We&#39;re Stolen Gin, a band from New York City. We&#39;re known for our high-energy live act and avid improvisation — we never play songs the same way twice. We met as students at New York University, and first came together playing college parties on NYC rooftops. Our goal then was the same as it is now: to make every gig feel like a party, and to keep people dancing.– Jackson, Evan, Will, Josh and Sawyer

Talkhouse

Must arrive 30min within show time to ensure entry

Stolen Gin

GA(arrive 30min within showtime to ensure entry)

The Stephen Talkhouse

Hello Brooklyn is an NYC-based cover band servicing the tri-state area. Throwing parties since 2011, we aim to provide you with an unforgettable live music experience. Whether you’re having a wedding, birthday bash, or a party for no reason, you can count on us to get everyone on the dance floor.<div> </div><div> </div>

Mus arrive 30min within showtime to ensure entry.

Hello Brooklyn

GA (arrive 30min within showtime to ensure entry)

Bogmen w/ QUESTA opening

Social Gold -- The New East Coast Party Band! A powerful &amp; lively performance with superior quality, reaching all ages from the crowd. Playing everyone&#39;s favorites of yesterday and today in every genre, Social Gold brings the party to YOU!

Social Gold

Peter Mayer, guitarist, vocalist and songwriter, has been with Jimmy Buffett’s Coral Reefer Band for over three decades. Mayer also follows his own musical path with both national and international tours and has released 20 live and studio albums to date. Over his years in music he has been privileged to share the stage with many bright lights in the music industry including James Taylor, Paul McCartney, Ringo Starr, Don Henley, Dave Matthews, and many others.Brendan Mayer, guitarist, vocalist and songwriter, has been building a following, laying his tracks in the music world. He released his first album, the “Getaway Car” EP, on Jimmy Buffett’s Mailboat Records, after touring a year with Buffett and the Coral Reefer Band in 2014. He has spent the last months working on his latest release, “Best at the Show,” which is due out this year. He performs regularly on his solo tours.Brendan and Peter joined forces in 2017 to record their debut album, “Long Story Short.” With both songwriters contributing to the list, this collection of twelve songs showcases the father and son’s unique musical directions that, together, weave a unified sound with compelling lyrics and inventive melodies. The result is two voices turned into one with their bloodline harmony.

Peter & Brendan Mayer

Reggae Night w/ Winston Irie

Fifteen seconds into his forthcoming 2nd album, “Good to be Here,” Phillip-Michael sings “Toes pointed toward the road / Hard times picking at my bones” outlining the odds he’s facing before barreling into an anthemic chorus; “I couldn’t walk away if I tried / I’m gonna light up the Sky.” It reads like a mission statement, setting the tone for the album. When Phillip-Michael Scales moved to Chicago he immediately began cutting his teeth as a musician. In 2018 he played 308 gigs. Phillip-Michael swears that “Chicago taught me how to hustle” which came in handy when he moved to Nashville and quickly found himself in rotation on the number one AAA radio station, Lightning 100. From there he released his debut album “Sinner-Songwriter,” toured Europe, had a song on national radio, played the Ellen Degeneres show, and opened national tours for Keb’ Mo’ and Caravan Palace. Eventually, he caught the attention of Grammy-nominated producer, Dan Knobler (Lake Street Dive, Allison Russell, and Bahamas) who would team up with Scales on his latest Album, “Good to Be Here” (out April 25th). Without a record label, strong financial backing, or a viral hit; commercial success as an artist is a mountain that very few people scale. Staying true to yourself and continuing to climb when plagued by false starts, setbacks, and crippling doubt is a much longer and lonelier path. Being self-managed for the majority of his career, he’s no stranger to 8-hour drives behind tour busses, prepping for shows in closets or stairwells, getting off big stages to immediately sell his own merch, or pouring through books to learn more about the business. Perhaps that’s the reason his record feels like a modern take on Stax-era Soul where you could hear the blood, sweat, and tears of blue-collar artists singing their way to stardom. Scales also catalogs the mental aspects of the journey asking the kind of questions that keep you up at night. “Is this truly what you want? How are you getting in your own way? Is it really worth the finite time away from the people you love?” Make no mistake, throughout the album, there is an undercurrent of hope and a sense that Scales is truly enjoying himself whether he’s finding love in “Can’t Get Enough” or getting his swagger back in “Be My Own Man.”  “Good to Be Here” is the narration of a person building their dream brick by brick and everything that comes with it. “I wouldn’t say that I’ve ‘arrived’ but when you’ve learned everything the hard way, you get more confident and enjoy the ride because you know that you got yourself here and it’s good to be here!”  *Phillip-Michael grew up with his Aunt’s friend, B.B. King calling him “nephew” but that’s neither here nor there.

Phillip-Michael Scales

Here is the ticket link to purchase tickets:<a href="https://www.zeffy.com/en-US/ticketing/2025-travis-field-memorial-scholarship-bracket-bash">2025 Travis Field Memorial Scholarship Bracket Bash &#64; The Talkhouse</a>Raffle / Silent Auction / Music By REEB!

Travis Field Memorial Scholarship Bracket Bash

GA- go to travisfieldscholarship@gmail.com

<div>Merging the complex rhythms and Latin influences of South America with a modern fusion of funk and commercial dance music, Conga Cartel brilliantly combines to produce an explosive mix of dynamic music that rocks audiences to their very core.Working out of New York, the seven-piece band represent the wonderful tapestry of the South American continent and have been weaving together a stunning sound that has been entertaining crowds for years. A true international collection of experienced musicians, with band members coming from Uruguay, Chile, Venezuela, Colombia, Ecuador and New York itself, their music is undeniably infectious and underpinned by that audacious Latin flare.Fronted by the smokey and soaring vocals of Carolina, every single member of the band combines to become more than a sum of all their parts. Willy Fuentes from Chile drives the rhythm section with solid bass line grooves. Playing drums with boundless vitality, Jorge Castano, originally from Colombia, provides that perfect interplay with the rest of the band; complemented at all times by father and son percussionists Aquiles Jr. and Aquiles Senior. Infused with their Venezuelan heritage, they provide that infectious top line of congas, timbales, maracas, bongos, bells, and whistles that brings the carnival to the party. And finally, but by no means least, fitting like a smoldering glove of Santana-inspired guitar licks, Fabian Rodriguez from Ecuador proves his elegant mastery of the six-stringed instrument to audiences every time he performs. Conga Cartel has also egularly jammed with members of Mambo Loco.Conga Cartel have played at some of the most memorable events and venues in the Hamptons including The Montauk Music Festival, North-West ‘Woodstock’, Stephen Talkhouse, The Gig Shack , Springs Tavern, Tauk at Trails End, The Surf Club and The Harpoon House. Either individually or as a band, they have worked with artists such as Taylor Dayne, Orquesta Alquimia, Steel Pulse, Mila Tina, GE Smith, Big Karma, Mambo Loco, and Bajo Suen?os. As these performances and legacy demonstrate, they firmly believe in providing a platform and a strong voice for the Latin community.That incredible experience on stage and unique understanding of the musical journey that their audiences are on, is also driving them towards the studio and an album recording that is eagerly anticipated by their fans. Bringing together that melting pot of cultures with modern dance tunes is an intoxicating mix of ingredients that will redefine what is expected of the Conga Cartel.As the world experienced the tragedies of the last two years, so did the lives of musicians descend into anxiety and the loss of their dreams. Now the world has turned and the future looks so much brighter with the Conga Cartel back in it. Stronger together with a musical bond that cannot be broken, they are once again taking to the spotlight with the energy that defines the joy and wonder of life.There is nothing finer than hearing the Conga Cartel in full flight. Their collective knowledge of syncopated rhythms and inspiring, sophisticated melodies are a testament to their own self-belief and desire to take their music to the next level. Music is a part of all of our DNA and is the one thing that binds us as human beings. That cultural exchange that the Conga Cartel represents, lives through us in joy, love, celebration and song.Fall in love with music all over again and experience the future with the Conga Cartel.</div><div> </div>

Conga Cartel

The New Mastersounds have been delighting audiences with their infectious brand of funky soul-jazz since they formed in Leeds, England in 1999. For the first five years of the band’s career they were regulars at the Jazz Café in London, before they began to turn heads on the funk scene in the US, where guitarist/producer/bandleader Eddie Roberts now lives. For over a decade they have been a staple act of the late-night scene during New Orleans’ annual Jazz Fest. Always happy to hit the studio between tours, this veteran band now boasts a rich recorded catalogue that includes fifteen original studio albums, four live albums, several compilations, and a remix album. Though they have collaborated over the years with such musical luminaries as Maceo Parker, Fred Wesley, Corinne Bailey Rae, Art Neville, Bernard Purdie and Lou Donaldson, they are at their best on stage as a tightly-packed quartet – bass, drums, guitar and keyboards - firing off scorching grooves and feeding on the energy of the dancers in the front row.

The New Mastersounds-Ta Ta For Now Tour

The New Mastersounds Ta-Ta For Now Tour

Karaoke!! w/ JBM

Formedover two decades ago, the funksix-pieceThe Motethave learned to work as aninterlocking unit, with each member bolstering one another towards the best creative output.This symbiosis has led to a unique style and cohesive musical chemistry, as seen in theband&#39;s immaculate live performances and seamless blend of funk, soul, jazz, and rock. Witha fervent fanbase in tow,The Motethave sold out shows across the nation,performedsixheadlining slots atRed Rocksand sets at festivals such asBonnaroo,Bottlerock,ElectricForest,Bumbershoot,Summer Camp, andHigh Sierra.But even after their 20&#43; years of accolades and recognition, the legendary outfit-composedofDave Watts(drums),Joey Porter(keys),Garrett Sayers(bass),Drew Sayers(keys andsaxophone),Ryan Jalbert(guitar), and new singerSarah Clarke-are still exploring newsonic ideas and finding new ways to showcase each other’s skill sets.The band releasedAll Dayin 2023-an eclectic instrumentalvoyagethreaded by theinfectious grooves and immaculate, layered arrangements thatTheMotethave becomeknown for.Now with vocal powerhouseSarah Clarkein tow,the band continues their journey withtheirhighly anticipated10th studioalbumLove Time, outNovember 15, 2024

The Motet

New York&#39;s newest Tribute to the 90&#39;s. Playing all your favorite songs spanning multiple genres.<div><div>The Max- Ultimate 90&#39;s Party is here! We&#39;re playing all your favorite Rock, Pop, Hip Hop and Dance Hits from the decade.</div></div><div><div>So give us a follow, tell your friends and come to a show, because ain’t NO PARTY like a 90’s PARTY with THE MAX!</div></div>

The Max-Ultimate 90's Party

The Max- Ultimate 90's Party!

Rock n&#39; Roll band coming out of New York City

Telescreens

<div>For over a decade, RUBIX KUBE has taken the universe by storm as the most original ‘80s tribute band of all time! Its one-of-a-kind, ever-evolving and interactive “The EIGHTIES STRIKE BACK Show” captivates public &amp; private audiences of all ages. From their NYC headquarters, to our U.S. troops overseas, The KUBE rocks for the coolest fans in the most prestigious venues across the globe . . and galaxies far, far away. More than just a cover band, “The EIGHTIES STRIKE BACK Show” is like the rad lovechild of a Rock concert and a Broadway musical – from a honeymoon down Electric Avenue!RUBIX KUBE is led by a male &amp; female dynamic duo of karma chameleons, able to transform in the-blink-of-an-eye into any of your favorite ‘80s icons, personifying in sight and sound. It’s like Madonna, Michael Jackson, Cher, Prince, Devo, Bon Jovi, Boy George, Paula Abdul, Guns N’ Roses and more teleport right before your eyes on the same stage, in one concert! The band dazzles with some of the most talented &amp; versatile musicians in the entertainment business, including Steve Brown &amp; P.J. Farley of the million-selling band TRIXTER. All are decked out in vibrant &amp; vintage threads and with enough hairspray to take down Freddy Krueger, The Terminator, Beetlejuice and all The Gremlins at once. Together, The KUBE is able to crank out ’80s Pop, Rock, New Wave, Dance and Hair Metal hits, and perform them just like the originals – yet with their own gnarly twist.So well-known for their world-class musicianship, RUBIX KUBE is often joined on stage by ’80s legends themselves. Rick Springfield,  Dee Snider of (Twisted Sister), Tiffany, Debbie Gibson, Night Ranger, and Dennis DeYoung (of STYX) are just some of The KUBE’s impressive collaborators. To boot, The KUBE is the only ’80s band that can honestly claim to have played with Bret Michaels (of Poison), Mike Score (of A Flock Of Seagulls), Colin Hay (of Men At Work), MC Hammer, Tone Loc, Taylor Dayne, and Bonnie Tyler.Talkshow star Kelly Ripa exclusively praises RUBIX KUBE as “Amazing. You definitely have to check it out, it’s so much fun. It’s like going back to The Eighties!” As the name suggests, they’re also the world’s only authorized &amp; licensed band of the most iconic puzzle toy of the ‘80s, the official Rubik’s Cube.Often imitated, never duplicated, RUBIX KUBE throws the most awesome ‘80s party there is and sends you on a time-travel experience like no other. So jump in the DeLorean and blast to “The EIGHTIES STRIKE BACK Show”!!</div>

Must arrive 30min within showtime to ensure entry.

