#39;s favorites of yesterday and today in every genre, Social Gold brings the party to YOU!

Social Gold

Peter Mayer, guitarist, vocalist and songwriter, has been with Jimmy Buffett’s Coral Reefer Band for over three decades. Mayer also follows his own musical path with both national and international tours and has released 20 live and studio albums to date. Over his years in music he has been privileged to share the stage with many bright lights in the music industry including James Taylor, Paul McCartney, Ringo Starr, Don Henley, Dave Matthews, and many others.Brendan Mayer, guitarist, vocalist and songwriter, has been building a following, laying his tracks in the music world. He released his first album, the “Getaway Car” EP, on Jimmy Buffett’s Mailboat Records, after touring a year with Buffett and the Coral Reefer Band in 2014. He has spent the last months working on his latest release, “Best at the Show,” which is due out this year. He performs regularly on his solo tours.Brendan and Peter joined forces in 2017 to record their debut album, “Long Story Short.” With both songwriters contributing to the list, this collection of twelve songs showcases the father and son’s unique musical directions that, together, weave a unified sound with compelling lyrics and inventive melodies. The result is two voices turned into one with their bloodline harmony.

Peter & Brendan Mayer

Fifteen seconds into his forthcoming 2nd album, “Good to be Here,” Phillip-Michael sings “Toes pointed toward the road / Hard times picking at my bones” outlining the odds he’s facing before barreling into an anthemic chorus; “I couldn’t walk away if I tried / I’m gonna light up the Sky.” It reads like a mission statement, setting the tone for the album. When Phillip-Michael Scales moved to Chicago he immediately began cutting his teeth as a musician. In 2018 he played 308 gigs. Phillip-Michael swears that “Chicago taught me how to hustle” which came in handy when he moved to Nashville and quickly found himself in rotation on the number one AAA radio station, Lightning 100. From there he released his debut album “Sinner-Songwriter,” toured Europe, had a song on national radio, played the Ellen Degeneres show, and opened national tours for Keb’ Mo’ and Caravan Palace. Eventually, he caught the attention of Grammy-nominated producer, Dan Knobler (Lake Street Dive, Allison Russell, and Bahamas) who would team up with Scales on his latest Album, “Good to Be Here” (out April 25th). Without a record label, strong financial backing, or a viral hit; commercial success as an artist is a mountain that very few people scale. Staying true to yourself and continuing to climb when plagued by false starts, setbacks, and crippling doubt is a much longer and lonelier path. Being self-managed for the majority of his career, he’s no stranger to 8-hour drives behind tour busses, prepping for shows in closets or stairwells, getting off big stages to immediately sell his own merch, or pouring through books to learn more about the business. Perhaps that’s the reason his record feels like a modern take on Stax-era Soul where you could hear the blood, sweat, and tears of blue-collar artists singing their way to stardom. Scales also catalogs the mental aspects of the journey asking the kind of questions that keep you up at night. “Is this truly what you want? How are you getting in your own way? Is it really worth the finite time away from the people you love?” Make no mistake, throughout the album, there is an undercurrent of hope and a sense that Scales is truly enjoying himself whether he’s finding love in “Can’t Get Enough” or getting his swagger back in “Be My Own Man.”  “Good to Be Here” is the narration of a person building their dream brick by brick and everything that comes with it. “I wouldn’t say that I’ve ‘arrived’ but when you’ve learned everything the hard way, you get more confident and enjoy the ride because you know that you got yourself here and it’s good to be here!”  *Phillip-Michael grew up with his Aunt’s friend, B.B. King calling him “nephew” but that’s neither here nor there.

Phillip-Michael Scales

Here is the ticket link to purchase tickets:<a href="https://www.zeffy.com/en-US/ticketing/2025-travis-field-memorial-scholarship-bracket-bash">2025 Travis Field Memorial Scholarship Bracket Bash &#64; The Talkhouse</a>Raffle / Silent Auction / Music By REEB!

Travis Field Memorial Scholarship Bracket Bash

GA- go to travisfieldscholarship@gmail.com

<div>Merging the complex rhythms and Latin influences of South America with a modern fusion of funk and commercial dance music, Conga Cartel brilliantly combines to produce an explosive mix of dynamic music that rocks audiences to their very core.Working out of New York, the seven-piece band represent the wonderful tapestry of the South American continent and have been weaving together a stunning sound that has been entertaining crowds for years. A true international collection of experienced musicians, with band members coming from Uruguay, Chile, Venezuela, Colombia, Ecuador and New York itself, their music is undeniably infectious and underpinned by that audacious Latin flare.Fronted by the smokey and soaring vocals of Carolina, every single member of the band combines to become more than a sum of all their parts. Willy Fuentes from Chile drives the rhythm section with solid bass line grooves. Playing drums with boundless vitality, Jorge Castano, originally from Colombia, provides that perfect interplay with the rest of the band; complemented at all times by father and son percussionists Aquiles Jr. and Aquiles Senior. Infused with their Venezuelan heritage, they provide that infectious top line of congas, timbales, maracas, bongos, bells, and whistles that brings the carnival to the party. And finally, but by no means least, fitting like a smoldering glove of Santana-inspired guitar licks, Fabian Rodriguez from Ecuador proves his elegant mastery of the six-stringed instrument to audiences every time he performs. Conga Cartel has also egularly jammed with members of Mambo Loco.Conga Cartel have played at some of the most memorable events and venues in the Hamptons including The Montauk Music Festival, North-West ‘Woodstock’, Stephen Talkhouse, The Gig Shack , Springs Tavern, Tauk at Trails End, The Surf Club and The Harpoon House. Either individually or as a band, they have worked with artists such as Taylor Dayne, Orquesta Alquimia, Steel Pulse, Mila Tina, GE Smith, Big Karma, Mambo Loco, and Bajo Suen?os. As these performances and legacy demonstrate, they firmly believe in providing a platform and a strong voice for the Latin community.That incredible experience on stage and unique understanding of the musical journey that their audiences are on, is also driving them towards the studio and an album recording that is eagerly anticipated by their fans. Bringing together that melting pot of cultures with modern dance tunes is an intoxicating mix of ingredients that will redefine what is expected of the Conga Cartel.As the world experienced the tragedies of the last two years, so did the lives of musicians descend into anxiety and the loss of their dreams. Now the world has turned and the future looks so much brighter with the Conga Cartel back in it. Stronger together with a musical bond that cannot be broken, they are once again taking to the spotlight with the energy that defines the joy and wonder of life.There is nothing finer than hearing the Conga Cartel in full flight. Their collective knowledge of syncopated rhythms and inspiring, sophisticated melodies are a testament to their own self-belief and desire to take their music to the next level. Music is a part of all of our DNA and is the one thing that binds us as human beings. That cultural exchange that the Conga Cartel represents, lives through us in joy, love, celebration and song.Fall in love with music all over again and experience the future with the Conga Cartel.</div><div> </div>

Conga Cartel

The New Mastersounds have been delighting audiences with their infectious brand of funky soul-jazz since they formed in Leeds, England in 1999. For the first five years of the band’s career they were regulars at the Jazz Café in London, before they began to turn heads on the funk scene in the US, where guitarist/producer/bandleader Eddie Roberts now lives. For over a decade they have been a staple act of the late-night scene during New Orleans’ annual Jazz Fest. Always happy to hit the studio between tours, this veteran band now boasts a rich recorded catalogue that includes fifteen original studio albums, four live albums, several compilations, and a remix album. Though they have collaborated over the years with such musical luminaries as Maceo Parker, Fred Wesley, Corinne Bailey Rae, Art Neville, Bernard Purdie and Lou Donaldson, they are at their best on stage as a tightly-packed quartet – bass, drums, guitar and keyboards - firing off scorching grooves and feeding on the energy of the dancers in the front row.

The New Mastersounds-Ta Ta For Now Tour

The New Mastersounds Ta-Ta For Now Tour

Formedover two decades ago, the funksix-pieceThe Motethave learned to work as aninterlocking unit, with each member bolstering one another towards the best creative output.This symbiosis has led to a unique style and cohesive musical chemistry, as seen in theband&#39;s immaculate live performances and seamless blend of funk, soul, jazz, and rock. Witha fervent fanbase in tow,The Motethave sold out shows across the nation,performedsixheadlining slots atRed Rocksand sets at festivals such asBonnaroo,Bottlerock,ElectricForest,Bumbershoot,Summer Camp, andHigh Sierra.But even after their 20&#43; years of accolades and recognition, the legendary outfit-composedofDave Watts(drums),Joey Porter(keys),Garrett Sayers(bass),Drew Sayers(keys andsaxophone),Ryan Jalbert(guitar), and new singerSarah Clarke-are still exploring newsonic ideas and finding new ways to showcase each other’s skill sets.The band releasedAll Dayin 2023-an eclectic instrumentalvoyagethreaded by theinfectious grooves and immaculate, layered arrangements thatTheMotethave becomeknown for.Now with vocal powerhouseSarah Clarkein tow,the band continues their journey withtheirhighly anticipated10th studioalbumLove Time, outNovember 15, 2024

The Motet

New York&#39;s newest Tribute to the 90&#39;s. Playing all your favorite songs spanning multiple genres.<div><div>The Max- Ultimate 90&#39;s Party is here! We&#39;re playing all your favorite Rock, Pop, Hip Hop and Dance Hits from the decade.</div></div><div><div>So give us a follow, tell your friends and come to a show, because ain’t NO PARTY like a 90’s PARTY with THE MAX!</div></div>

The Max-Ultimate 90's Party

The Max- Ultimate 90's Party!