Rubix Kube

Pulsing with the energy of their hometown New York City, ‘If There’s a Heaven’ (2024) is the debut album from indie band Melt. Melt is simultaneously at their most airtight and freewheeling–evoking the raw, communal spirit of Fleetwood Mac as much as the modern, danceable hooks of MUNA. Recorded live to tape with producer Sam Evian (Big Thief), the eleven tracks span feel-good, existential pop (“Plant the Garden”), classic love ballads (“Your Name”) and lush, soulful rockers (“Heaven”). Melt’s debut is a joyous, timeless soundtrack for growing up and finding community. Melt formed in 2017 and saw early success with their first single “Sour Candy.” Quickly spreading out across the Northeast for college, the band reunited to tour over weekends and cut their teeth playing everywhere they could, from packed basements to sold-out theaters across the country. Called “one groovy super-organism” by NPR, the band’s intuitive connection as players and unique combination of sounds has found them supporting a wide array of artists such as Grouplove, Lawrence, and Greensky Bluegrass. More than seven years since their first show, Melt has refined their ecstatic live set and cemented their status as a band to watch. Catch them on tour this Spring across North America.

Melt

Mean Machine has been considered the Tri-State area&#39;s most &#34;over the top&#34; party rock cover band since 2010. Best described as explosive, alive and exciting, they deliver an audience interactive live performance second to none. With big guitars, hard-hitting drums, and boundless energy they create a true concert &amp; party vibe in any club, big or small. Their show has captured the attention of both the staff and patrons of live music venues up and down the East Coast, so find out what the buzz is about!

Mean Machine

VIP Experience Available. Contact <a href="mailto:Info&#64;thendalliance.org" target="_blank" rel="noopener noreferrer">Info&#64;thendalliance.org</a> to inquire.An unforgettable evening in the Hamptons exploring neurodiversity and its connection to mental health through storytelling, radical self-discovery, and joyful celebration with neurodivergent individuals and their allies. The evening will feature a conversation between Cory Richards <a href="https://www.instagram.com/coryrichards">&#64;coryrichards</a>, acclaimed National Geographic photographer, author, and mental health advocate, and Sue Molnar <a href="https://www.instagram.com/soulcyclesue">&#64;soulcyclesue</a>, SoulCycle Senior Master Instructor and cancer survivor, whose journey is a testament to presence, resilience, and identity. We’ll also hear reflections from David Flink, Founder and CEO of The Neurodiversity Alliance <a href="https://linktr.ee/thendalliance">&#64;theNDalliance</a>, and Jesse Sanchez, President of The Neurodiversity Alliance, on how neurodivergent individuals serve as powerful catalysts, shifting how we work, learn, and connect.The night will conclude with a concert by Jeremy Elliot <a href="https://www.instagram.com/jeremyelliot_">&#64;jeremyelliot</a>, an extraordinary singer-songwriter, mental health advocate, and proud alum of The Neurodiversity Alliance community, whose music invites us to celebrate the beauty and brilliance of living authentically. A portion of the proceeds will benefit The Neurodiversity Alliance and its commitment to building a world that recognizes and values the contributions of neurodivergent individuals.Jeremy Elliot:A vision to heal the world, one song at a time. Since busking on the streets of New York City at the age of 13, that’s all Jeremy Elliot ever had. Years of cultivating his songwriting while playing around New York’s rock club scene would lead him to Los Angeles in his early twenties. Soon after his arrival a chance encounter with one of the world’s biggest producers and songwriters, Jason “Poo Bear” Boyd, would help begin writing his next chapter. Over the following few years, Elliot would write songs for the likes of Trey Songz, Matt Nathanson, and Justin Bieber - the latter of whom’s multi-platinum album, Purpose, earned Elliot a GRAMMY nomination. All the while Elliot would continue to develop a one of a kind sound as a solo artist with support from Poo Bear, eventually adding producer DannyBoyStyles (The Weeknd, Beyonce) among others to guide him as he crafted his debut project.

featuring Cory Richards, Sue Molnar, David Flink, Jesse Sanchez & Jeremy Elliot

An Unforgettable Evening in the Hamptons

Inner Roots, the hottest and most sort after reggae show, dance and backing band the sound of which can be at the best eateries in New York, parties, festivals and cultural events.Inner Roots revived the live band sound and the affordability in the metro area and expanded their listenership and fan base to the suburbs.By all means be the judge and compare the quality of their unrivaled repertoire that’s supersedes the excellences of today’s standards in their display of artistry and infinite musicianship.Inner Roots Band offers a collaboration of many years of musical talent. They are a true expression of reggaes versatility. Their live performance takes you on a journey of Roots, Culture, Lovers Rock, Dance Hall, Vintage Classic reggae music that is rooted in Jamaica and spanning the world. They have been playing together for many years and each member has a style which can’t be refuted.Inner Roots Band consist of Neville Morris (bass), Lee Archebald (guitar) Richard Blackwood (keyboard),Virginia Henriquez (vocal), Owen Dalhouse (drums/leader), Phyllis McClain-Dalhouse (percussionist/manager) These accomplished musicians in their own right have helped to keep Roots, Rock, Reggae alive. World, this that you hear is a tip of the iceberg, Inner Roots simply the best in live entertainment.

Reggae Night w/ Inner Roots

The latest album from Neal Francis, Return To Zero, emerged from the kind of visionary fever dream that only the most masterful and inventive artists are capable of bringing to life. Amid a grueling tour schedule that found him playing nearly 400 shows from 2021 to 2024, the Chicago-based singer/songwriter/pianist immersed himself in creating a beautifully strange entangling of timeless rock &amp; roll and ’70s-era dance music, merging supremely heavy guitar riffs with lush and pulsating grooves—all constructed sans digital programming, in keeping with his devotion to all things analog. Worlds away from the glitzy fantasia of archetypal disco, Return To Zero inhabits a far moodier atmosphere and ultimately makes for the most thrilling manifestation of Francis’ peerless musicality yet.Equal parts heady and hedonistic, pensive and euphoric, Francis’ third studio LP echoes both his deep-rooted psych-rock sensibilities and a lifelong affinity for classic funk. “I’ve always been intrigued by music that toes the line between funk and rock,” notes Francis. “In the past I’ve asked myself things like, ‘What would it sound like if Thin Lizzy cut a disco record?’ It’s something I’ve been fascinated with for a very long time, so I finally decided to really go for it.”The follow-up to his 2023 double live album and concert film Francis Comes Alive, Return To Zero marks Francis’ first full-length studio effort since In Plain Sight—a 2021 release acclaimed by the likes of leading rock critic Steven Hyden, who praised its “throwback big-band sound that recalls the highs of 1970s funk and swamp rock.” With his past work also including his 2019 debut album Changes (hailed as “the reincarnation of Allen Toussaint” by BBC Radio 6), Francis began playing piano at the young age of four and became an in-demand sideman while still a teenager, touring with revered blues artists and beloved instrumental band The Heard before embarking on his solo career. Over the years, he’s sold out headline shows all across the globe, supported the likes of Wilco, Black Pumas, and My Morning Jacket, appeared at major festivals such as Bonnaroo, Fuji Rock,  and Lollapalooza, and even performed at historic venues like Carnegie Hall.Like all of his studio work so far (including his 2022 EP Sentimental Garbage), Return To Zero finds Francis co-producing alongside his frequent collaborator Sergio Rios and recording live with members of his touring band (drummer Collin O’Brien, bassist Mike Starr, guitarist Kellen Boersma), elegantly showcasing his prodigious talent and dazzling originality as a keyboard player. Mainly created at Rios’ L.A. studio, the album’s grandiose yet warmly inviting sound also took shape from his close collaboration with composer/conductor Dom Frigo (who aided Francis by transcribing the LP’s symphonic string sections), Say She She (a Brooklyn-based psychedelic-soul trio who adorn a number of songs with their beguiling backing vocals), and a stacked lineup of co-writers that includes Queens of the Stone Age bassist Michael Shuman and Wild Belle co-founder Elliot Bergman.In the making of his most ambitious work to date, Francis faced countless moments of creative frustration—a factor that eventually gave the album its title. “I was cutting a lot of the vocals at home, using a hybrid process where I’d bounce the tracks from my computer to a tape machine and then record the vocals to tape,” he explains. “I’d be in my vocal booth in the closet with all our winter coats, and every time I needed to start over I’d press this button that says ‘RTZ,’ which stands for ‘Return To Zero.’ I was doing take after take and pressing that button over and over—it was a huge pain, but it also linked up with what I’ve learned in my meditation practice: no matter how frustrated you get, just remain calm and take inventory, and then begin again.”Although executing Return To Zero’s highly elaborate arrangements often involved a very time-intensive trial-and-error approach, the album-opening “Need You Again” surfaced from an immediate burst of inspiration after Francis attended a DJ set by Derrick Carter (a Chicago house legend who created a 12-inch remix of “BNYLV” from In Plain Sight). “My girlfriend and I went out to a queer dance party called Queen! and stayed till about four in the morning, and Derrick played a track that was a big rock riff over a funk beat,” he recalls. “The next day I went into the studio on very little sleep and started working on the demo for ‘Need You Again,’ and after I finished I couldn’t stop listening to it.” Featuring a guest spot from Grammy-winning guitarist Eric Krasno (Soulive, Lettuce), the result is a glorious entry point into the album’s groove-heavy soundscape, unfolding in sinewy riffs and larger-than-life rhythms as Francis narrates a tale of ruinous infatuation. “It’s a song about a love affair, and the experience of projecting magical qualities onto another person and feeling almost addicted or beholden to them,” he reveals. Another charmed moment in the album’s creation, “Broken Glass” was sparked from a session featuring Francis on bass and Shuman on drums, with the two soon conjuring the hypnotically potent riff that propels the track forward. With its viscerally charged depiction of lust and self-denial, the darkly majestic epic reaches a stratospheric crescendo at the bridge, when pounding drums meet with Say She She’s near-operatic harmonies. “Once we had that riff I started filling in some freeform poetry from my notebook, which had to do with the idea of taking direction in an intimate liaison,” says Francis. “It all came together so naturally because of how Michael was playing drums, bringing that Queens of the Stone Age heavy-rock thing I love so much.”One of the most dance-ready tracks on Return To Zero, “Back It Up” glides along on glossy synth lines and a playfully swaggering riff, imbuing a carefree spirit into Francis’ deliberately over-the-top confession of romantic desperation. “That song went through a few different phases before we got to the final iteration,” he says. “It took me a while to accept that it’s okay to have fun with the lyrics, instead of making everything so serious all the time.” Meanwhile, on “What’s Left Of Me,” Francis presents a gorgeously sprawling power-pop anthem built on his resplendent piano work. Co-written with Nashville-based songwriter Chris Gelbuda, the track arose from a piano-and-vocal demo captured at Chicago’s Fine Arts Building, soon evolving into a piercingly candid reflection on life on the road. “Chris and I are good friends and we got to talking about the challenges of being in a committed relationship while you’re on tour,” says Francis. “A lot of these songs were influenced by Electric Light Orchestra and the way Jeff Lynne synthesizes classical music and pop songwriting, and ‘What’s Left Of Me’ was definitely one where I was going for an ELO vibe.”Partly inspired by the funk and dance records he typically spins during his sets as an all-vinyl DJ, Return To Zero also encompasses everything from the spaced-out drama of “Dance Through Life” to the string-laced reverie of “Can’t Get Enough” (a collaboration with Durand Jones &amp; The Indications’ Blake Rhein that is a sublimely mellowed-out homage to acid-jazz pioneer Roy Ayers). In creating such a complex body of work, Francis found his sense of perseverance repeatedly tested. “Most of these songs were pretty hard-won,” he says. “There was a feeling of pulling out all the stops to achieve what I was going for, and in the middle of that I was dealing with some depression and exhaustion. I ended up learning a lot about myself, and now I feel like I’m in a completely different place in terms of my priorities with mental health.” Despite its more daunting aspects, the writing and recording of Return To Zero also brought plenty of moments of pleasure, including composing with strings for the very first time and tracking songs with his longtime bandmates. “All those guys are like my brothers, and there was a feeling of us working together with an almost athletic desire to get better every time we did a new take,” Francis says. “Those were really long days at the studio, but they were also so much fun.”Looking back on the making of Return To Zero, Francis points to certain crucial lessons absorbed while creating his most extravagantly realized work so far. “One of the main things I’ve learned is that every album is going to be its own journey; I can’t really take the arsenal of things I’ve learned in the past and expect them to save me from any kind of frustration with whatever I make next,” he says. “Creating art is always going to be a challenge, which maybe goes back to why AI-created music is never going to be all that compelling—it’s just too fucking easy. The best I can do is use what’s at my disposal and try not to freak out or despair when it gets difficult, and hopefully end up making something that gives people joy.”

Neal Francis-Return To Zero Tour

Dynamic country singer and songwriter Ashley Wineland is on a quick ascend. The powerhouse vocalist’s combination of electrifying stage presence and immersive storytelling has enabled her to carve her own unique trail as an independent artist with nearly a million fans engaged online. Because of her relentless work ethic, Ashley is an artist in full control of her career’s destiny, and her accolades achieved to date underscore just that. The Arizona-based artist has also taken the reins as her own booking agent, landing 60&#43; headlining shows across the country and spots on multiple festival and fair stages. Now working with Grammy-nominated, multi-platinum producer, songwriter, and musician Marti Frederiksen — known for hits like “Mama’s Song” (Carrie Underwood) and “Dreamer” (Ozzy Osbourne) — Ashley is entering 2025 with more new music, including her most recent release, “Tumbleweed” (Sept 2024). The song’s music video has garnered over 1.3 million views while the track itself highlights Marti and Ashley’s creative chemistry. “Marti and I have had nothing but pure magic come out of the studio,” Ashley exclaims. She’s particularly excited about “Loving You Is Easy,” her first co-write with Marti due out later this year, calling it a fresh direction with new sounds and themes. Ashley’s upcoming music continues to reflect her evolution, ranging from fun and sassy to deeply heartfelt. Ashley Wineland’s arena-ready vocals and energetic performances have already drawn early comparisons to country icons like Carrie Underwood, Miranda Lambert, and Gretchen Wilson — and she’s excited to hit the road for her 2025 “Moments in Time” Tour, bringing her music and live performances to the fans across the country she’s dedicated herself to. With the experience of opening for artists like Lainey Wilson, John Michael Montgomery, and Sawyer Brown, Ashley absorbed invaluable lessons in professionalism and the power of connecting with her audience. “The tour is when I get to take the duct tape off and shout to the world about all the cool things my team and I have been developing,” she says. As Ashley continues to break barriers and spread joy through her music, she’s quickly becoming a force to be reckoned with in country music. As an independent artist, Ashley values the connection she is able to share with her fans, whom she calls the “Winelanders.” “Nothing I do would be possible without their support,” she says. Their encouragement keeps her going, especially on tough days. Rooted in the rugged beauty of the western Arizona desert, Ashley’s music showcases the unique cowboy culture of her home state. “Many people don’t realize how western Arizona is,” she says. “Cowboy culture is so strong here, and being surrounded by ranchers and farmers has brought about many events and stories that influence my music.” Since bursting onto the scene as a teen, Ashley’s music journey began with a chance demo recording of cover songs that introduced her to key industry figures. That pivotal moment set the stage for her debut album Family Business and launched her career as a dynamic live performer. Her passion for the stage has fueled standout moments in her career — including a high-energy 90-minute set at Ak-Chin Pavilion, where she opened for Aaron Lewis and Eddie Montgomery at a special Veterans Day event. “It was a massive moment for me, playing for an audience of veterans,” she reflects. Her commitment to veterans is also integral to her mission. “I have so many loved ones who are veterans, and it drives me to want better for them,” Ashley says. Through her music, she has raised funds for veterans’ charities and worked to raise awareness for their struggles. As Ashley Wineland gears up for her “Moments in Time” Tour and a wave of new music in 2025, she shows no signs of slowing down. Whether she’s lighting up the stage, cutting tracks in the studio, or engaging fans online, Ashley continues to build unstoppable momentum — proving you don’t need a major label to make major moves. Armed with authenticity, ambition, and a powerhouse live band, Ashley is blazing her own trail and making it look effortless.

Ashley Wineland

On September 3rd, 1977, The Grateful Dead headlined one of the largest and most musically successful concerts of all time at Raceway Park in Englishtown, NJ. In addition to the Grateful Dead, the show also featured the Dead family’s New Riders of the Purple Sage and the good-time, southern rock of The Marshall Tucker Band. This tribute extravaganza will feature selections from each band’s sets that day along with other deep cuts and original music inspired these three bands.​As Michael Falzarano tells the tale!Everywhere I toured with The New Riders of the Purple Sage for the past 20 years someone would come up to me at almost every show and say “I saw you guys at Englishtown.” Long story short, it seemed like a good idea to put a band together and pay tribute to that legendary September 3, 1977 show. With that, The Englishtown Project was born. The intention was to play That one show has turned into upwards of 150 shows. Go figure!​The Englishtown Project ​Michael FalzaranoGuitar/Vocals: After decades-long stints with Hot Tuna and The New Riders of the Purple Sage, Michael has earned nothing less than iconic status as one of the most authentic figures on the blues / jam band scene. Over the years, Michael’s evocative singing, intuitive guitar playing and songwriting skills have earned him a large and loyal following worldwide.​Tom Circosta (ZenTricksters)Guitar/Vocals: Tom is one of the NY area’s most versatile guitarists and also happens to be a leading disciple of Bob Weir, arguably the best and most unique rhythm guitarist in rock history. In addition to Zen Tricksters, Tom also plays with the unique Dead On Live and Jam Stampede.Kevin Griffin (Space Bandits)Pedal Steel / Guitar / Vocals: Kevin has made a name for himself playing pedal steel and guitar around the Tri-State area for many years. When not on board with The Englishtown Project, Kevin can be seen with Space Bandits and The Electrix,​Klyph Black (Zen Tricksters)Bass/Vocals: In Klyph, along with Tom and Dave, the Englishtown Project is fortunate to have 3/5ths of the classic lineup of Zen Tricksters, the best and longest running Grateful Dead-centric band in the Northeast. Not only is Klyph an outstanding bassist, he is also one of the most accomplished musicians on the Jam Band scene today.Russell Stedman (Jeff Mattson Band/Zen Tricksters)Drums: Fans of the Grateful Dead know what a great drummer Russell is. Having been on the Jam Band scene for quite a long time, he’s a much sought after drummer who has played in The Jeff Mattson Band and The Zen Tricksters. Now you can see him with The Englishtown Project.​​When scheduling allows most shows include singers Clare Maloney or Annie Mac.Clare MaloneyVocals: New York City-based vocalist Clare Maloney has been hailed for her &#34;golden voice of immense range and depth&#34; and has delighted audiences around the world with her thoughtful artistry, polished singing and heartfelt performances. Raised on Rock &amp; Roll and trained in Classical Music and Opera,.​Annie MacVocals/flute/percussionAnnie is a New York–based multi-instrumentalist and vocalist with roots in classical flute and a deep love for rock, soul, and improvisational music. She’s known for her versatility and feel, bringing an expressive, dynamic energy to the stage—whether locking into a groove, layering textures, or taking the lead. A familiar face in the Dead scene, she’s played with bands like The Electrix and has brought her performance overseas, most recently to Japan.​​The Englishtown Project has many master keyboard players at the ready when scheduling allows:Mookie Siegel (Phil &amp; Friends), Scott Guberman (Phil Lesh Family Band/Gilmore Project), Mike Katzman (Friends of the Brothers/The Electrix), Mark Mercier (Max Creek), Scott Chasolen (The Machine), Jordan Giangreco, (Zach Nugent/Mystic Dead), John Pittas (Dead on Live), Matt Iselin (Half Step) or Mike Borowski (Splintered Sunlight). To name a few.​When we’re doing double drums: Dave Diamond (Zen Tricksters)Drums: Most fans of the Grateful Dead are familiar with Dave’s drumming talents, but more and more are coming to realize that Dave is a multi-talented musician to be reckoned with. In addition to his long tenure with Zen Tricksters, Dave drums for the excellent alt-rock band Assembly of Dust and his own eclectic Dave Diamond Band.

The Englishtown Project

Nancy Atlas and her band of Journeymen have been dominating the East End Music scene or Long Island for quite some time. Known for her raw, live performances and stellar songwriting Nancy and her band, The Nancy Atlas Project, have opened for almost everyone under the sun. To name a few: Elvis Costello, Lucinda Williams, Toots and the Maytals, Jimmy Buffett, Crosby, Stills and Nash… the list goes on and on. The reason is simple. When people want a solid act to open their show and get the crowd warmed up, they call  Nancy and her boys because they know they will deliver. Every time. Nancy grew up with gypsy blood in Commack, NY. Eager to get the buck out of dodge she spent her entire college years abroad at both Cambridge University in England and Richmond College in London and Florence.  She majored in art history, fine art, drinking lots of wine and talking shit. There was a serious recession going on the year she graduated college so instead of becoming a mad advertising executive she walked down to Portabello Road, London, bought a guitar for 60 quid and never looked back. It was pouring buckets of English rain that day so they gave her a black plastic bag to cover her guitar as it didn’t come with a case. Nothing, it is said, can stop true desire. Nancy now lives in Montauk, New York with her husband Thomas and her two sons, Cash and Levon, and her daughter Tallulah. When she is not writing a song or on stage rocking out, she can be found clamming with her kids, surfing with her kids, walking with her kids, reading with her kids or <a href="http://nancyatlas.com/?page_id&#61;285">cartooning</a> for her kids. On rainy days she lazily traces tour maps of Europe with her right hand while sipping her beloved PG Tibs English Tea and smiling out into the East End Mist.<blockquote></blockquote>

Nancy Atlas

Nancy Atlas w/ Nick Kessler opening

Join Easy Honey on their East coast “Surf Tour,”’ a concept tour integrating surfing and environmental cleanups with their rocking live shows. Known for their catchy tunes and infectious energy, indie surf rock band Easy Honey will support their latest string of singles, including “Copenhagen, Catching Lightning, and Eyes. The band is hot off tours with Ax and the Hathetmen and Fitz and the Tantrums. Easy Honey’s songs serve as anthems of nostalgia for their indie rock audience of daydreamers and nightseekers. Drawing inspiration from the originality and attitude of The Kinks, The Killers, The Replacements, the band’s raucous, yet sentimental, live show exemplifies the realness that people crave in an internet-driven world. Easy Honey has supported in concert and taken after the spirit of currently popular bands such as flipturn and Sunroom. Easy Honey is a dynamic band known for their fusion of surf rock &amp; indie pop. With a show that intertwines heartfelt, folk songwriter sentiment and interwoven improvisational jams, Easy honey has a unique sound that captures both the spirit of coastal living, &amp; the reflective nature of mountain life; they have gained a loyal following and are now taking their music to new heights throughout the US.

Easy Honey Surf Tour

GA(arrive 30min within show time to ensure entry)

Grab a drink and get loose with your favorite NYC cover band. The Last Class is a group of young musicians who play crowd-favorites and sing-alongs all night long!