Rock n&#39; Roll band coming out of New York City

Telescreens

<div>For over a decade, RUBIX KUBE has taken the universe by storm as the most original ‘80s tribute band of all time! Its one-of-a-kind, ever-evolving and interactive “The EIGHTIES STRIKE BACK Show” captivates public &amp; private audiences of all ages. From their NYC headquarters, to our U.S. troops overseas, The KUBE rocks for the coolest fans in the most prestigious venues across the globe . . and galaxies far, far away. More than just a cover band, “The EIGHTIES STRIKE BACK Show” is like the rad lovechild of a Rock concert and a Broadway musical – from a honeymoon down Electric Avenue!RUBIX KUBE is led by a male &amp; female dynamic duo of karma chameleons, able to transform in the-blink-of-an-eye into any of your favorite ‘80s icons, personifying in sight and sound. It’s like Madonna, Michael Jackson, Cher, Prince, Devo, Bon Jovi, Boy George, Paula Abdul, Guns N’ Roses and more teleport right before your eyes on the same stage, in one concert! The band dazzles with some of the most talented &amp; versatile musicians in the entertainment business, including Steve Brown &amp; P.J. Farley of the million-selling band TRIXTER. All are decked out in vibrant &amp; vintage threads and with enough hairspray to take down Freddy Krueger, The Terminator, Beetlejuice and all The Gremlins at once. Together, The KUBE is able to crank out ’80s Pop, Rock, New Wave, Dance and Hair Metal hits, and perform them just like the originals – yet with their own gnarly twist.So well-known for their world-class musicianship, RUBIX KUBE is often joined on stage by ’80s legends themselves. Rick Springfield,  Dee Snider of (Twisted Sister), Tiffany, Debbie Gibson, Night Ranger, and Dennis DeYoung (of STYX) are just some of The KUBE’s impressive collaborators. To boot, The KUBE is the only ’80s band that can honestly claim to have played with Bret Michaels (of Poison), Mike Score (of A Flock Of Seagulls), Colin Hay (of Men At Work), MC Hammer, Tone Loc, Taylor Dayne, and Bonnie Tyler.Talkshow star Kelly Ripa exclusively praises RUBIX KUBE as “Amazing. You definitely have to check it out, it’s so much fun. It’s like going back to The Eighties!” As the name suggests, they’re also the world’s only authorized &amp; licensed band of the most iconic puzzle toy of the ‘80s, the official Rubik’s Cube.Often imitated, never duplicated, RUBIX KUBE throws the most awesome ‘80s party there is and sends you on a time-travel experience like no other. So jump in the DeLorean and blast to “The EIGHTIES STRIKE BACK Show”!!</div>

Rubix Kube

Pulsing with the energy of their hometown New York City, ‘If There’s a Heaven’ (2024) is the debut album from indie band Melt. Melt is simultaneously at their most airtight and freewheeling–evoking the raw, communal spirit of Fleetwood Mac as much as the modern, danceable hooks of MUNA. Recorded live to tape with producer Sam Evian (Big Thief), the eleven tracks span feel-good, existential pop (“Plant the Garden”), classic love ballads (“Your Name”) and lush, soulful rockers (“Heaven”). Melt’s debut is a joyous, timeless soundtrack for growing up and finding community. Melt formed in 2017 and saw early success with their first single “Sour Candy.” Quickly spreading out across the Northeast for college, the band reunited to tour over weekends and cut their teeth playing everywhere they could, from packed basements to sold-out theaters across the country. Called “one groovy super-organism” by NPR, the band’s intuitive connection as players and unique combination of sounds has found them supporting a wide array of artists such as Grouplove, Lawrence, and Greensky Bluegrass. More than seven years since their first show, Melt has refined their ecstatic live set and cemented their status as a band to watch. Catch them on tour this Spring across North America.

Melt

Mean Machine has been considered the Tri-State area&#39;s most &#34;over the top&#34; party rock cover band since 2010. Best described as explosive, alive and exciting, they deliver an audience interactive live performance second to none. With big guitars, hard-hitting drums, and boundless energy they create a true concert &amp; party vibe in any club, big or small. Their show has captured the attention of both the staff and patrons of live music venues up and down the East Coast, so find out what the buzz is about!

Mean Machine

VIP Experience Available. Contact <a href="mailto:Info&#64;thendalliance.org" target="_blank" rel="noopener noreferrer">Info&#64;thendalliance.org</a> to inquire.An unforgettable evening in the Hamptons exploring neurodiversity and its connection to mental health through storytelling, radical self-discovery, and joyful celebration with neurodivergent individuals and their allies. The evening will feature a conversation between Cory Richards <a href="https://www.instagram.com/coryrichards">&#64;coryrichards</a>, acclaimed National Geographic photographer, author, and mental health advocate, and Sue Molnar <a href="https://www.instagram.com/soulcyclesue">&#64;soulcyclesue</a>, SoulCycle Senior Master Instructor and cancer survivor, whose journey is a testament to presence, resilience, and identity. We’ll also hear reflections from David Flink, Founder and CEO of The Neurodiversity Alliance <a href="https://linktr.ee/thendalliance">&#64;theNDalliance</a>, and Jesse Sanchez, President of The Neurodiversity Alliance, on how neurodivergent individuals serve as powerful catalysts, shifting how we work, learn, and connect.The night will conclude with a concert by Jeremy Elliot <a href="https://www.instagram.com/jeremyelliot_">&#64;jeremyelliot</a>, an extraordinary singer-songwriter, mental health advocate, and proud alum of The Neurodiversity Alliance community, whose music invites us to celebrate the beauty and brilliance of living authentically. A portion of the proceeds will benefit The Neurodiversity Alliance and its commitment to building a world that recognizes and values the contributions of neurodivergent individuals.Jeremy Elliot:A vision to heal the world, one song at a time. Since busking on the streets of New York City at the age of 13, that’s all Jeremy Elliot ever had. Years of cultivating his songwriting while playing around New York’s rock club scene would lead him to Los Angeles in his early twenties. Soon after his arrival a chance encounter with one of the world’s biggest producers and songwriters, Jason “Poo Bear” Boyd, would help begin writing his next chapter. Over the following few years, Elliot would write songs for the likes of Trey Songz, Matt Nathanson, and Justin Bieber - the latter of whom’s multi-platinum album, Purpose, earned Elliot a GRAMMY nomination. All the while Elliot would continue to develop a one of a kind sound as a solo artist with support from Poo Bear, eventually adding producer DannyBoyStyles (The Weeknd, Beyonce) among others to guide him as he crafted his debut project.

featuring Cory Richards, Sue Molnar, David Flink, Jesse Sanchez & Jeremy Elliot

An Unforgettable Evening in the Hamptons

Inner Roots, the hottest and most sort after reggae show, dance and backing band the sound of which can be at the best eateries in New York, parties, festivals and cultural events.Inner Roots revived the live band sound and the affordability in the metro area and expanded their listenership and fan base to the suburbs.By all means be the judge and compare the quality of their unrivaled repertoire that’s supersedes the excellences of today’s standards in their display of artistry and infinite musicianship.Inner Roots Band offers a collaboration of many years of musical talent. They are a true expression of reggaes versatility. Their live performance takes you on a journey of Roots, Culture, Lovers Rock, Dance Hall, Vintage Classic reggae music that is rooted in Jamaica and spanning the world. They have been playing together for many years and each member has a style which can’t be refuted.Inner Roots Band consist of Neville Morris (bass), Lee Archebald (guitar) Richard Blackwood (keyboard),Virginia Henriquez (vocal), Owen Dalhouse (drums/leader), Phyllis McClain-Dalhouse (percussionist/manager) These accomplished musicians in their own right have helped to keep Roots, Rock, Reggae alive. World, this that you hear is a tip of the iceberg, Inner Roots simply the best in live entertainment.

Reggae Night w/ Inner Roots

The latest album from Neal Francis, Return To Zero, emerged from the kind of visionary fever dream that only the most masterful and inventive artists are capable of bringing to life. Amid a grueling tour schedule that found him playing nearly 400 shows from 2021 to 2024, the Chicago-based singer/songwriter/pianist immersed himself in creating a beautifully strange entangling of timeless rock &amp; roll and ’70s-era dance music, merging supremely heavy guitar riffs with lush and pulsating grooves—all constructed sans digital programming, in keeping with his devotion to all things analog. Worlds away from the glitzy fantasia of archetypal disco, Return To Zero inhabits a far moodier atmosphere and ultimately makes for the most thrilling manifestation of Francis’ peerless musicality yet.Equal parts heady and hedonistic, pensive and euphoric, Francis’ third studio LP echoes both his deep-rooted psych-rock sensibilities and a lifelong affinity for classic funk. “I’ve always been intrigued by music that toes the line between funk and rock,” notes Francis. “In the past I’ve asked myself things like, ‘What would it sound like if Thin Lizzy cut a disco record?’ It’s something I’ve been fascinated with for a very long time, so I finally decided to really go for it.”The follow-up to his 2023 double live album and concert film Francis Comes Alive, Return To Zero marks Francis’ first full-length studio effort since In Plain Sight—a 2021 release acclaimed by the likes of leading rock critic Steven Hyden, who praised its “throwback big-band sound that recalls the highs of 1970s funk and swamp rock.” With his past work also including his 2019 debut album Changes (hailed as “the reincarnation of Allen Toussaint” by BBC Radio 6), Francis began playing piano at the young age of four and became an in-demand sideman while still a teenager, touring with revered blues artists and beloved instrumental band The Heard before embarking on his solo career. Over the years, he’s sold out headline shows all across the globe, supported the likes of Wilco, Black Pumas, and My Morning Jacket, appeared at major festivals such as Bonnaroo, Fuji Rock,  and Lollapalooza, and even performed at historic venues like Carnegie Hall.Like all of his studio work so far (including his 2022 EP Sentimental Garbage), Return To Zero finds Francis co-producing alongside his frequent collaborator Sergio Rios and recording live with members of his touring band (drummer Collin O’Brien, bassist Mike Starr, guitarist Kellen Boersma), elegantly showcasing his prodigious talent and dazzling originality as a keyboard player. Mainly created at Rios’ L.A. studio, the album’s grandiose yet warmly inviting sound also took shape from his close collaboration with composer/conductor Dom Frigo (who aided Francis by transcribing the LP’s symphonic string sections), Say She She (a Brooklyn-based psychedelic-soul trio who adorn a number of songs with their beguiling backing vocals), and a stacked lineup of co-writers that includes Queens of the Stone Age bassist Michael Shuman and Wild Belle co-founder Elliot Bergman.In the making of his most ambitious work to date, Francis faced countless moments of creative frustration—a factor that eventually gave the album its title. “I was cutting a lot of the vocals at home, using a hybrid process where I’d bounce the tracks from my computer to a tape machine and then record the vocals to tape,” he explains. “I’d be in my vocal booth in the closet with all our winter coats, and every time I needed to start over I’d press this button that says ‘RTZ,’ which stands for ‘Return To Zero.’ I was doing take after take and pressing that button over and over—it was a huge pain, but it also linked up with what I’ve learned in my meditation practice: no matter how frustrated you get, just remain calm and take inventory, and then begin again.”Although executing Return To Zero’s highly elaborate arrangements often involved a very time-intensive trial-and-error approach, the album-opening “Need You Again” surfaced from an immediate burst of inspiration after Francis attended a DJ set by Derrick Carter (a Chicago house legend who created a 12-inch remix of “BNYLV” from In Plain Sight). “My girlfriend and I went out to a queer dance party called Queen! and stayed till about four in the morning, and Derrick played a track that was a big rock riff over a funk beat,” he recalls. “The next day I went into the studio on very little sleep and started working on the demo for ‘Need You Again,’ and after I finished I couldn’t stop listening to it.” Featuring a guest spot from Grammy-winning guitarist Eric Krasno (Soulive, Lettuce), the result is a glorious entry point into the album’s groove-heavy soundscape, unfolding in sinewy riffs and larger-than-life rhythms as Francis narrates a tale of ruinous infatuation. “It’s a song about a love affair, and the experience of projecting magical qualities onto another person and feeling almost addicted or beholden to them,” he reveals. Another charmed moment in the album’s creation, “Broken Glass” was sparked from a session featuring Francis on bass and Shuman on drums, with the two soon conjuring the hypnotically potent riff that propels the track forward. With its viscerally charged depiction of lust and self-denial, the darkly majestic epic reaches a stratospheric crescendo at the bridge, when pounding drums meet with Say She She’s near-operatic harmonies. “Once we had that riff I started filling in some freeform poetry from my notebook, which had to do with the idea of taking direction in an intimate liaison,” says Francis. “It all came together so naturally because of how Michael was playing drums, bringing that Queens of the Stone Age heavy-rock thing I love so much.”One of the most dance-ready tracks on Return To Zero, “Back It Up” glides along on glossy synth lines and a playfully swaggering riff, imbuing a carefree spirit into Francis’ deliberately over-the-top confession of romantic desperation. “That song went through a few different phases before we got to the final iteration,” he says. “It took me a while to accept that it’s okay to have fun with the lyrics, instead of making everything so serious all the time.” Meanwhile, on “What’s Left Of Me,” Francis presents a gorgeously sprawling power-pop anthem built on his resplendent piano work. Co-written with Nashville-based songwriter Chris Gelbuda, the track arose from a piano-and-vocal demo captured at Chicago’s Fine Arts Building, soon evolving into a piercingly candid reflection on life on the road. “Chris and I are good friends and we got to talking about the challenges of being in a committed relationship while you’re on tour,” says Francis. “A lot of these songs were influenced by Electric Light Orchestra and the way Jeff Lynne synthesizes classical music and pop songwriting, and ‘What’s Left Of Me’ was definitely one where I was going for an ELO vibe.”Partly inspired by the funk and dance records he typically spins during his sets as an all-vinyl DJ, Return To Zero also encompasses everything from the spaced-out drama of “Dance Through Life” to the string-laced reverie of “Can’t Get Enough” (a collaboration with Durand Jones &amp; The Indications’ Blake Rhein that is a sublimely mellowed-out homage to acid-jazz pioneer Roy Ayers). In creating such a complex body of work, Francis found his sense of perseverance repeatedly tested. “Most of these songs were pretty hard-won,” he says. “There was a feeling of pulling out all the stops to achieve what I was going for, and in the middle of that I was dealing with some depression and exhaustion. I ended up learning a lot about myself, and now I feel like I’m in a completely different place in terms of my priorities with mental health.” Despite its more daunting aspects, the writing and recording of Return To Zero also brought plenty of moments of pleasure, including composing with strings for the very first time and tracking songs with his longtime bandmates. “All those guys are like my brothers, and there was a feeling of us working together with an almost athletic desire to get better every time we did a new take,” Francis says. “Those were really long days at the studio, but they were also so much fun.”Looking back on the making of Return To Zero, Francis points to certain crucial lessons absorbed while creating his most extravagantly realized work so far. “One of the main things I’ve learned is that every album is going to be its own journey; I can’t really take the arsenal of things I’ve learned in the past and expect them to save me from any kind of frustration with whatever I make next,” he says. “Creating art is always going to be a challenge, which maybe goes back to why AI-created music is never going to be all that compelling—it’s just too fucking easy. The best I can do is use what’s at my disposal and try not to freak out or despair when it gets difficult, and hopefully end up making something that gives people joy.”

Neal Francis-Return To Zero Tour

Dynamic country singer and songwriter Ashley Wineland is on a quick ascend. The powerhouse vocalist’s combination of electrifying stage presence and immersive storytelling has enabled her to carve her own unique trail as an independent artist with nearly a million fans engaged online. Because of her relentless work ethic, Ashley is an artist in full control of her career’s destiny, and her accolades achieved to date underscore just that. The Arizona-based artist has also taken the reins as her own booking agent, landing 60&#43; headlining shows across the country and spots on multiple festival and fair stages. Now working with Grammy-nominated, multi-platinum producer, songwriter, and musician Marti Frederiksen — known for hits like “Mama’s Song” (Carrie Underwood) and “Dreamer” (Ozzy Osbourne) — Ashley is entering 2025 with more new music, including her most recent release, “Tumbleweed” (Sept 2024). The song’s music video has garnered over 1.3 million views while the track itself highlights Marti and Ashley’s creative chemistry. “Marti and I have had nothing but pure magic come out of the studio,” Ashley exclaims. She’s particularly excited about “Loving You Is Easy,” her first co-write with Marti due out later this year, calling it a fresh direction with new sounds and themes. Ashley’s upcoming music continues to reflect her evolution, ranging from fun and sassy to deeply heartfelt. Ashley Wineland’s arena-ready vocals and energetic performances have already drawn early comparisons to country icons like Carrie Underwood, Miranda Lambert, and Gretchen Wilson — and she’s excited to hit the road for her 2025 “Moments in Time” Tour, bringing her music and live performances to the fans across the country she’s dedicated herself to. With the experience of opening for artists like Lainey Wilson, John Michael Montgomery, and Sawyer Brown, Ashley absorbed invaluable lessons in professionalism and the power of connecting with her audience. “The tour is when I get to take the duct tape off and shout to the world about all the cool things my team and I have been developing,” she says. As Ashley continues to break barriers and spread joy through her music, she’s quickly becoming a force to be reckoned with in country music. As an independent artist, Ashley values the connection she is able to share with her fans, whom she calls the “Winelanders.” “Nothing I do would be possible without their support,” she says. Their encouragement keeps her going, especially on tough days. Rooted in the rugged beauty of the western Arizona desert, Ashley’s music showcases the unique cowboy culture of her home state. “Many people don’t realize how western Arizona is,” she says. “Cowboy culture is so strong here, and being surrounded by ranchers and farmers has brought about many events and stories that influence my music.” Since bursting onto the scene as a teen, Ashley’s music journey began with a chance demo recording of cover songs that introduced her to key industry figures. That pivotal moment set the stage for her debut album Family Business and launched her career as a dynamic live performer. Her passion for the stage has fueled standout moments in her career — including a high-energy 90-minute set at Ak-Chin Pavilion, where she opened for Aaron Lewis and Eddie Montgomery at a special Veterans Day event. “It was a massive moment for me, playing for an audience of veterans,” she reflects. Her commitment to veterans is also integral to her mission. “I have so many loved ones who are veterans, and it drives me to want better for them,” Ashley says. Through her music, she has raised funds for veterans’ charities and worked to raise awareness for their struggles. As Ashley Wineland gears up for her “Moments in Time” Tour and a wave of new music in 2025, she shows no signs of slowing down. Whether she’s lighting up the stage, cutting tracks in the studio, or engaging fans online, Ashley continues to build unstoppable momentum — proving you don’t need a major label to make major moves. Armed with authenticity, ambition, and a powerhouse live band, Ashley is blazing her own trail and making it look effortless.