The Last Class

Cuban music has a new global ambassador: Cimafunk. With a name and image that pays tribute to the Cimarrons – Cubans of African descent that resisted slavery – and music and showmanship that re-embodies funk legends from the last century, the medical-school student turned funk artist has developed into a musical force crafting the sonic future of the island and a global, cultural phenomenon that unites and celebrates blackness across borders, oceans and languages. With his unmistakable AfroCuban sounds, no holds barred live show and multiple Grammy-nominations, Cimafunk is redefining what the planet understands as Cuban music. Cimafunk’s debut album <a href="https://open.spotify.com/album/11qB7I59a0o0p2lNdTkwZC?si&#61;o14OSc_5S3mYeI9ZTwCmzA">“Terapia”</a> (2018), with its groundbreaking #1 single <a href="https://open.spotify.com/track/7MEy790axl2dhJ962bJz4v?si&#61;2e3d15ebb1f94012">“Me Voy”</a> – followed by his breakout performance at SXSW 2019 and widely praised <a href="https://www.npr.org/2020/02/28/809196114/cimafunk-tiny-desk-concert">NPR Tiny Desk Concert</a>, started a movement of converting millions of people to the religion of groove, one live show at a time. The AfroCuban rockstar has moved the spotlight well beyond the Buena Vista Social Club, salsa and reggaeton.From a local sensation on Havana’s small alternative music scene to global success, Cimafunk’s ascent is as dizzying as an F1 race. Performing with La Tribu (The Tribe), his 9-piece band from Havana, Cimafunk has electrified global audiences on massive stages and worldwide temples of music, making a name for himself as one of the great showmen of today. From New Orleans Jazz Festival and Lollapalooza Chile to becoming the first Cuban-born artist to play Coachella, this undisputed star of Afro-Latin music has earned the adoration of musical icons such as Argentine Fito Páez, who has hailed him as &#34;one of the lights of the continent&#39;s future,” the Godfather of Funk George Clinton, who refers to him as “the next one,” and Chucho Valdés, who credits Cimafunk with masterfully and organically blending “AfroCuban with African American, converting this into a new school that until now I haven’t heard done.”Cimafunk’s distinctive musical fusion continued to grow in its artistry with both the release of his second album  &#34;El Alimento” (‘The Nourishment ) -which was met with an abundance of critical praise that included Best Albums of the Year lists of Rolling Stone, NPR and more… as well as an equal volume of glowing reviews for his unrivaled live shows, which quickly made him one of the most in-demand festival performers. Cimafunk has collaborated on records and shared the stage with the likes of Alejandro Sanz, CeeLo Green, ChocQuibTown, Chucho Valdés, Fito Páez, Fonseca, Fred Wesley, Galactic, George Clinton, Jon Batiste, Juanes, Leoni Torres, Lettuce, Lupe Fiasco, Preservation Hall,, Omar Portuondo, Orquesta Aragón, Robert Glasper, String Cheese Incident, The Soul Rebels and Trombone Shorty. Susan Sarandon, Ron Delsner and other personalities have become superfans, often seen side-stage lost in the groove, and the likes of Paul McCartney and more have come out to check out the AfroCuban sensation.  After the success of El Alimento, Cimafunk delves even further into his exploration of the intersections between funk and the sounds of the continent and gives us Pa&#39; Tu Cuerpa (Mala Cabeza Records), his most polished and mature production to date, on August 23rd, 2024.- - - -“Cimafunk’s masterful album is the soundtrack for a euphoric soul train, serving up funkadelic grooves, kinetically punctuated by Cuban rhythms [and] stellar guests… with the joy of being alive in its every note.” – NPR  “a frenetic joy ride of freewheeling blasts of percussive funk intercut with pumped-up classic Cuban riffs…  Cimafunk is engaging in a cultural mixing that celebrates a kind of Latin American hybridity … with mind-bending results. ‘El Alimento’ has thoroughly transformed him into an international funk champion” -NY Times “CIMAFUNK is A Must-See Act… … Cimafunk is Creating The New Sound Of Cuba &amp; Redefining Latin Alternative… with an energetic intensity that has drawn comparisons to James Brown… A funkadelic force to be reckoned with… Cimafunk has exploded on a global scale. The 2x GRAMMY nominee is now a trailblazing creator whose music unites Afro-Cuban rhythms and African American funk”- GRAMMY.com  “Cimafunk [has] one of the most exciting live shows… perpetual showmanship and natural ability to hear music in everything is Cimafunk’s signature… squarely in conversation with American funk, rap, and soul, drawing out a connection that’s always existed between Black art … pulling listeners into Cimafunk’s magnetic orbit… crisscrossing the globe, winning fans over with his electric stage presence” – ROLLING STONE

Cimafunk

GA (arrive 30min within show time to ensure entry)

<div><h1>HOT DATE BAND</h1></div><div>High Energy / Party Rock / Dance / Cover Band</div>

Hot Date

With the arrival of their debut EP Life and Life Only, The Heavy Heavy immediately filled a longtime void in the musical landscape, delivering a soulful breed of rock &amp; roll untouched by modern artifice. As audiences across the globe grew enchanted with their era-bending sound, the UK-based band began selling out headline shows in major cities like New York and Chicago, opening for the likes of Black Pumas and Band of Horses, and earning critical comparisons to Jefferson Airplane, The Band, The Mamas &amp; The Papas, and more—all with only a handful of songs to their name, including the AAA radio top five singles “Miles and Miles” and “Go Down River.” After spending the past two years on the road and in the studio, The Heavy Heavy now draw listeners even deeper into their dreamworld with their long-awaited debut album One Of A Kind.Written entirely by co-founders Georgie Fuller and William Turner and mostly recorded at Turner’s studio in Brighton, One Of A Kind maintains the self-contained approach of Life and Life Only—a seven-song project acclaimed by outlets like NME (who named them an essential emerging artist for 2023) and The Guardian (who noted that The Heavy Heavy “write and play music with that lick of madness that makes early Fleetwood Mac and peak Stones so thrilling”). To that end, Turner produced, engineered, and mixed every track and handled most of the LP’s lavish instrumentation (including guitar, bass, piano, organ, Mellotron, and more), with The Heavy Heavy’s live band lending their explosive energy to the album. But in a departure from the EP, One Of A Kind leans away from Laurel Canyon-esque folk-rock and fully embraces their British roots, finding a particularly crucial inspiration in the gritty and groove-heavy hedonism of the Rolling Stones’ Goats Head Soup. “A lot of our EP was very bright and pretty, so we wanted to smash the door down like we do in the live show,” says Turner. “Because we were creating an entire album, there was so much more space to explore and expand,” Fuller adds. “It’s still undoubtedly that Heavy Heavy sound, but now we have all these other rooms to play around in.”For One Of A Kind’s lead single, The Heavy Heavy chose a sun-drenched and sing-along-ready number that serves as an auspicious bridge to the band’s new era. The last song written for the album, “Happiness” bends toward the lush psych-pop of Life and Life Only while introducing a new level of visceral intensity. “We felt we needed a song that had that summery, flowery feel of the EP, and somehow at the last minute we were able to pull magic out of thin air,” Fuller recalls. A fast fan favorite at their live shows, “Happiness” channels a bold determination to break free from loneliness and stagnation, ultimately providing an automatic mood lift thanks to The Heavy Heavy’s resplendent melodies and signature multi-part harmonies.Kicking off with a majestic bang, One Of A Kind opens on the rolling drumbeats and walloping riffs of its title track—a feverishly chanted anthem whose lyrics transform the listener into the protagonist of their own impossibly glamorous movie (e.g., “You’re getting down/You’re keeping on/You look the best/You’re all night howling”). Graced with a breathtaking vocal performance from Fuller (a classically trained singer), “One Of A Kind” quickly set the tone for the album’s larger-than-life vitality. “Something about the primal nature of that song inspired us to keep making songs that feel quite big and powerful,” says Turner. Later, on “Because You’re Mine,” The Heavy Heavy sustain that feel-good spirit and share a carefree love song lit up in slinky grooves and hallucinatory lyrics depicting what Fuller refers to as “the psychedelic daydream of a wandering nomad type—someone who goes wherever the wind takes them.” As One Of A Kind floats along, The Heavy Heavy endlessly push into previously uncharted sonic terrain, tapping into such unexpected influences as mid-’90s big beat on the bass-driven and gorgeously hazy “Miracle Sun.” “It’s a song with a lot of attitude to it—sort of our way of telling the world, ‘We’re living the way we want to live, and it doesn’t matter if you don’t understand,’” says Turner. Meanwhile, on “Feel,” the band merges the mesmerizing grooves of Madchester-era Britpop with a bit of idiosyncratic poetry (“I am a freeloader love junkie/A real heavy cannonball and I’m hungry…I stand between the sun, between the stone/I feel it in my fingers, feel it in my bones”). And on “Wild Emotion,” One Of A Kind offers up a country-infused serenade laced with galloping rhythms and twangy guitar tones partly inspired by the work of Dire Straits frontman Mark Knopfler. “That’s probably the most emotional song on the album,” Turner points out. “It’s meant to have a reassuring message, but at its center is the story of a woman who’s gone through a heartbreak and can’t find her way out of feeling hopeless and distraught.” After journeying through a whirlwind of sounds and textures—the hypnotic Mellotron of “Lemonade,” the frenetic psych-rock organ and skyscraping vocals of “Dirt,” the earthy acoustic guitar and sweetly playful harmonies of “Lovestruck”—One Of A Kind lands at the reverb-soaked splendor of its closing track, “Salina.” Named for a sparsely populated volcanic island off the coast of Sicily (an otherworldly spot Fuller and Turner visited on vacation), the slow-building epic unfolds in so many exquisitely strange sonic details: moody cello lines, thundering percussion, a spellbinding pedal-steel part simultaneously played by two separate guest musicians. “‘Salina’ was one of those moments where we let ourselves get experimental with the production and create a whole ocean of sound,” says Fuller. “We knew we had to put it at the end and let the reverb ring out in those final seconds—almost as if we’re leaving the album hanging in the air.”Formed in 2019, The Heavy Heavy emerged from a potent alchemy of their eclectic sensibilities. Hailing from the small town of Malvern (a stretch of the English countryside he describes as “a beautiful place full of hippies and longhaired people”), Turner took up guitar in his early teens and later played in a series of psychedelic/surf-rock bands, while Fuller’s extensive background includes performing at Montreux Jazz Festival as a teenager and acting in the London theater. As they moved forward with a mission of “making music that sounds like our favorite records ever” (including everything from Peter Green-era Fleetwood Mac to folk-blues act Delaney &amp; Bonnie to Fleet Foxes), the duo dreamed up a batch of songs in a London flat and self-released an early version of Life and Life Only in late 2020, eventually catching the attention of ATO Records and signing with the U.S.-based label in 2022. Fueled in part by the breakout success of “Miles and Miles” (their ATO debut single), The Heavy Heavy’s five-piece live band soon began playing bigger and bigger venues and taking the stage at leading festivals like Bonnaroo, Boston Calling, and Newport Folk Festival, in addition to performing on “Jimmy Kimmel Live!,” “The Late Show With Stephen Colbert,” and “CBS Saturday Morning” and scoring major syncs with the likes of Nissan and Netflix’s “Outer Banks.”Because of the rapturous response to their debut EP, The Heavy Heavy found themselves in an unfamiliar headspace when it came to the creation of One Of A Kind. “With the EP we were making songs as a way to soundtrack our own lives, but now it’s a different beast—it’s no longer theoretical, which gives everything more weight,” says Turner. But in the end, the band discovered an essential touchstone in the connection they’ve forged with their fans over the last two years. “Not too long ago, a woman came up to us at a show and told us she was getting a tattoo of one of our lyrics to remind herself to keep pushing on and keep chasing her dreams,” Fuller says. “Moments like that always remind us that as long as we keep making what feels good, chances are it’s going to make other people feel good too. I hope this album feels like a great big party to everyone, and I hope it inspires them to live their lives however they want.”

The Heavy Heavy w/ Judy Blank opening

Low Cut Connie With 8 albums released to date, select highlights from the band’s impressive career include endorsements from Barack Obama and Elton John, a performance on Late Night with Seth Meyers, and a spot on Rolling Stone’s Top 100 Albums of the Decade list. Low Cut Connie released the critically claimed LP ART DEALERS in Fall 2023, with a full- length companion film coming in 2024. &#34;ART DEALERS may be the band&#39;s masterpiece to date.&#34; - Nashville Scene &#34;Low Cut Connie can renew your faith in rock.&#34; - Boston Herald &#34;Experiencing Weiner in his element, whether on the new record ART DEALERS, its accompanying film, or live, is a gift of melody, messages, and community.&#34; - No Depression Magazine &#34;Like Bruce Springsteen after he discovered literature, Weiner started bending classic rock to meet his ever more complex emotionalism. The result is that this new 17 track collection Private Lives is Adam Weiner’s version of Born to Run, filled with songs about losers and lovers and beautiful dreamers.&#34; - Ken Tucker, NPR&#39;s Fresh Air “Pandemic Person of the Year” - The New Yorker &#34;ART DEALERS hits the heart, head, &amp; groin with equal force.” - AllMusic

Low Cut Connie

&#34;Welcome aboard everyone! Grab your cocktails, kick up your dock shoes and set sail with us! We will bring you all the best tunes from the fabulous and fun Yacht Rock genre!  All the best hits from Steely Dan, Michael McDonald, Christopher Cross, Kenny Loggins, Hall &amp; Oates, Toto and many more! – Led by Liz Asaro(Pink Mirror Presents) and musically directed Rocco Dellaneve(Of The Snow Productions), Yacht Pockets is comprised of incredibly talented and seasoned musicians based New York City&#34;

Pink Mirror presents Yacht Pockets

Collaborating for the second summer in a row, Jake Loeb and Henry Cornell are born and raised New York singer-songwriters with a soulful sound that rocks. And while they love the studio, live is where they thrive. From ripping guitar riffs to acoustic jams, their masterful harmonies and electric vibe always get audiences up on their feet.