Ashley Wineland

On September 3rd, 1977, The Grateful Dead headlined one of the largest and most musically successful concerts of all time at Raceway Park in Englishtown, NJ. In addition to the Grateful Dead, the show also featured the Dead family’s New Riders of the Purple Sage and the good-time, southern rock of The Marshall Tucker Band. This tribute extravaganza will feature selections from each band’s sets that day along with other deep cuts and original music inspired these three bands.​As Michael Falzarano tells the tale!Everywhere I toured with The New Riders of the Purple Sage for the past 20 years someone would come up to me at almost every show and say “I saw you guys at Englishtown.” Long story short, it seemed like a good idea to put a band together and pay tribute to that legendary September 3, 1977 show. With that, The Englishtown Project was born. The intention was to play That one show has turned into upwards of 150 shows. Go figure!​The Englishtown Project ​Michael FalzaranoGuitar/Vocals: After decades-long stints with Hot Tuna and The New Riders of the Purple Sage, Michael has earned nothing less than iconic status as one of the most authentic figures on the blues / jam band scene. Over the years, Michael’s evocative singing, intuitive guitar playing and songwriting skills have earned him a large and loyal following worldwide.​Tom Circosta (ZenTricksters)Guitar/Vocals: Tom is one of the NY area’s most versatile guitarists and also happens to be a leading disciple of Bob Weir, arguably the best and most unique rhythm guitarist in rock history. In addition to Zen Tricksters, Tom also plays with the unique Dead On Live and Jam Stampede.Kevin Griffin (Space Bandits)Pedal Steel / Guitar / Vocals: Kevin has made a name for himself playing pedal steel and guitar around the Tri-State area for many years. When not on board with The Englishtown Project, Kevin can be seen with Space Bandits and The Electrix,​Klyph Black (Zen Tricksters)Bass/Vocals: In Klyph, along with Tom and Dave, the Englishtown Project is fortunate to have 3/5ths of the classic lineup of Zen Tricksters, the best and longest running Grateful Dead-centric band in the Northeast. Not only is Klyph an outstanding bassist, he is also one of the most accomplished musicians on the Jam Band scene today.Russell Stedman (Jeff Mattson Band/Zen Tricksters)Drums: Fans of the Grateful Dead know what a great drummer Russell is. Having been on the Jam Band scene for quite a long time, he’s a much sought after drummer who has played in The Jeff Mattson Band and The Zen Tricksters. Now you can see him with The Englishtown Project.​​When scheduling allows most shows include singers Clare Maloney or Annie Mac.Clare MaloneyVocals: New York City-based vocalist Clare Maloney has been hailed for her &#34;golden voice of immense range and depth&#34; and has delighted audiences around the world with her thoughtful artistry, polished singing and heartfelt performances. Raised on Rock &amp; Roll and trained in Classical Music and Opera,.​Annie MacVocals/flute/percussionAnnie is a New York–based multi-instrumentalist and vocalist with roots in classical flute and a deep love for rock, soul, and improvisational music. She’s known for her versatility and feel, bringing an expressive, dynamic energy to the stage—whether locking into a groove, layering textures, or taking the lead. A familiar face in the Dead scene, she’s played with bands like The Electrix and has brought her performance overseas, most recently to Japan.​​The Englishtown Project has many master keyboard players at the ready when scheduling allows:Mookie Siegel (Phil &amp; Friends), Scott Guberman (Phil Lesh Family Band/Gilmore Project), Mike Katzman (Friends of the Brothers/The Electrix), Mark Mercier (Max Creek), Scott Chasolen (The Machine), Jordan Giangreco, (Zach Nugent/Mystic Dead), John Pittas (Dead on Live), Matt Iselin (Half Step) or Mike Borowski (Splintered Sunlight). To name a few.​When we’re doing double drums: Dave Diamond (Zen Tricksters)Drums: Most fans of the Grateful Dead are familiar with Dave’s drumming talents, but more and more are coming to realize that Dave is a multi-talented musician to be reckoned with. In addition to his long tenure with Zen Tricksters, Dave drums for the excellent alt-rock band Assembly of Dust and his own eclectic Dave Diamond Band.

The Englishtown Project

Nancy Atlas and her band of Journeymen have been dominating the East End Music scene or Long Island for quite some time. Known for her raw, live performances and stellar songwriting Nancy and her band, The Nancy Atlas Project, have opened for almost everyone under the sun. To name a few: Elvis Costello, Lucinda Williams, Toots and the Maytals, Jimmy Buffett, Crosby, Stills and Nash… the list goes on and on. The reason is simple. When people want a solid act to open their show and get the crowd warmed up, they call  Nancy and her boys because they know they will deliver. Every time. Nancy grew up with gypsy blood in Commack, NY. Eager to get the buck out of dodge she spent her entire college years abroad at both Cambridge University in England and Richmond College in London and Florence.  She majored in art history, fine art, drinking lots of wine and talking shit. There was a serious recession going on the year she graduated college so instead of becoming a mad advertising executive she walked down to Portabello Road, London, bought a guitar for 60 quid and never looked back. It was pouring buckets of English rain that day so they gave her a black plastic bag to cover her guitar as it didn’t come with a case. Nothing, it is said, can stop true desire. Nancy now lives in Montauk, New York with her husband Thomas and her two sons, Cash and Levon, and her daughter Tallulah. When she is not writing a song or on stage rocking out, she can be found clamming with her kids, surfing with her kids, walking with her kids, reading with her kids or <a href="http://nancyatlas.com/?page_id&#61;285">cartooning</a> for her kids. On rainy days she lazily traces tour maps of Europe with her right hand while sipping her beloved PG Tibs English Tea and smiling out into the East End Mist.<blockquote></blockquote>

Nancy Atlas

Nancy Atlas w/ Nick Kessler opening

Join Easy Honey on their East coast “Surf Tour,”’ a concept tour integrating surfing and environmental cleanups with their rocking live shows. Known for their catchy tunes and infectious energy, indie surf rock band Easy Honey will support their latest string of singles, including “Copenhagen, Catching Lightning, and Eyes. The band is hot off tours with Ax and the Hathetmen and Fitz and the Tantrums. Easy Honey’s songs serve as anthems of nostalgia for their indie rock audience of daydreamers and nightseekers. Drawing inspiration from the originality and attitude of The Kinks, The Killers, The Replacements, the band’s raucous, yet sentimental, live show exemplifies the realness that people crave in an internet-driven world. Easy Honey has supported in concert and taken after the spirit of currently popular bands such as flipturn and Sunroom. Easy Honey is a dynamic band known for their fusion of surf rock &amp; indie pop. With a show that intertwines heartfelt, folk songwriter sentiment and interwoven improvisational jams, Easy honey has a unique sound that captures both the spirit of coastal living, &amp; the reflective nature of mountain life; they have gained a loyal following and are now taking their music to new heights throughout the US.

Easy Honey Surf Tour

GA(arrive 30min within show time to ensure entry)

Grab a drink and get loose with your favorite NYC cover band. The Last Class is a group of young musicians who play crowd-favorites and sing-alongs all night long!

The Last Class

Cuban music has a new global ambassador: Cimafunk. With a name and image that pays tribute to the Cimarrons – Cubans of African descent that resisted slavery – and music and showmanship that re-embodies funk legends from the last century, the medical-school student turned funk artist has developed into a musical force crafting the sonic future of the island and a global, cultural phenomenon that unites and celebrates blackness across borders, oceans and languages. With his unmistakable AfroCuban sounds, no holds barred live show and multiple Grammy-nominations, Cimafunk is redefining what the planet understands as Cuban music. Cimafunk’s debut album <a href="https://open.spotify.com/album/11qB7I59a0o0p2lNdTkwZC?si&#61;o14OSc_5S3mYeI9ZTwCmzA">“Terapia”</a> (2018), with its groundbreaking #1 single <a href="https://open.spotify.com/track/7MEy790axl2dhJ962bJz4v?si&#61;2e3d15ebb1f94012">“Me Voy”</a> – followed by his breakout performance at SXSW 2019 and widely praised <a href="https://www.npr.org/2020/02/28/809196114/cimafunk-tiny-desk-concert">NPR Tiny Desk Concert</a>, started a movement of converting millions of people to the religion of groove, one live show at a time. The AfroCuban rockstar has moved the spotlight well beyond the Buena Vista Social Club, salsa and reggaeton.From a local sensation on Havana’s small alternative music scene to global success, Cimafunk’s ascent is as dizzying as an F1 race. Performing with La Tribu (The Tribe), his 9-piece band from Havana, Cimafunk has electrified global audiences on massive stages and worldwide temples of music, making a name for himself as one of the great showmen of today. From New Orleans Jazz Festival and Lollapalooza Chile to becoming the first Cuban-born artist to play Coachella, this undisputed star of Afro-Latin music has earned the adoration of musical icons such as Argentine Fito Páez, who has hailed him as &#34;one of the lights of the continent&#39;s future,” the Godfather of Funk George Clinton, who refers to him as “the next one,” and Chucho Valdés, who credits Cimafunk with masterfully and organically blending “AfroCuban with African American, converting this into a new school that until now I haven’t heard done.”Cimafunk’s distinctive musical fusion continued to grow in its artistry with both the release of his second album  &#34;El Alimento” (‘The Nourishment ) -which was met with an abundance of critical praise that included Best Albums of the Year lists of Rolling Stone, NPR and more… as well as an equal volume of glowing reviews for his unrivaled live shows, which quickly made him one of the most in-demand festival performers. Cimafunk has collaborated on records and shared the stage with the likes of Alejandro Sanz, CeeLo Green, ChocQuibTown, Chucho Valdés, Fito Páez, Fonseca, Fred Wesley, Galactic, George Clinton, Jon Batiste, Juanes, Leoni Torres, Lettuce, Lupe Fiasco, Preservation Hall,, Omar Portuondo, Orquesta Aragón, Robert Glasper, String Cheese Incident, The Soul Rebels and Trombone Shorty. Susan Sarandon, Ron Delsner and other personalities have become superfans, often seen side-stage lost in the groove, and the likes of Paul McCartney and more have come out to check out the AfroCuban sensation.  After the success of El Alimento, Cimafunk delves even further into his exploration of the intersections between funk and the sounds of the continent and gives us Pa&#39; Tu Cuerpa (Mala Cabeza Records), his most polished and mature production to date, on August 23rd, 2024.- - - -“Cimafunk’s masterful album is the soundtrack for a euphoric soul train, serving up funkadelic grooves, kinetically punctuated by Cuban rhythms [and] stellar guests… with the joy of being alive in its every note.” – NPR  “a frenetic joy ride of freewheeling blasts of percussive funk intercut with pumped-up classic Cuban riffs…  Cimafunk is engaging in a cultural mixing that celebrates a kind of Latin American hybridity … with mind-bending results. ‘El Alimento’ has thoroughly transformed him into an international funk champion” -NY Times “CIMAFUNK is A Must-See Act… … Cimafunk is Creating The New Sound Of Cuba &amp; Redefining Latin Alternative… with an energetic intensity that has drawn comparisons to James Brown… A funkadelic force to be reckoned with… Cimafunk has exploded on a global scale. The 2x GRAMMY nominee is now a trailblazing creator whose music unites Afro-Cuban rhythms and African American funk”- GRAMMY.com  “Cimafunk [has] one of the most exciting live shows… perpetual showmanship and natural ability to hear music in everything is Cimafunk’s signature… squarely in conversation with American funk, rap, and soul, drawing out a connection that’s always existed between Black art … pulling listeners into Cimafunk’s magnetic orbit… crisscrossing the globe, winning fans over with his electric stage presence” – ROLLING STONE

Cimafunk

GA (arrive 30min within show time to ensure entry)

With the arrival of their debut EP Life and Life Only, The Heavy Heavy immediately filled a longtime void in the musical landscape, delivering a soulful breed of rock &amp; roll untouched by modern artifice. As audiences across the globe grew enchanted with their era-bending sound, the UK-based band began selling out headline shows in major cities like New York and Chicago, opening for the likes of Black Pumas and Band of Horses, and earning critical comparisons to Jefferson Airplane, The Band, The Mamas &amp; The Papas, and more—all with only a handful of songs to their name, including the AAA radio top five singles “Miles and Miles” and “Go Down River.” After spending the past two years on the road and in the studio, The Heavy Heavy now draw listeners even deeper into their dreamworld with their long-awaited debut album One Of A Kind.Written entirely by co-founders Georgie Fuller and William Turner and mostly recorded at Turner’s studio in Brighton, One Of A Kind maintains the self-contained approach of Life and Life Only—a seven-song project acclaimed by outlets like NME (who named them an essential emerging artist for 2023) and The Guardian (who noted that The Heavy Heavy “write and play music with that lick of madness that makes early Fleetwood Mac and peak Stones so thrilling”). To that end, Turner produced, engineered, and mixed every track and handled most of the LP’s lavish instrumentation (including guitar, bass, piano, organ, Mellotron, and more), with The Heavy Heavy’s live band lending their explosive energy to the album. But in a departure from the EP, One Of A Kind leans away from Laurel Canyon-esque folk-rock and fully embraces their British roots, finding a particularly crucial inspiration in the gritty and groove-heavy hedonism of the Rolling Stones’ Goats Head Soup. “A lot of our EP was very bright and pretty, so we wanted to smash the door down like we do in the live show,” says Turner. “Because we were creating an entire album, there was so much more space to explore and expand,” Fuller adds. “It’s still undoubtedly that Heavy Heavy sound, but now we have all these other rooms to play around in.”For One Of A Kind’s lead single, The Heavy Heavy chose a sun-drenched and sing-along-ready number that serves as an auspicious bridge to the band’s new era. The last song written for the album, “Happiness” bends toward the lush psych-pop of Life and Life Only while introducing a new level of visceral intensity. “We felt we needed a song that had that summery, flowery feel of the EP, and somehow at the last minute we were able to pull magic out of thin air,” Fuller recalls. A fast fan favorite at their live shows, “Happiness” channels a bold determination to break free from loneliness and stagnation, ultimately providing an automatic mood lift thanks to The Heavy Heavy’s resplendent melodies and signature multi-part harmonies.Kicking off with a majestic bang, One Of A Kind opens on the rolling drumbeats and walloping riffs of its title track—a feverishly chanted anthem whose lyrics transform the listener into the protagonist of their own impossibly glamorous movie (e.g., “You’re getting down/You’re keeping on/You look the best/You’re all night howling”). Graced with a breathtaking vocal performance from Fuller (a classically trained singer), “One Of A Kind” quickly set the tone for the album’s larger-than-life vitality. “Something about the primal nature of that song inspired us to keep making songs that feel quite big and powerful,” says Turner. Later, on “Because You’re Mine,” The Heavy Heavy sustain that feel-good spirit and share a carefree love song lit up in slinky grooves and hallucinatory lyrics depicting what Fuller refers to as “the psychedelic daydream of a wandering nomad type—someone who goes wherever the wind takes them.” As One Of A Kind floats along, The Heavy Heavy endlessly push into previously uncharted sonic terrain, tapping into such unexpected influences as mid-’90s big beat on the bass-driven and gorgeously hazy “Miracle Sun.” “It’s a song with a lot of attitude to it—sort of our way of telling the world, ‘We’re living the way we want to live, and it doesn’t matter if you don’t understand,’” says Turner. Meanwhile, on “Feel,” the band merges the mesmerizing grooves of Madchester-era Britpop with a bit of idiosyncratic poetry (“I am a freeloader love junkie/A real heavy cannonball and I’m hungry…I stand between the sun, between the stone/I feel it in my fingers, feel it in my bones”). And on “Wild Emotion,” One Of A Kind offers up a country-infused serenade laced with galloping rhythms and twangy guitar tones partly inspired by the work of Dire Straits frontman Mark Knopfler. “That’s probably the most emotional song on the album,” Turner points out. “It’s meant to have a reassuring message, but at its center is the story of a woman who’s gone through a heartbreak and can’t find her way out of feeling hopeless and distraught.” After journeying through a whirlwind of sounds and textures—the hypnotic Mellotron of “Lemonade,” the frenetic psych-rock organ and skyscraping vocals of “Dirt,” the earthy acoustic guitar and sweetly playful harmonies of “Lovestruck”—One Of A Kind lands at the reverb-soaked splendor of its closing track, “Salina.” Named for a sparsely populated volcanic island off the coast of Sicily (an otherworldly spot Fuller and Turner visited on vacation), the slow-building epic unfolds in so many exquisitely strange sonic details: moody cello lines, thundering percussion, a spellbinding pedal-steel part simultaneously played by two separate guest musicians. “‘Salina’ was one of those moments where we let ourselves get experimental with the production and create a whole ocean of sound,” says Fuller. “We knew we had to put it at the end and let the reverb ring out in those final seconds—almost as if we’re leaving the album hanging in the air.”Formed in 2019, The Heavy Heavy emerged from a potent alchemy of their eclectic sensibilities. Hailing from the small town of Malvern (a stretch of the English countryside he describes as “a beautiful place full of hippies and longhaired people”), Turner took up guitar in his early teens and later played in a series of psychedelic/surf-rock bands, while Fuller’s extensive background includes performing at Montreux Jazz Festival as a teenager and acting in the London theater. As they moved forward with a mission of “making music that sounds like our favorite records ever” (including everything from Peter Green-era Fleetwood Mac to folk-blues act Delaney &amp; Bonnie to Fleet Foxes), the duo dreamed up a batch of songs in a London flat and self-released an early version of Life and Life Only in late 2020, eventually catching the attention of ATO Records and signing with the U.S.-based label in 2022. Fueled in part by the breakout success of “Miles and Miles” (their ATO debut single), The Heavy Heavy’s five-piece live band soon began playing bigger and bigger venues and taking the stage at leading festivals like Bonnaroo, Boston Calling, and Newport Folk Festival, in addition to performing on “Jimmy Kimmel Live!,” “The Late Show With Stephen Colbert,” and “CBS Saturday Morning” and scoring major syncs with the likes of Nissan and Netflix’s “Outer Banks.”Because of the rapturous response to their debut EP, The Heavy Heavy found themselves in an unfamiliar headspace when it came to the creation of One Of A Kind. “With the EP we were making songs as a way to soundtrack our own lives, but now it’s a different beast—it’s no longer theoretical, which gives everything more weight,” says Turner. But in the end, the band discovered an essential touchstone in the connection they’ve forged with their fans over the last two years. “Not too long ago, a woman came up to us at a show and told us she was getting a tattoo of one of our lyrics to remind herself to keep pushing on and keep chasing her dreams,” Fuller says. “Moments like that always remind us that as long as we keep making what feels good, chances are it’s going to make other people feel good too. I hope this album feels like a great big party to everyone, and I hope it inspires them to live their lives however they want.”