Jacob Loeb & Henry Cornell

“We can argue politics and policies, but, at the end of the day, we are bound together beyond these,” shares Americana singer-songwriter Inda Eaton. “I do what I do to connect—music has this great disarming quality—it leads to vulnerability quickly as people lay down their shields.”In a career that spans 8 albums in 20 years, and a blur of endless tours, for her latest album, Shelter In Place, Inda opted for once to stay put. The 11-song record was literally tracked in the Springs, New York-based artist’s backyard. In the stillness of the album writing process, she sifted through her scrapbook of travels, and created a Huck Finn-spirited collection of story-rich heartland rock songs brimming with adventure, and personal reflection.Inda’s warm humor, free-spirited emotionality, and literate flair make her songs feel as comfy as a favorite pair of jeans. Inda’s vocals have a whiskey and honey-tinged raspy quality that’s both stirring and soothing. Her stories and musings feel instantly resonate. Inda’s songwriting spans fist-pumping anthemics and bucolic balladeering, and it embraces a wide swath of influences, including country, classic rock, folk, and pop.Inda’s music has been a global passport, taking her through Latin America, Australia, and Germany in her early years. There, she became something of a charming troubadour, winning over audiences with her quick wit, affable onstage connectivity, and her ability to fuse rousing hooks within a downhome roots-rock sensibility. These formative experiences have served her well in building an engaged following in the U.S.Inda has toured in various configurations throughout America, both as a captivating solo performer and a powerful bandleader with a trusted posse of ace musicians. Select live highlights include opening for noted names like John Hiatt, Blues Traveler, Earl Scruggs, Hootie and the Blowfish, LeAnn Rimes, Shemekia Copeland, and Molly Hatchet. Additional performance highlights include tours for American Society of Young Musicians and VH1’s Save the Music Program.Inda has been a fixture on the CMJ alternative charts, earned an AFIM “Best Independent Album” nomination, and garnered critical industry acclaim in publications such as Billboard and Relix.Through it all, her DIY flag has flown majestically. She has her own music publishing company, Skin to the Wind Productions, and Inda has self-produced or co-produced many of her albums.In 2010, Inda formally committed to sharing music with younger generations in school music programs with what has become <a href="http://ideastoinspire.org/">Ideas to Inspire™</a>, an arts-fostering organization that works to provide students with creative experiences through music, storytelling and self-expression. When not touring in support of her albums, Inda and her bandmates can be found traveling from one k-12 classroom to another supporting i2i programs across the country.For album 8, however, Inda put the brakes on to ponder her winding path, thus far. “The road is a muse for me—the best way to ground ideas for me is a road trip. This album is kind of the shelter to process the trips I’ve been on,” she details.Besides geographic travels, Shelter In Place is rife with coming of age themes couched in loss. Also threaded throughout the album is Inda’s multi-layered take on America. Inda was born in California and raised in Wyoming and Arizona, so one could say she deeply feels the heart of the heartland. She’s also a gay woman who married in 2011.“I do come from the heartland, and identify so much as an American—it feels like anything is possible here. We are the best chance for hope,” Inda says.  “I just get upset when we can’t get along.”

Inda Eaton

CK Beats is a DJ &amp; Producer based in the East End and NYC. Originally from East Hampton, CK has spent the last few years playing a wide variety of parties, events and venues all over the east end. With over a decade behind the decks, CK Beats smoothly blends an eclectic mix of music styles, keeping the party vibes alive. From Hip-Hop to House, Latin to Pop, and everything in between, CK&#39;s open-format approach guarantees a night of non-stop fun on the dance floor!

Industry Night w/ DJ CK Beats

&#34;Their name says it all: The Dave Matthews Tribute Band. For nearly 20 years, the band has been performing sold out shows around the world; playing over 1,500 dates in 46 states and 8 countries. Many go to their live shows with reservations, high expectations, and the burning question, &#34;Do these guys sound like the real Dave Matthews Band?&#34; Almost always the answer is &#34;Yes!&#34;Beyond mastering the DMB sound and the relentless touring, what separates The Dave Matthews Tribute Band from other cover bands is their passion, love, and respect for DMB and their music. That is what makes you come out of one of their shows saying, &#34;Yeah, they really do sound like the real Dave Matthews Band.&#34;

Dave Matthews Tribute Band

In 2017, Grammy-nominated artist Joan Osborne released the critically acclaimed album, Songs of Bob Dylan. Her artistic and soulful reinterpretations of the selection of Dylan songs was an eye-opening moment in an already celebrated career.Eight years after milestone recording, Osborne will release the stunning Dylanology Live on April 25th. The captivating recording finds the gifted vocalist performing in front of a live audience, with special guests Amy Helm, Robert Randolph and Jackie Greene. Songs include “Spanish Harlem Incident”, “Buckets Of Rain” “Masters Of War”, “Tonight I’ll Be Staying Here With You” and “High Water (For Charley Patton)”.The first song off Dylanology Live is Osborne’s reimagined psychedelic-blues-infused rendition of “Highway 61 Revisited.”  To be released February 20th.

Joan Osborne Sings The Songs of Bob Dylan

<div>“Dallas Wax is a five-piece band based in New York City. The band borrows from the spaces of</div><div>punk rock, psychedelia, and the blues while maintaining a unique delivery and raucous live</div><div>performance. Dipped in acid and powered by driven guitar riffs and soulful vocals, Dallas Wax</div><div>never fails to conjure an unforgettable experience for their audience.”</div>

Dallas Wax

Renzo’s Fault respects the 90’s, good music, fun crowds and everyone that brings the energy. This fiercesome foursome spawned out of one of the most famous cover bands that played in New York, Europe and South America and now, Renzo’s Fault performs often in NYC’s highest energy venues such as Red Lion and Cutting Room. If you love to dance, if you love a party and if you love you some good 90’s music (with a touch of the more modern), you’ll blame Renzo the morning after seeing Renzo’s Fault.

Renzos Fault

As frontman for multi-platinum-selling alt-rock band O.A.R., Marc Roberge has performed for sold-out crowds at many of the world’s most iconic venues and helped to build a singularly devoted fanbase that spans the entire globe. With the band now on their tenth studio album (2022’s The Arcade), the New York City-based singer/songwriter/guitarist has also established a dynamic career as a solo artist over the past decade. In a departure from the unbridled energy of O.A.R.’s live show, Roberge’s solo tours find him taking the stage at more intimate theaters and delivering stripped-back renditions of O.A.R. fan favorites, along with a carefully curated selection of covers. Also rooted in his off-the-cuff and warmly candid conversations with the audience, the result is a prime showcase for Roberge’s deeply personal yet immediately resonant storytelling—an element he’s continually brought to O.A.R.’s music since the Maryland-bred band’s formation in 1996. Naming classic country troubadours among the main inspirations behind his solo shows, Roberge is now at work on a debut solo album that spotlights the more lyrically driven and folk-leaning side of his limitless musicality with a chance of special guests.

Marc Roberge of O.A.R.

<div>Australia’s fastest rising indie-rock outfit and loveable larrikins Old Mervs are heading on an absolutely mammoth tour around Australia &amp; New Zealand in 2025. Kicking off in May, the WA duo are celebrating the release of their highly awaited debut album, released 21 March 2025. Recorded with ARIA award-winning producer Chris Collins, the self-titled album features “What You’ve Lost”, “Parched”, “Forget It”, See You Again, Everyone One Will See It and a stack of new tunes. Old Mervs have quickly become one of Australia’s hottest commodities, charting higher and higher each year in triple j’s Hottest 100 countdowns. Dave and Henry soundtrack life’s growing pains and kaleidoscopic experiences wrapped in catchy hooks and breezy guitars. Old Mervs have four national headline tours under their belt as well as festival slots at some of Australia’s biggest music festivals including Groovin the Moo, Yours &amp; Owls and Splendour in the Grass. The duo have supported huge Australian names as well as international acts including The Wombats and Liam Gallagher. Recently wrapping up their first UK tour, Old Mervs played to packed out venues in London, Manchester and Birmingham and more, and there is more overseas touring planned for 2025.</div>

Old Mervs

In 2015 six lifelong musicians came from all across the country (well, just San Francisco and New York, but whatever) to form a band that is too hot for the police, fireman, and many many others. Rated Fresh throw down harder than your typical party band with a setlist you won&#39;t hear anywhere else, including Top 40 mashups, 90s throwbacks, 60s and 70s classics, and musicianship beyond their years.

Rated Fresh

Chad Smith of Red Hot Chili Peppers &amp; Andrew Watt Grammy winning producer w/ Special Guests.

Smith and Watt Steakhouse SOLD OUT

Cowabunga, dudes!Cowabunga, dudes! The 21st century is sooo overrated, but you know what&#39;s ALL THAT? The SAVED BY THE 90s PARTY! Boo Ya! Hailing originally from New York City and now active all over the U.S., this party has tons of live 90s music from a totally fresh band (they&#39;re da bomb). Get ready for everything from Third Eye Blind to the Spice Girls, from The Backstreet Boys to The Beastie Boys. And after that, we&#39;re not leaving you hangin&#39;! As if! Get jiggy with the DJ spinning dope tunes all night. It&#39;s gonna be the raddest thing since Your Mom!

Saved by the 90's a party with the Bayside Tigers

VIP Meet &amp; Greet Experience:Includes:<ul><li>Meet &amp; Greet with Matisyahu</li><li>One (1) Individual Photo with Matisyahu.  </li><li>One (1) Exclusive VIP merch bag per VIP ticket </li></ul>Creativity is like a fire in a fireplace: You have to tend it or it will go out. For nearly twodecades, Matisyahu has kept his creative spirit aflame by evolving his sound, meldinggenres, and testing the limits of the musical traditions that have inspired him. His latestrelease, Hold The Fire, and its leadoff single “Fireproof” takes inspiration from a firedream inspired by Matisyahu&#39;s Old Testament religion, which has meant so much to hisspiritual and creative life since his recording career began in 2004 and his breakouttrack &#34;King Without a Crown&#34; blasted into the Billboard charts in 2005. In a roundaboutway, those same Old Testament roots springboarded Matisyahu&#39;s music career.Growing up outside New York City, the young Matthew Miller followed jam bands likePhish and the Grateful Dead. Then, in Bob Marley and reggae, he found that themessaging of Rastafarianism was sourced in part from that same Old Testament. Thesound that emerged on his first albums—including his first two studio releases as wellas 2005&#39;s Gold-certified Live at Stubb&#39;s—embraced both the spirit of reggae and hisspirituality and roots in Judaism. Buoyed by hits like &#34;King Without a Crown,&#34; albums likethe Grammy-nominated and Billboard No.1-ranked Youth in 2006, and the Gold-certified2009 antiwar hit &#34;One Day&#34; (streamed over 150 million times on Spotify alone), hetoured extensively through the second half of the aughts with a high-energy stage showthat has since grown to include more improvisation. All the while his music expandedinto a shapeshifting collision of reggae, hip-hop, alt rock and boldly inventive pop.Today, he continues to be inspired by evolving musical trends, finding linkages andloops between eras and genres. Matisyahu&#39;s spirituality has evolved in parallel with hismusic, though his Jewish heritage remains a central theme throughout his life andmusic. The new EP, Hold The Fire (out February 2024), also finds him reflecting oncelebrity and artistic success. For Matisyahu, “the unbelievable and miraculous feelingof being connected to our people” is what keeps the creative fire alight.

An Evening With Matisyahu

GA ticket w/VIP Meet & Greet + Exclusive Merch Exp

When you hear Annie Trezza it&#39;s often hard to believe that all that sound comes out of one person. With groovy guitar riffs, 60&#39;s inspired melodies, and transportive lyrics, she projects an energy well beyond her size. Upon listening to Dylan and Beatles records on repeat at a young age, she felt compelled to pick up a guitar and start writing her own tunes at age 14. She spends her summers playing all around her home in Montauk, NY. In the off-season when she&#39;s not chasing the waves she&#39;s writing new music, and continuing to play anywhere in the world she finds herself. Between her distinctive voice and her poetic lyrics, it&#39;s hard not to get a little carried away when listening to any of her tunes. And that&#39;s okay because that&#39;s exactly what they&#39;re meant to do. With an album to follow, her EP Blue Suitcase #2 was released December 2019.

Annie Trezza

Big Karma

Vincent Neil Emerson has become a staple among folk and country music fans nationwide, celebrated for his honest tales of life on the road, heartbreak, and struggles of all sorts. His first LP, Fried Chicken &amp; Evil Women, from 2019, established him as a refreshing voice in the modern country music landscape. The songs from that first album were charming and playful songs, but didn&#39;t reveal the entirety of Emerson&#39;s story.On his brilliant new album, The Golden Crystal Kingdom, Emerson transcends the role of a honky-tonk country singer and becomes a chronicler of his history. The album is a bold continuation of the story he tells on Vincent Neil Emerson, with songs like the title track exploring the feelings he was left with after his days spent playing in Texas honky-tonks and dancehalls, and the track &#34;The Time of The Rambler,&#34; inspired by the early days of living in his car and busking on the streets.He was born and partly raised in East Texas, around his Choctaw-Apache family, and spent most of his life moving around the state. Raised by a single mother, he lost his father to suicide when he was nine. Emerson dealt with those feelings of abandonment and loss on his self-titled album, with the track &#34;Learning to Drown&#34; in particular.His grandmother and grandfather brought the family to Texas when Emerson&#39;s mother was a child, leaving their ancestral Choctaw-Apache homelands in Louisiana behind to try and build a better life for themselves and their children. Emerson always identified with his Native American roots, but it wasn&#39;t until 2021&#39;s self-titled album that he examined and tried to shed light on the devastating history of his tribe with the song &#34;Ballad of the Choctaw Apache.&#34;Sonically, The Golden Crystal Kingdom finds Emerson expanding his scope into rock and roll territory, tapping into the storied sounds of folk music gone electric, and following in the footsteps of artists like Bob Dylan and Neil Young. On the album, Emerson retains his diamond-sharp storytelling while imbuing the work with a freewheeling rock and roll aesthetic, creating an album as fun as his live shows and as cathartic as his previous work.With production from Shooter Jennings, Emerson wanted to establish some sounds as touchstones but emphasized following his own intuition for the aesthetics of his record. &#34;I didn&#39;t really want to model this record after anybody else&#39;s music, but I&#39;ve been heavily influenced by a lot of old rock and roll music from the sixties and seventies singer-songwriter music,&#34; Emerson explains.The album wasn&#39;t necessarily created as an opposing force to the country and folk sounds his fans have come to expect, but he did want to make a record that showcased another side of himself as a writer. He also leaned on friends and collaborators like Jennings, Steve Earle, and Rodney Crowell to help him flesh out this album.Emerson has been able to call these one-time heroes friends and mentors, and it is these relationships that have helped the songwriter find his confidence in writing about his personal history and standing up for the causes he believes in. Emerson wrote &#34;Man From Uvalde&#34; after the horrific and tragic mass shooting in the city of Uvalde, Texas, and he was initially hesitant to include the track on The Golden Crystal Kingdom. &#34;It&#39;s a daunting thing to try to dive into social issues in songwriting because I wasn&#39;t sure how people would really take it,&#34; Emerson says. &#34;I recorded a rough demo version of the song, and I sent it to Steve [Earle]. I just wanted to get his thoughts on it and see if it was worth anything. He got back to me, and he said he really liked the song and thought it was great. He gave me a few ideas and ways to look at the subject differently, and it really helped me finish the song. That encouragement gave me the confidence to include it on the album.&#34;The Golden Crystal Kingdom also pays tribute to some of the peers Emerson cut his teeth with in the music scene. He covers the Charley Crockett song, &#34;Time of the Cottonwood Trees,&#34; and is quick to pay tribute to his labelmate and dear friend Colter Wall. &#34;Those two had my back since day one. They&#39;ve been some of my biggest supporters, and they&#39;ve always inspired me to write better songs and encouraged me to pursue this,&#34; Emerson reflects. &#34;Especially at a time when I was starting out and I didn&#39;t really have a lot of encouragement or even self-confidence to do this, they were always there for me.&#34;As a kid who grew up in a trailer with a single mother, went through bouts of homelessness as a young man, and grinded through countless shows to get where he&#39;s at, Vincent Neil Emerson is never quick to praise his own work ethic. He always refers to the friends, family members, and collaborators who have shown their faith in his vision.But humility doesn&#39;t mean Emerson isn&#39;t one of the hardest working, most talented songwriters to emerge from the alt-country underground in years. His style is one of a kind, and his ability to blend tales of the everyman with tributes to his past, present, and future make him a peerless songwriter. On The Golden Crystal Kingdom, Vincent Neil Emerson carries on the torch of his singer-songwriter forebears while infusing the legacy with his unique and thrilling point of view.Kassi Valazza:&#34;Sometimes it takes four or five tries to realize something just isn&#39;t working,&#34; says Kassi Valazza. &#34;I wrote this after my thirteenth try.&#34; She&#39;s referring to the song &#34;Roll On&#34; specifically, but the stagnating pull of repeating patterns — and the brutalizing work of breaking them — inform every song on her new album From Newman Street. &#34;In songwriting and in life, you can&#39;t keep expecting the same thing to work every time.&#34;Valazza grew up between Prescott and Phoenix, Arizona. She penned her first song at age ten but in those early efforts to perform, found herself halted by stage fright of a clinical level. &#34;I&#39;ve gone to therapy for it,&#34; she says, half-laughing. She didn&#39;t stop writing music but she let less paralyzing means of expression lead the way, eventually enrolling in arts school for painting, an illustrative instinct that inevitably reveals itself in her vivid songwriting. It wasn&#39;t until she relocated to the Pacific Northwest as an adult that Valazza picked back up the proverbial — and actual — guitar.&#34;Zach Bryson was kind of like the honky tonk ambassador of Portland when I got there,&#34; Valazza says. &#34;He was so welcoming and encouraging.&#34; She discovered an inspiring, supportive artistic community, a less rigid relationship with musical output, and then — vocal nodules. &#34;It was actually kind of the best thing that could have happened, because I learned about the crossover of physical and mental that takes place in performance.&#34; Recovery entailed recognizing the reflexive functions of the voice in response to anxiety; as is the case throughout the human body, stress reactions can be damaging. &#34;Because I suddenly understood what was happening with my voice, I could handle it, wield it. I felt more confident.&#34; Valazza recorded an album with Bryson in an old-house-turned-studio. It was an informal, friendly endeavor, though not at all small. &#34;I think probably thirty people contributed,&#34; she says. &#34;I listen back to that album and I think &#39;this was me learning how to do this.&#39; I can hear that moment in time.&#34;Valazza&#39;s debut Dear Dead Days fused the Southwest&#39;s rustic romance with the Pacific Northwest&#39;s rocky realism and garnered Valazza a cult following. She landed a deal with Fluff &amp; Gravy, a label known for launching earthy, emerging treasures like Anna Tivel and Margo Cilker, and toured with folk favorites including Melissa Carper and Riddy Arman. Her sophomore album Kassi Valazza Knows Nothing followed, a glimmering set of sonic talismans among Ann Powers&#39; Favorite Songs of 2023 for NPR and Bandcamp&#39;s Best Country Music of 2023, with praise from KEXP, Uncut, MOJO, and Brooklyn Vegan to boot.By the time Valazza was ready to record her third album, she had spent a decade in Portland — and that, she realized, was enough. &#34;As someone with anxiety, I always want to know what&#39;s going to happen,&#34; she says. &#34;But knowing can be limiting. Getting comfortable with the uncomfortable, that&#39;s growth. That&#39;s what this album&#39;s about, really.&#34;On &#34;Weight of the Wheel,&#34; a weepy slide guitar underscores Valazza&#39;s listless lament: All things look the same / From the pillow on my bed / I&#39;m stressed out I&#39;m far away / There&#39;s dizzy dancing in my head. The song sounds like urgency, grief, surrender, and embrace — all at once. It&#39;s feeling like some kind of fight to outgrow / The way I fear slowing down before I&#39;m old. By 2022, that dizzy demise of cyclical living had set Valazza still — in a basement apartment there in Portland. &#34;You&#39;re going to be a different person after every album,&#34; she says. &#34;And you have to keep moving forward.&#34;Sights set on Nashville, Valazza landed in New Orleans. &#34;It wasn&#39;t the plan. I spent three months there between tours, and it just kind of happened.&#34; The bright newness of The Big Easy illuminated fresh inspirations and unexpected love. But it also cast a stark light on Valazza&#39;s sense of self; in a new place, you can see more clearly what you want to be, as well as what you haven&#39;t been. &#34;I discovered the less likeable parts of myself in that time,&#34; Valazza says. Album standout &#34;Your Heart&#39;s a Tin Box&#34; encapsulates precisely this, with a cynical-yet-sunny likeness to Joni Mitchell and lyrical acuity: I moved down to New Orleans / Thinking love would reappear / But people tell you everything / but what you wanna hear / You relied on fixated company / Now you&#39;re drowning in your ego&#39;s gluttony. The patterns of her Portland life had stalled Valazza. It wasn&#39;t the city&#39;s fault so much as the natural consequence of complacency, the stagnance that comes with too much of the same. Valazza knew she was due for a personal evolution, and when faced with those innate, bristling pangs of change, could soothe herself with that certainty.The track sequence on From Newman Street is audibly intentional — from a deep lull and dull itch, to a barbed clash with cognitive dissonance, to humble submission, and an ultimate, open-armed acceptance of new life. Poetically enough, half the songs on the upcoming album were written in Portland, the other half in New Orleans. Valazza returned to her former hometown to record with Matt Thomson at Echo Echo Studios, and titled the release From Newman Street in tribute to an apartment she lived in deeply and left with heavy heart. The album is as much a fond farewell as it is a fervent step forward.Valazza made the official move to New Orleans in February of 2024. &#34;Coming from placid, wintry Portland straight into Mardi Gras — I would not recommend it.&#34; She recalls the time with humor, grace, and sensitivity for her past self, qualities that shine through the album. &#34;I&#39;ve always been a believer that music is only good if it&#39;s really raw, really honest — probably coming from a place of hurt,&#34; Valazza admits. &#34;But I&#39;m trying to embrace chaos these days, and bring a little more light into my life.&#34;

Vincent Neil Emerson w/ Kassi Valazza opening

With curly tufts of a recognizable Jewfro peeking out from his omnipresent knit cap, Andy Frasco is a cross between John Belushi’s “Joliet” Jake Blues and Jimmy Buffett. He’s a band-fronting, songwriting party animal who turns into a swirling rock ‘n’ roll Tasmanian Devil onstage leading his U.N., not unlike Bruce Springsteen and the E-Street Band. From switching instruments mid-song to Frasco stagediving into the crowd or kibitzing with them, an Andy Frasco &amp; The U.N. show is a celebration of inclusivity and tolerance where “You do You” and “let us do us.”The band has grown from playing bars to touring more than 250 days a year all over the country, with Frasco describing that 15-year journey on Growing Pains, the group’s landmark 10th studio album and first full-length effort since 2023’s L’Optimist, showcasing Andy’s growth as a tunesmith in his own right.Produced by Frasco himself for the first time, the collection’s centerpiece is the anthemic “Try Not to Die,” a glass half-full anthem to seizing the day that combines country twang with an easy island breeze in its affirmative message.“Life is Easy,” featuring bluegrass superstar Billy Strings, Daniel Donato’s Cosmic Country and co-writer/frequent collaborators Steve Poltz (Rugburns, Jewel) and Chris Gelbuda (Meghan Trainor), is a folk protest anthem. “Swinging for the Fences,” featuring cameos by G. Love and Eric Krasno (Lettuce, Tedeschi Trucks Band Soulive), is a Motown-flavored paean to dating someone out of your league. The playful “They Call Me Hollywood (But I’m from LA),” co-written with frequent partner Kenny Carkeet, features rapper ProbCause, while the title track is a sing-song, hip-hop-influenced rhyme about embracing change and taking it day-to-day.Frasco wrote most of Growing Pains in Nashville with his longtime guitarist Shawn Eckels and frequent songwriting partners Chris Gelbuda, Steve Poltz, and Andrew Cooney.“I came into this life wanting to write songs,” said Frasco. “It took 15 years, but I feel I’m starting to get credit for it. My cup is full. I’m really starting to see my dreams come true.”