The Heavy Heavy w/ Judy Blank opening

Low Cut Connie With 8 albums released to date, select highlights from the band’s impressive career include endorsements from Barack Obama and Elton John, a performance on Late Night with Seth Meyers, and a spot on Rolling Stone’s Top 100 Albums of the Decade list. Low Cut Connie released the critically claimed LP ART DEALERS in Fall 2023, with a full- length companion film coming in 2024. &#34;ART DEALERS may be the band&#39;s masterpiece to date.&#34; - Nashville Scene &#34;Low Cut Connie can renew your faith in rock.&#34; - Boston Herald &#34;Experiencing Weiner in his element, whether on the new record ART DEALERS, its accompanying film, or live, is a gift of melody, messages, and community.&#34; - No Depression Magazine &#34;Like Bruce Springsteen after he discovered literature, Weiner started bending classic rock to meet his ever more complex emotionalism. The result is that this new 17 track collection Private Lives is Adam Weiner’s version of Born to Run, filled with songs about losers and lovers and beautiful dreamers.&#34; - Ken Tucker, NPR&#39;s Fresh Air “Pandemic Person of the Year” - The New Yorker &#34;ART DEALERS hits the heart, head, &amp; groin with equal force.” - AllMusic

Low Cut Connie

&#34;Welcome aboard everyone! Grab your cocktails, kick up your dock shoes and set sail with us! We will bring you all the best tunes from the fabulous and fun Yacht Rock genre!  All the best hits from Steely Dan, Michael McDonald, Christopher Cross, Kenny Loggins, Hall &amp; Oates, Toto and many more! – Led by Liz Asaro(Pink Mirror Presents) and musically directed Rocco Dellaneve(Of The Snow Productions), Yacht Pockets is comprised of incredibly talented and seasoned musicians based New York City&#34;

Pink Mirror presents Yacht Pockets

Collaborating for the second summer in a row, Jake Loeb and Henry Cornell are born and raised New York singer-songwriters with a soulful sound that rocks. And while they love the studio, live is where they thrive. From ripping guitar riffs to acoustic jams, their masterful harmonies and electric vibe always get audiences up on their feet.

Jacob Loeb & Henry Cornell

Inda Eaton

CK Beats is a DJ &amp; Producer based in the East End and NYC. Originally from East Hampton, CK has spent the last few years playing a wide variety of parties, events and venues all over the east end. With over a decade behind the decks, CK Beats smoothly blends an eclectic mix of music styles, keeping the party vibes alive. From Hip-Hop to House, Latin to Pop, and everything in between, CK&#39;s open-format approach guarantees a night of non-stop fun on the dance floor!

Industry Night w/ DJ CK Beats

<div>Nashville-based R&amp;B/soul singer-songwriter Shannon Lauren Callihan has found a way to bring classic sounds to a new audience.</div><div>Finding inspiration across the spectrum, from Tom Misch and Lianne La Havas, to Anita Baker and George Benson, Callihan fuses infectious pop melodies with improvised jazz instrumentals to create a sound all her own. </div><div> </div><div>Callihan has seen famous stages including Red Rocks while playing lead guitar for Rozzi on the O.A.R. and American Authors tour, as well as opening for Joss Stone. In 2021, Callihan went on her own tour to promote the release of her debut EP ‘One Sided’, playing sold out shows on the east coast. She recently was selected as a ‘Fender Next&#39; artist and has a lot planned for 2022. The momentum has continued with editorial playlisting from Spotify on their “Nu-Funk” and “Ready for the Day” playlists, as well as partnerships/endorsements with Fender, Guild, Elixir Strings, Ultimate Ears, and Ernie Ball. </div>

Shannon Lauren Callihan

In 2017, Grammy-nominated artist Joan Osborne released the critically acclaimed album, Songs of Bob Dylan. Her artistic and soulful reinterpretations of the selection of Dylan songs was an eye-opening moment in an already celebrated career.Eight years after milestone recording, Osborne will release the stunning Dylanology Live on April 25th. The captivating recording finds the gifted vocalist performing in front of a live audience, with special guests Amy Helm, Robert Randolph and Jackie Greene. Songs include “Spanish Harlem Incident”, “Buckets Of Rain” “Masters Of War”, “Tonight I’ll Be Staying Here With You” and “High Water (For Charley Patton)”.The first song off Dylanology Live is Osborne’s reimagined psychedelic-blues-infused rendition of “Highway 61 Revisited.”  To be released February 20th.

Joan Osborne Sings The Songs of Bob Dylan

<div>“Dallas Wax is a five-piece band based in New York City. The band borrows from the spaces of</div><div>punk rock, psychedelia, and the blues while maintaining a unique delivery and raucous live</div><div>performance. Dipped in acid and powered by driven guitar riffs and soulful vocals, Dallas Wax</div><div>never fails to conjure an unforgettable experience for their audience.”</div>

Dallas Wax

Renzo’s Fault respects the 90’s, good music, fun crowds and everyone that brings the energy. This fiercesome foursome spawned out of one of the most famous cover bands that played in New York, Europe and South America and now, Renzo’s Fault performs often in NYC’s highest energy venues such as Red Lion and Cutting Room. If you love to dance, if you love a party and if you love you some good 90’s music (with a touch of the more modern), you’ll blame Renzo the morning after seeing Renzo’s Fault.

Renzos Fault

<div>Australia’s fastest rising indie-rock outfit and loveable larrikins Old Mervs are heading on an absolutely mammoth tour around Australia &amp; New Zealand in 2025. Kicking off in May, the WA duo are celebrating the release of their highly awaited debut album, released 21 March 2025. Recorded with ARIA award-winning producer Chris Collins, the self-titled album features “What You’ve Lost”, “Parched”, “Forget It”, See You Again, Everyone One Will See It and a stack of new tunes. Old Mervs have quickly become one of Australia’s hottest commodities, charting higher and higher each year in triple j’s Hottest 100 countdowns. Dave and Henry soundtrack life’s growing pains and kaleidoscopic experiences wrapped in catchy hooks and breezy guitars. Old Mervs have four national headline tours under their belt as well as festival slots at some of Australia’s biggest music festivals including Groovin the Moo, Yours &amp; Owls and Splendour in the Grass. The duo have supported huge Australian names as well as international acts including The Wombats and Liam Gallagher. Recently wrapping up their first UK tour, Old Mervs played to packed out venues in London, Manchester and Birmingham and more, and there is more overseas touring planned for 2025.</div>

Old Mervs

In 2015 six lifelong musicians came from all across the country (well, just San Francisco and New York, but whatever) to form a band that is too hot for the police, fireman, and many many others. Rated Fresh throw down harder than your typical party band with a setlist you won&#39;t hear anywhere else, including Top 40 mashups, 90s throwbacks, 60s and 70s classics, and musicianship beyond their years.

Rated Fresh

To Be Announced

Cowabunga, dudes!Cowabunga, dudes! The 21st century is sooo overrated, but you know what&#39;s ALL THAT? The SAVED BY THE 90s PARTY! Boo Ya! Hailing originally from New York City and now active all over the U.S., this party has tons of live 90s music from a totally fresh band (they&#39;re da bomb). Get ready for everything from Third Eye Blind to the Spice Girls, from The Backstreet Boys to The Beastie Boys. And after that, we&#39;re not leaving you hangin&#39;! As if! Get jiggy with the DJ spinning dope tunes all night. It&#39;s gonna be the raddest thing since Your Mom!