Andy Frasco & The U.N.

<h2>Grab your friends and your dancing shoes! CANDY SHOP will get you movin’ and groovin’ all night long!</h2>Packaged with energetic stage presence, professional musicians, and colorful outfits, CANDY SHOP delivers an exciting show sure to get you out of your seats. Showcasing a trio of young divas singing alongside an all star band mixing covers and original music from the upbeat, pop, and funk styles of the 70’s to now.<div><div><h2>WE DO IT ALL!!</h2></div></div>

Candy Shop

America comes together in the music of Martin Sexton. Our hearts mend, our political and philosophical differences melt away, and the various strains of our roots music entangle. Of Sexton, The New York Times says: “His unpretentious heartiness helps him focus on every soul singer’s goal: to amplify the sound of the ordinary heart.&#34; Sexton has remained true to his mission of sharing peace and harmony throughout his 10 albums, and in countless incendiary live performances. He has thus built a loyal following of fans, including critics and superstar artists. He is without a doubt what Billboard calls: “The real thing.” These days, people are coming together to revel in Sexton’s musicality for his Martin Sexton Abbey Road Show. This is a live show extravaganza in which he performs the iconic Beatles’ album in its entirety followed by a set of mainly original music. Currently, Sexton is also working on his 11th album, which will be his first full-length album in 10 years. Sexton is a songwriter’s songwriter, with a multi-octave voice that knows no bounds. Acoustic Guitar Magazine calls him a: &#34;Master of dynamics, reducing a room to silence with his blustering baritone, then teasing that silence with a fluttering falsetto.&#34; Sexton’s career in music has unfolded like the stories in one of his sweetly redemptive songs. He got his start busking on streets and performing at open mics. Since then, he has gone on to be praised by modern legends such as John Mayer and Dave Matthews, who calls him one of his favorite singer- songwriters. Sexton’s songs of grappling and gratitude were the soundtrack to John Mayer’s early gigging years, and made an indelible impact on the budding songwriter. Mayer says: “This is the music of my LIFE.” Sexton has headlined venues from The Fillmore to Carnegie Hall, and his songs have appeared in television series such as Scrubs, Parenthood, Masters of Sex, and in numerous films. His dynamically emotive live show has earned him critical raves and an engaged and loyal following. The Wall Street Journal says: “Mr. Sexton as an impassioned performer can bring women and men to tears when they see him live.”

The Martin Sexton Abbey Road Show

VIP(arrive 30min within showtime to ensure entry)

Welcome to Expost. With raw material from Memphis, San Francisco, New Jersey, and North Carolina — forged on Manhattan&#39;s Lower East Side since 2011 — Expost is known for its sprawling influences, improvisational risk-taking, and total commitment to live performance. Expost has graced such storied rock clubs as The Stephen Talkhouse, Arlene&#39;s Grocery, The Cutting Room, and the original Sullivan Hall. Every year during Phish&#39;s MSG New Year&#39;s Run, Expost plays an all-night afterparty for those rock fans who never sleep. The band&#39;s latest EP, &#34;The Tapes Vol. 3&#34;, is available on Spotify, Apple Music, and elsewhere. The Expost experience is only available live. #expostup

EXPOST

Private Event - Open to public 9pm

Private Event - Open to the public 9pm

<div>Hot Lava is, quite simply, the greatest cover band on Earth.</div><div> </div><div>Hot Lava is more than a band—it’s a social movement, with shows drawing hundreds of fans looking to be scalded by our molten musical interpretations anchored in 70s-era rock-and-roll and the scorching sounds and blistering beats of the 80s, 90s, 00s, and today. A key to our success is that we play great songs. And we play the shit out of them.</div><div> </div><div>Known for an epic live music experience, Hot Lava performs regularly in NYC and the Hamptons. We’ve played small private parties for the 1% and 2,000&#43; person benefits for charity. Some of our members have toured with national acts yet, if you ask them, they’ll admit nothing is more kickass than Hot Lava.</div><div> </div><div>Once the Lava gets flowing, there&#39;s no outrunning it.</div>

Hot Lava

GA-must arrive 30min within showtime

<h3>There is no other band like Lez Zeppelin. Since 2004, this all-girl powerhouse quartet has captured the essence, spirit, power and seductiveness of Led Zeppelin both onstage and in the studio becoming a worldwide phenomenon. The band&#39;s explosive performances are more of a &#34;channeling&#34; than a tribute. Never interested in impersonation, Lez Zeppelin sets its sights on the art and challenge of a group playing in communion. This has earned them the moniker: She-Incarnation.</h3><h3>In June, 2013, Jimmy Page attended their show in London and said of the group, “They played the Led Zeppelin music with an extraordinary sensuality and an energy and passion that highlighted their superb musicianship.”</h3><h3>In 2025, the band will mark the 50th Anniversary of one of the greatest rock albums of all time, Physical Graffiti, with a full scale tour that features the performance of the album in its entirety. We invite you to come and experience the unique brilliance of this music. Rest assured that we will play the notes. But, know that it is the spaces in-between the notes that create the magic...</h3>

Lez Zeppelin

La Herencia is a nine-piece Salsa, Cumbia, and Latin Soul powerhouse based in Long Island, NY. Led by pianist and bandleader Nick Corredor, the group is on a mission to revive the golden era of salsa and bring its infectious rhythms back to the mainstream. Rooted in the sound of Alegre Records and Fania Records, La Herencia blends raw percussion, deep brass, and the elegance of woodwinds and strings to create a groove reminiscent of Eddie Palmieri, Ray Barretto, The Lebrón Brothers, and Willie Colón. Corredor, a Colombian American musician with deep ties to the salsa and Latin music scene, brings a modern edge while staying true to the genre’s rich history. With its distinct charangainfluence and relentless swing, La Herencia is breathing new life into the dance floors of New York and beyond. As part of the Elieco Records collective— you can purchase any music by finding them through their name &#34;La Herencia&#34;.

Tigres

La Herencia

<div><div><div><div><div><div><div><div><div><div><div><div>2019 marked Simien’s 34th consecutive New Orleans Jazz &amp; Heritage Festival – the gold standard for diversity in American roots music.</div></div></div></div></div></div></div></div></div></div></div></div>2014 proved to be another memorable year when Simien &amp; his collaborators from the Zydeco Experience band were honored with their second GRAMMY award in Los Angeles on January 26, 2014 at the Nokia Theatre.2012 found Simien &amp; his band mates seen performing their original song “Dance Everyday” in the Warner Brothers film “The Lucky One” starring Zac Efron and Blythe Danner, and directed by Oscar nominated director Scott Hicks. Simien’s version of zydeco standard “Uncle Bud” was also used in the film.<div><div>2009 signaled the release of Disney’s “The Princess and the Frog”, set in the city of New Orleans and featured their first black princess. Alas, history was made. Simien is the featured guest artist on “Gonna Take You There”, a zydeco flavored song penned by Randy Newman. Simien recorded the song with Newman in Los Angeles in late 2007 and it has became a favorite track for children everywhere! Simien’s student audiences all over the country sing along with him when he &amp; his band mates perform it during their school time concerts. History was also made in a very big way for this genre –  as it was the first time Disney featured zydeco music in a film!  As if that was not enough – the word zydeco was also spoken in the movie by one of the characters and has introduced generations of young children and families to an indigenous American roots music that because of this film, many heard for the very first time! We are forever grateful to John Lasseter and the team at Disney for this rare opportunity to have this genre immortalized in a Disney film.In 2005 Simien led HBO producers deep into Creole country for another high visible opportunity for the genre and he introduced them to the prodigious 5 year old zydeco talent, Guyland Leday. This gifted young musician was featured in the HBO doc “The Music in Me: Children’s Recitals from Classical to Latin, Jazz to Zydeco. This was a huge victory for his state, genre and Creole culture. It was also this year that they became the first zydeco artists to perform in Cuba for the U.S, State Department. In 2006, Carnegie Hall presented them in Mali, West Africa as part of their unique Global Encounters program. There have been multiple U.S. State Department tours to North Africa, Ukraine, Russia, Dominican Republic, Paraguay – all as part of the U.S Cultural Diplomacy efforts around the globe that began in <a href="http://time.com/5056351/cold-war-jazz-ambassadors/">1955.</a>However, it was 2008 that proved to be one of the most memorable years of their eventful career when they were honored with their first GRAMMY™ award and the first in zydeco since Rockin Sidney Simien received his in 1985. They also performed that day at The 50th GRAMMY™ Awards pre-Tel ceremony. This was also the culmination of 7 years of hard work to establish a new Grammy category for best Zydeco or Cajun Music Album that Simien and his wife/business partner, Cynthia led to success. They effectively changed the vocabulary of the Recording Academy and the trajectory of the history for both genres. Because of their efforts that began in 2001, to connect their region with the GRAMMY awards after decades with little or no recognition in the awards, since 2008 over 100 Cajun &amp; zydeco artists have garnered Grammy noms and awards. Their hard work embodies an inclusive leadership style and artist advocacy for the greater good of their broader music community, city (Lafayette &amp; Opelousas) and state of Louisiana. This is also now an important part of Southern roots music history, African American music history and the Americana Music Triangle.Simien was born in 1965 (appropriately) into the hippie folk and soul music era that still intrigues him today. He grew artistically being influenced and inspired by all of the music from that period. He was as influenced by Dylan and Simon and Garfunkel as he was by Sam Cooke and the Commodores. Since his family is documented in history books as one of the first Creole families to settle St. Landry Parish, his musical roots are firmly planted alongside the great zydeco pioneers like Chenier, Delafose, Chavis, Ardoin and that other Simien, Rockin Sidney, to name a few. He counts himself one of the fortunate few who hail from a generation with a direct link to these artists, some of whom mentored him as an emerging talent. He has assumed that same role to a new generation of young Zydeco hotshots because he understands how critical mentoring is to the success of his indigenous music that has become synonymous with the cultural identity of Louisiana and an important part of the musical landscape of this country.In 1983 at the young age of 18, Simien began touring professionally and by 20 he was sharing the stage with Fats Domino and Sarah Vaughn at the Bern Jazz Festival. His career exploded after that and Terrance remains a pivotal part of Zydeco music history. In the early 1980’s there were only 2 emerging bands touring nationally; the young Terrance and The Sam Brothers were the only artists reaching a younger audience with their indigenous roots music. Simien was also vital to the “renaissance” of a genre that was becoming extinct with the passing of each pioneer starting with Clifton Chenier in 1987. By the end of the 1990’s, all of the other influential pioneers had departed. This placed Terrance at the forefront of an exciting period of growth and popularity for this black roots music born in the rural, French speaking Creole communities of South Louisiana. Some might call him the OG of zydeco! We’re def down with that.Simien is blessed with an extraordinary talent and charisma that expresses our deepest human emotions through the original instrument: The Voice. He takes his audiences on a multicultural tour of the world as the many countries he’s visited while on tour have informed his musical language. He creates a hypnotic blend of New Orleans funk-reggae-flavored-world-blues-American zydeco roots music that beckons you to your feet and into the groove. He has found a seamless and artful way to deliver his eclectic music as a relevant, evolving artist who is clearly rooted in Creole tradition. Well known for his legendary live performances, Simien also helped change the vocabulary for his genre by introducing complex vocal harmonies, diverse repertoire and carefully crafted high quality recordings.Terrance and his loyal and skilled band mates, the Zydeco Experience, have shared studio &amp; stage with Robert Palmer, Stevie Wonder, Los Lobos, Taj Mahal, Dr. John, the Meters, Alan Toussaint, Paul Simon and Dave Matthews Band to name a few. Their music has been featured in TV commercials and a dozen or more films, including the blockbuster “The Big Easy” which changed the game for Louisiana music in the late 80’s. Their music has been heard on NPR syndicated radio shows like World Café, American Routes, E-town &amp; House of Blues Radio Hour. Rolling Stone, Billboard, and other notable music industry publications, as well as major daily newspapers have praised his recordings. His extensive discography dates back to vinyl 45’s. In 1991 he was signed to rock label Restless Records by A&amp;R rep Ron Goudie who brought the band Poison to the same label group.Simien’s groundbreaking Creole for Kidz &amp; The History of Zydeco for student, youth and family audiences has reached nearly 500,000 since its debut in 2000. This dynamic program is presented at performing art centers, schools and festivals. Simien is helping build a more culturally literate young performing arts patron who is more knowledgeable about zydeco roots music because of his program. Simien has received countless awards, grants and recognition for his work and artistic contributions as a respected Cultural Ambassador for his state and country.</div></div><a href="http://www.terrancesimien.com/media-kit/#collapseMore">CONTINUE READING </a>

Terrance Simien and the Zydeco Experience 

Terrance Simien, Nancy Atlas & Klyph Black

GA / DOS $50.00

Donavon Frankenreiter For nearly four decades Donavon Frankenreiter has been travelling the globe, first as a professional surfer and now as a musician. Born in Southern California, Donavon spent most of his youth chasing waves, turning pro at the age of 16.These days instead of surf competitions, it’s concert halls that brings Frankenreiter to town, where he entertains audiences with his unique blend of laid-back grooves, philosophical lyrics and soulful delivery. You can find him touring the world with his three-piece band and still catching waves anytime he can.