Saved by the 90's a party with the Bayside Tigers

VIP Meet &amp; Greet Experience:Includes:<ul><li>Meet &amp; Greet with Matisyahu</li><li>One (1) Individual Photo with Matisyahu.  </li><li>One (1) Exclusive VIP merch bag per VIP ticket </li></ul>Creativity is like a fire in a fireplace: You have to tend it or it will go out. For nearly twodecades, Matisyahu has kept his creative spirit aflame by evolving his sound, meldinggenres, and testing the limits of the musical traditions that have inspired him. His latestrelease, Hold The Fire, and its leadoff single “Fireproof” takes inspiration from a firedream inspired by Matisyahu&#39;s Old Testament religion, which has meant so much to hisspiritual and creative life since his recording career began in 2004 and his breakouttrack &#34;King Without a Crown&#34; blasted into the Billboard charts in 2005. In a roundaboutway, those same Old Testament roots springboarded Matisyahu&#39;s music career.Growing up outside New York City, the young Matthew Miller followed jam bands likePhish and the Grateful Dead. Then, in Bob Marley and reggae, he found that themessaging of Rastafarianism was sourced in part from that same Old Testament. Thesound that emerged on his first albums—including his first two studio releases as wellas 2005&#39;s Gold-certified Live at Stubb&#39;s—embraced both the spirit of reggae and hisspirituality and roots in Judaism. Buoyed by hits like &#34;King Without a Crown,&#34; albums likethe Grammy-nominated and Billboard No.1-ranked Youth in 2006, and the Gold-certified2009 antiwar hit &#34;One Day&#34; (streamed over 150 million times on Spotify alone), hetoured extensively through the second half of the aughts with a high-energy stage showthat has since grown to include more improvisation. All the while his music expandedinto a shapeshifting collision of reggae, hip-hop, alt rock and boldly inventive pop.Today, he continues to be inspired by evolving musical trends, finding linkages andloops between eras and genres. Matisyahu&#39;s spirituality has evolved in parallel with hismusic, though his Jewish heritage remains a central theme throughout his life andmusic. The new EP, Hold The Fire (out February 2024), also finds him reflecting oncelebrity and artistic success. For Matisyahu, “the unbelievable and miraculous feelingof being connected to our people” is what keeps the creative fire alight.

An Evening With Matisyahu

GA ticket w/VIP Meet & Greet + Exclusive Merch Exp

When you hear Annie Trezza it&#39;s often hard to believe that all that sound comes out of one person. With groovy guitar riffs, 60&#39;s inspired melodies, and transportive lyrics, she projects an energy well beyond her size. Upon listening to Dylan and Beatles records on repeat at a young age, she felt compelled to pick up a guitar and start writing her own tunes at age 14. She spends her summers playing all around her home in Montauk, NY. In the off-season when she&#39;s not chasing the waves she&#39;s writing new music, and continuing to play anywhere in the world she finds herself. Between her distinctive voice and her poetic lyrics, it&#39;s hard not to get a little carried away when listening to any of her tunes. And that&#39;s okay because that&#39;s exactly what they&#39;re meant to do. With an album to follow, her EP Blue Suitcase #2 was released December 2019.

Annie Trezza

Big Karma

Vincent Neil Emerson has become a staple among folk and country music fans nationwide, celebrated for his honest tales of life on the road, heartbreak, and struggles of all sorts. His first LP, Fried Chicken &amp; Evil Women, from 2019, established him as a refreshing voice in the modern country music landscape. The songs from that first album were charming and playful songs, but didn&#39;t reveal the entirety of Emerson&#39;s story.On his brilliant new album, The Golden Crystal Kingdom, Emerson transcends the role of a honky-tonk country singer and becomes a chronicler of his history. The album is a bold continuation of the story he tells on Vincent Neil Emerson, with songs like the title track exploring the feelings he was left with after his days spent playing in Texas honky-tonks and dancehalls, and the track &#34;The Time of The Rambler,&#34; inspired by the early days of living in his car and busking on the streets.He was born and partly raised in East Texas, around his Choctaw-Apache family, and spent most of his life moving around the state. Raised by a single mother, he lost his father to suicide when he was nine. Emerson dealt with those feelings of abandonment and loss on his self-titled album, with the track &#34;Learning to Drown&#34; in particular.His grandmother and grandfather brought the family to Texas when Emerson&#39;s mother was a child, leaving their ancestral Choctaw-Apache homelands in Louisiana behind to try and build a better life for themselves and their children. Emerson always identified with his Native American roots, but it wasn&#39;t until 2021&#39;s self-titled album that he examined and tried to shed light on the devastating history of his tribe with the song &#34;Ballad of the Choctaw Apache.&#34;Sonically, The Golden Crystal Kingdom finds Emerson expanding his scope into rock and roll territory, tapping into the storied sounds of folk music gone electric, and following in the footsteps of artists like Bob Dylan and Neil Young. On the album, Emerson retains his diamond-sharp storytelling while imbuing the work with a freewheeling rock and roll aesthetic, creating an album as fun as his live shows and as cathartic as his previous work.With production from Shooter Jennings, Emerson wanted to establish some sounds as touchstones but emphasized following his own intuition for the aesthetics of his record. &#34;I didn&#39;t really want to model this record after anybody else&#39;s music, but I&#39;ve been heavily influenced by a lot of old rock and roll music from the sixties and seventies singer-songwriter music,&#34; Emerson explains.The album wasn&#39;t necessarily created as an opposing force to the country and folk sounds his fans have come to expect, but he did want to make a record that showcased another side of himself as a writer. He also leaned on friends and collaborators like Jennings, Steve Earle, and Rodney Crowell to help him flesh out this album.Emerson has been able to call these one-time heroes friends and mentors, and it is these relationships that have helped the songwriter find his confidence in writing about his personal history and standing up for the causes he believes in. Emerson wrote &#34;Man From Uvalde&#34; after the horrific and tragic mass shooting in the city of Uvalde, Texas, and he was initially hesitant to include the track on The Golden Crystal Kingdom. &#34;It&#39;s a daunting thing to try to dive into social issues in songwriting because I wasn&#39;t sure how people would really take it,&#34; Emerson says. &#34;I recorded a rough demo version of the song, and I sent it to Steve [Earle]. I just wanted to get his thoughts on it and see if it was worth anything. He got back to me, and he said he really liked the song and thought it was great. He gave me a few ideas and ways to look at the subject differently, and it really helped me finish the song. That encouragement gave me the confidence to include it on the album.&#34;The Golden Crystal Kingdom also pays tribute to some of the peers Emerson cut his teeth with in the music scene. He covers the Charley Crockett song, &#34;Time of the Cottonwood Trees,&#34; and is quick to pay tribute to his labelmate and dear friend Colter Wall. &#34;Those two had my back since day one. They&#39;ve been some of my biggest supporters, and they&#39;ve always inspired me to write better songs and encouraged me to pursue this,&#34; Emerson reflects. &#34;Especially at a time when I was starting out and I didn&#39;t really have a lot of encouragement or even self-confidence to do this, they were always there for me.&#34;As a kid who grew up in a trailer with a single mother, went through bouts of homelessness as a young man, and grinded through countless shows to get where he&#39;s at, Vincent Neil Emerson is never quick to praise his own work ethic. He always refers to the friends, family members, and collaborators who have shown their faith in his vision.But humility doesn&#39;t mean Emerson isn&#39;t one of the hardest working, most talented songwriters to emerge from the alt-country underground in years. His style is one of a kind, and his ability to blend tales of the everyman with tributes to his past, present, and future make him a peerless songwriter. On The Golden Crystal Kingdom, Vincent Neil Emerson carries on the torch of his singer-songwriter forebears while infusing the legacy with his unique and thrilling point of view.Kassi Valazza:&#34;Sometimes it takes four or five tries to realize something just isn&#39;t working,&#34; says Kassi Valazza. &#34;I wrote this after my thirteenth try.&#34; She&#39;s referring to the song &#34;Roll On&#34; specifically, but the stagnating pull of repeating patterns — and the brutalizing work of breaking them — inform every song on her new album From Newman Street. &#34;In songwriting and in life, you can&#39;t keep expecting the same thing to work every time.&#34;Valazza grew up between Prescott and Phoenix, Arizona. She penned her first song at age ten but in those early efforts to perform, found herself halted by stage fright of a clinical level. &#34;I&#39;ve gone to therapy for it,&#34; she says, half-laughing. She didn&#39;t stop writing music but she let less paralyzing means of expression lead the way, eventually enrolling in arts school for painting, an illustrative instinct that inevitably reveals itself in her vivid songwriting. It wasn&#39;t until she relocated to the Pacific Northwest as an adult that Valazza picked back up the proverbial — and actual — guitar.&#34;Zach Bryson was kind of like the honky tonk ambassador of Portland when I got there,&#34; Valazza says. &#34;He was so welcoming and encouraging.&#34; She discovered an inspiring, supportive artistic community, a less rigid relationship with musical output, and then — vocal nodules. &#34;It was actually kind of the best thing that could have happened, because I learned about the crossover of physical and mental that takes place in performance.&#34; Recovery entailed recognizing the reflexive functions of the voice in response to anxiety; as is the case throughout the human body, stress reactions can be damaging. &#34;Because I suddenly understood what was happening with my voice, I could handle it, wield it. I felt more confident.&#34; Valazza recorded an album with Bryson in an old-house-turned-studio. It was an informal, friendly endeavor, though not at all small. &#34;I think probably thirty people contributed,&#34; she says. &#34;I listen back to that album and I think &#39;this was me learning how to do this.&#39; I can hear that moment in time.&#34;Valazza&#39;s debut Dear Dead Days fused the Southwest&#39;s rustic romance with the Pacific Northwest&#39;s rocky realism and garnered Valazza a cult following. She landed a deal with Fluff &amp; Gravy, a label known for launching earthy, emerging treasures like Anna Tivel and Margo Cilker, and toured with folk favorites including Melissa Carper and Riddy Arman. Her sophomore album Kassi Valazza Knows Nothing followed, a glimmering set of sonic talismans among Ann Powers&#39; Favorite Songs of 2023 for NPR and Bandcamp&#39;s Best Country Music of 2023, with praise from KEXP, Uncut, MOJO, and Brooklyn Vegan to boot.By the time Valazza was ready to record her third album, she had spent a decade in Portland — and that, she realized, was enough. &#34;As someone with anxiety, I always want to know what&#39;s going to happen,&#34; she says. &#34;But knowing can be limiting. Getting comfortable with the uncomfortable, that&#39;s growth. That&#39;s what this album&#39;s about, really.&#34;On &#34;Weight of the Wheel,&#34; a weepy slide guitar underscores Valazza&#39;s listless lament: All things look the same / From the pillow on my bed / I&#39;m stressed out I&#39;m far away / There&#39;s dizzy dancing in my head. The song sounds like urgency, grief, surrender, and embrace — all at once. It&#39;s feeling like some kind of fight to outgrow / The way I fear slowing down before I&#39;m old. By 2022, that dizzy demise of cyclical living had set Valazza still — in a basement apartment there in Portland. &#34;You&#39;re going to be a different person after every album,&#34; she says. &#34;And you have to keep moving forward.&#34;Sights set on Nashville, Valazza landed in New Orleans. &#34;It wasn&#39;t the plan. I spent three months there between tours, and it just kind of happened.&#34; The bright newness of The Big Easy illuminated fresh inspirations and unexpected love. But it also cast a stark light on Valazza&#39;s sense of self; in a new place, you can see more clearly what you want to be, as well as what you haven&#39;t been. &#34;I discovered the less likeable parts of myself in that time,&#34; Valazza says. Album standout &#34;Your Heart&#39;s a Tin Box&#34; encapsulates precisely this, with a cynical-yet-sunny likeness to Joni Mitchell and lyrical acuity: I moved down to New Orleans / Thinking love would reappear / But people tell you everything / but what you wanna hear / You relied on fixated company / Now you&#39;re drowning in your ego&#39;s gluttony. The patterns of her Portland life had stalled Valazza. It wasn&#39;t the city&#39;s fault so much as the natural consequence of complacency, the stagnance that comes with too much of the same. Valazza knew she was due for a personal evolution, and when faced with those innate, bristling pangs of change, could soothe herself with that certainty.The track sequence on From Newman Street is audibly intentional — from a deep lull and dull itch, to a barbed clash with cognitive dissonance, to humble submission, and an ultimate, open-armed acceptance of new life. Poetically enough, half the songs on the upcoming album were written in Portland, the other half in New Orleans. Valazza returned to her former hometown to record with Matt Thomson at Echo Echo Studios, and titled the release From Newman Street in tribute to an apartment she lived in deeply and left with heavy heart. The album is as much a fond farewell as it is a fervent step forward.Valazza made the official move to New Orleans in February of 2024. &#34;Coming from placid, wintry Portland straight into Mardi Gras — I would not recommend it.&#34; She recalls the time with humor, grace, and sensitivity for her past self, qualities that shine through the album. &#34;I&#39;ve always been a believer that music is only good if it&#39;s really raw, really honest — probably coming from a place of hurt,&#34; Valazza admits. &#34;But I&#39;m trying to embrace chaos these days, and bring a little more light into my life.&#34;

Vincent Neil Emerson w/ Kassi Valazza opening

With curly tufts of a recognizable Jewfro peeking out from his omnipresent knit cap, Andy Frasco is a cross between John Belushi’s “Joliet” Jake Blues and Jimmy Buffett. He’s a band-fronting, songwriting party animal who turns into a swirling rock ‘n’ roll Tasmanian Devil onstage leading his U.N., not unlike Bruce Springsteen and the E-Street Band. From switching instruments mid-song to Frasco stagediving into the crowd or kibitzing with them, an Andy Frasco &amp; The U.N. show is a celebration of inclusivity and tolerance where “You do You” and “let us do us.”The band has grown from playing bars to touring more than 250 days a year all over the country, with Frasco describing that 15-year journey on Growing Pains, the group’s landmark 10th studio album and first full-length effort since 2023’s L’Optimist, showcasing Andy’s growth as a tunesmith in his own right.Produced by Frasco himself for the first time, the collection’s centerpiece is the anthemic “Try Not to Die,” a glass half-full anthem to seizing the day that combines country twang with an easy island breeze in its affirmative message.“Life is Easy,” featuring bluegrass superstar Billy Strings, Daniel Donato’s Cosmic Country and co-writer/frequent collaborators Steve Poltz (Rugburns, Jewel) and Chris Gelbuda (Meghan Trainor), is a folk protest anthem. “Swinging for the Fences,” featuring cameos by G. Love and Eric Krasno (Lettuce, Tedeschi Trucks Band Soulive), is a Motown-flavored paean to dating someone out of your league. The playful “They Call Me Hollywood (But I’m from LA),” co-written with frequent partner Kenny Carkeet, features rapper ProbCause, while the title track is a sing-song, hip-hop-influenced rhyme about embracing change and taking it day-to-day.Frasco wrote most of Growing Pains in Nashville with his longtime guitarist Shawn Eckels and frequent songwriting partners Chris Gelbuda, Steve Poltz, and Andrew Cooney.“I came into this life wanting to write songs,” said Frasco. “It took 15 years, but I feel I’m starting to get credit for it. My cup is full. I’m really starting to see my dreams come true.”

Andy Frasco & The U.N.

America comes together in the music of Martin Sexton. Our hearts mend, our political and philosophical differences melt away, and the various strains of our roots music entangle. Of Sexton, The New York Times says: “His unpretentious heartiness helps him focus on every soul singer’s goal: to amplify the sound of the ordinary heart.&#34; Sexton has remained true to his mission of sharing peace and harmony throughout his 10 albums, and in countless incendiary live performances. He has thus built a loyal following of fans, including critics and superstar artists. He is without a doubt what Billboard calls: “The real thing.” These days, people are coming together to revel in Sexton’s musicality for his Martin Sexton Abbey Road Show. This is a live show extravaganza in which he performs the iconic Beatles’ album in its entirety followed by a set of mainly original music. Currently, Sexton is also working on his 11th album, which will be his first full-length album in 10 years. Sexton is a songwriter’s songwriter, with a multi-octave voice that knows no bounds. Acoustic Guitar Magazine calls him a: &#34;Master of dynamics, reducing a room to silence with his blustering baritone, then teasing that silence with a fluttering falsetto.&#34; Sexton’s career in music has unfolded like the stories in one of his sweetly redemptive songs. He got his start busking on streets and performing at open mics. Since then, he has gone on to be praised by modern legends such as John Mayer and Dave Matthews, who calls him one of his favorite singer- songwriters. Sexton’s songs of grappling and gratitude were the soundtrack to John Mayer’s early gigging years, and made an indelible impact on the budding songwriter. Mayer says: “This is the music of my LIFE.” Sexton has headlined venues from The Fillmore to Carnegie Hall, and his songs have appeared in television series such as Scrubs, Parenthood, Masters of Sex, and in numerous films. His dynamically emotive live show has earned him critical raves and an engaged and loyal following. The Wall Street Journal says: “Mr. Sexton as an impassioned performer can bring women and men to tears when they see him live.”

The Martin Sexton Abbey Road Show

VIP(arrive 30min within showtime to ensure entry)

Welcome to Expost. With raw material from Memphis, San Francisco, New Jersey, and North Carolina — forged on Manhattan&#39;s Lower East Side since 2011 — Expost is known for its sprawling influences, improvisational risk-taking, and total commitment to live performance. Expost has graced such storied rock clubs as The Stephen Talkhouse, Arlene&#39;s Grocery, The Cutting Room, and the original Sullivan Hall. Every year during Phish&#39;s MSG New Year&#39;s Run, Expost plays an all-night afterparty for those rock fans who never sleep. The band&#39;s latest EP, &#34;The Tapes Vol. 3&#34;, is available on Spotify, Apple Music, and elsewhere. The Expost experience is only available live. #expostup

Since 1970

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