Donavon Frankenreiter w/ Christina Holmes opening

<div>Dan Bailey Tribe delivers high vibe soul funk reggae rooted in African rhythm and island style grooves. A celebration of rhythm and spirit, their live shows blend conscious lyrics with primal percussion, tropical melodies, and anthemic energy that moves your body and stirs your soul. Born in New York with deep South African roots, the Tribe transforms every stage into a dance-fueled, heart-opening experience. This is more than just music—it’s a movement.</div>

Dan Bailey Tribe

For nearly two decades Donavon Frankenreiter has been traveling the globe, first as a professional surfer and now as a musician. Born in Southern California, Donavon spent most of his youth chasing waves, turning proatthe age of 16. These days instead of surf competitions, it’s concert halls that bring Frankenreiter to town, where he entertains audiences with his unique blend of laid-  backgrooves, philosophical lyrics and soulful delivery. This year, Frankenreiter is releasing his first studio in 9 years, out September 20,2024. The album, entitled Get Outta Your Mind, marks the 20 year anniversary of his self-titled debut album.

Rebounder is the band of New York City native producer and writer Dylan Chenfeld, with his brother Noah Chenfeld, joined by Zack Kantor.Rebounder has toured with the likes of Phoenix, MUNA, How Long Gone / Chris Black, Dayglow, The Neighbourhood, Papooz, and Sofie Royer. They have played private shows for the NME, and done a campaign for J.Crew.Rebounder has received praise from NME, DIY, Notion, The Fader, Pigeons and Planes, and has been played on Ezra Koenig’s Time Crisis. Rebounder’s debut track “Japanese Posters” recently crossed 30 Million Streams on Spotify, with the project now boasting more than 400,000 monthly listeners on the platform.Summer 2025 will see Rebounder release their third EP, and do a second nationwide headline run. The new EP was co-produced with Adam Thein (Djo) and Gianluca Buccellati  (The Marias).Single “Sunset Vision” has been added at WFUV, 91X, WEHM among other stations.“Some bands just seem to have it all together. From the first second of music they release to the accomplished videos, it all just works.” - NME“If Rebounder was around during Gossip Girl, please tell me how there wouldn’t have had a multi-track inclusion on the show.” - Alt Citizen “Japanese Posters is two-minutes-thirty of delightful cynicism, all packaged in the kind of earworm that could fool even the most hardened of hipsters into allegiance” - DIY“ Rebounder is the brainchild of New York native Dylan Chenfeld, specializing in genre-bending nostalgic pop and indie rock—irresistible in the sense that even the coolest Bushwick hipster at the gig can’t help but tap his feet.” - Honey Punch Mag

Rebounder

<blockquote><div><div><div><div>&#34;Stereomatic is an 80&#39;s cover band - they cover songs you know and love from the WLIR New Wave Days. Playing the best of Duran Duran, The GoGo&#39;s, Depeche Mode, Blondie, The Cure, Yaz, Erasure, Madonna and many more.&#34;</div></div></div></div></blockquote>

Stereomatic

The Thing is a four piece rock and roll band from New York City. The Thing consists of Lucas Ebeling (Drums), Jack Bradley (Guitar &#43; Vocals), Michael Carter (Guitar &#43; Vocals), and Zane Acord (Bass &#43; Vocals). Michael, Jack, and Zane bonded over a shared love for rock &amp; roll in school. Their influences span generations and styles like The Kinks, Cream, and artists of The Nuggets Compilation. As they progressed in skill and knowledge the band started envisioning a career inspired by the likes of Brian Jonestown Massacre, King Gizzard, and The Black Keys. The band originated in New York City in 2022. Months later, the band found drummer Lucas Ebeling who was freelancing in the New York jazz scene.  Since then they have played hundreds of shows across North America and Europe. Their debut LP, ‘Here’s the Thing’, was self-recorded by the band in Zane’s childhood home in Sharon, CT as well as Jack’s prior studio in Brooklyn. After establishing their sound and recording process, the band turned around the month after it was released to the public and recorded their second LP, ‘The Thing Is’ in May of 2023. The album was self-recorded in one month, with Lucas on the kit this time. With this album, they experimented more and recorded with all four members playing together in the same room. This method proved worthy, they recorded their third album in the same manner in January of 2024. The Thing’s self-titled third LP can be expected Summer 2025. LONG LIVE THE THING.

The Thing

To Be Announced

Faces For Radio is a high-energy party band that plays the greatest songs ever recorded. If you&#39;re not having fun at a Faces For Radio show, you&#39;re doing something wrong. Founded in 2019, FFR has grown from small bar gigs to performing at some of the biggest venues, events, and weddings on the east coast. Known for turning any room into a full-blown party, FFR’s setlist includes current hits, throwback anthems, and unexpected crowd-pleasers. Catch Faces For Radio at Stephen Talkhouse or anywhere you love to see live music.

Faces For Radio

GA-(must arrive 30min within showtime)

<div>Texas native Rhett Miller is perhaps best known as the frontman of the Dallas-based alt-country band the Old 97&#39;s, although he has also pursued a critically acclaimed solo career. Formed in 1993, the Old 97&#39;s built a devoted following with their brash blend of country and power pop influences, making a splash with 1995&#39;s Wreck Your Life, which won the group a brief stay on the roster of Elektra Records, a period kicked off with one of their finest hours, 1997&#39;s Too Far to Care. All four members also pursued side projects, but Miller&#39;s solo career captured the most attention, with the literate songwriter training his eye on such subjects as fatherhood, sex, and love. Making his solo bow with 2002&#39;s The Instigator, most of Miller&#39;s solo albums have been dominated by cool, melodic pop tunes with a drier and more confessional bent than his work with the band.</div>

Rhett Miller

The Soho Sessions Heads to the Hamptons with Maren MorrisA rare, intimate performance benefiting Music WillOn August 25, The Soho Sessions brings its celebrated, invitation-only music series to the Hamptons for a special night with Grammy Award-winning artist Maren Morris at the iconic Stephen Talkhouse in Amagansett.Known for hits like “The Middle,” “My Church,” and “Circles Around This Town,” Morris is one of the most dynamic voices in music today, blending country, pop, and soul in her acclaimed new album DREAMSICLE (2025).This one-night-only show supports Music Will, the largest nonprofit music education program for schools in the United States. The event is sponsored by The FLAG Art Foundation, a New York City-based non-collecting, nonprofit exhibition space.Experience an unforgettable evening in one of Long Island’s most beloved live music spaces, with proceeds helping bring the power of music to millions of students.

The Soho Sessions presents Maren Morris

ECHOES OF THE EAGLES is the newest and hottest in demand Eagles band tribute. All their 2024 shows have been selling out!  They are known for their full lush harmonies, with all 6 members as vocalists, recreating the iconic vocals of the Eagles.  The Eagles have the highest selling album of the 20th century with their Eagles Greatest Hits album &amp; are the best selling American band of all time, selling more than 200 million records. Audiences have been raving how ECHOES OF THE EAGLES’ show duplicates the sound of the classic lineup of the Eagles.

Echoes Of The Eagles

LHT Little Head Thinks--cool and down to Earth. the group is located in a perfect place--the Hamptons--for their laid back rap/rock party that they throw while on stage. Putting their fingerprints all over an eclectic mix of covers from the 70&#39;s, 80&#39;s and 90&#39;s while intertwining some of their own catchy originals, LHT keeps the party moving, the drinks flowing and the dance floor packed. LHT has plays regularly at the legendary Stephen Talkhouse as well as other venues in the Hamptons. LHT has lended their talents to benefit Wounded Warriors, The Blue Point Fired Department, as well as local individuals in the community in need of help for medical issues. LHT regularly plays private parties including weddings, providing the perfect atmosphere for any fun party. LHT has shared the stage with Chad Smith, G.E. Smith, and Jimmy Buffet, as well has played shows with Susan Vega, Tribe Called Quest, Paul Simon, and many more.

Hat hung low, hands wrapped around a well-worn acoustic guitar, Griffin William Sherry shares stories equally worthy of a dusty old novel, campfire congregation, or outdoor summer festival. For as much as the Maine singer, songwriter, and guitarist wrestles with big questions about life and love in his songs, he also celebrates the magic of spending his days living  in a small town. His powerhouse vocal delivery, no-frills instrumentation, unabashed honesty, and eloquent songcraft might just make you appreciate the moment a little bit more.After twelve years fronting The Ghost of Paul Revere, he offers up his story as a solo artist for the first time on his 2024 full-length debut album, Hundred Mile Wilderness, and much more to come.“I’ve always found a lot of joy and pride in songwriting. I love writing earnest and witty lyrics, and songs that can tell a story,” he says. “I think fans of the Ghost (of Paul Revere) will find a familiar voice in this new record, but also a new direction. The songs on Hundred Mile Wilderness are built on that simple foundation of me and my guitar, singing at the top of my lungs with all my heart. That’s what I’ve been doing since day one. I feel like I’ve been given a great opportunity to continue making music and, for what feels like the first time, telling my story with my own voice.”This level of integrity has thoroughly defined his artistry. He reached impressive heights at the helm of The Ghost of Paul Revere, sharing stages with everyone from The Avett Brothers, The Revivalists, and Old Crow Medicine Show to The Infamous Stringdusters and Trampled By Turtles . A slew of acclaimed releases also incited the applause of Billboard, Boston Globe, The Boot, and more. In 2014, the band even launched their own successful festival, Ghostland, headlining and hosting eight iterations to date. The festival regularly drew thousands of fans from across the country to their hometown of Portland, Maine and served as their final show in 2022. In 2019, Griffin’s song  “The Ballad of the 20th Maine” became the officialMaine State Ballad, after being unanimously passed by the House and Senate before being signed into law by Governor Janet Mills  The song tells the story of the 20th Maine Regiment’s key role in victory at The Battle of Gettysburg, forever changing the course of  U.S. history.When The Ghost of Paul Revere amicably parted ways in 2022, Griffin continued on his own. Armed with tunes of his own, he retreated to Nashville, TN and recorded Hundred Mile Wilderness with producer Eddie Spear.The title nodded to both his home state and the genesis of this next creative chapter.“The ‘Hundred Mile Wilderness’ ,” he notes. “Is an  untouched stretch-of-wilderness at the northernmost end of the Appalachian Trail. To me, the journey to make this record paralleled exploring deep in the Maine woods  . You know deep down there&#39;s going to be an end to it, but you don&#39;t know when you’ll reach it   or what you&#39;re going to  experience along  the way.”He initially teased this era with the harmonica-buzzed and choir-backed  “Reflections.” Regarding the song, he reveals “‘Reflections’ is a song about confronting big changes in your life and having to stare down the idea of who you were in order to discover who you want to be. ’ A couple days after the  band decided to call it, I felt rudderless, looking for a clearer picture of who was on my own for the first time in a long while. One morning,  I started humming what would become the melody to the chorus and before I knew it, I had written the whole song.”On “Roll Down Slow,” wildly unrestrained fiddle wails over gently strummed chords. Written after a particularly harrowing night, Griffin says the song came after a bit of a wake up call. “It’s about looking yourself in the mirror and coming to terms with whatever choices you’ve made”. With clarity and catharsis, his vocals boom, “I’m in love with the pain of moving at the speed of sound”Then, there’s “Juliet.”“It’s a love song I’d been working on for a few years,” he notes. “I enjoy writing ‘sad love songs’. They seem to live in a deeper well than stories of found love and happily ever-afters”. Soundtracked by worn hands meandering across a fretboard, it’s more a song of loss than love. One where Romeo never found Juliet, but couldn’t stop his search. His lamentations cut deep as he exhales, “When I opened up my eyes, she wasn’t mine. My Juliet seems to be the only thing I’ll never find all of my days”Brash, heavy-handed piano set “Our Town” in motion, and his voice simmers over the swaying and swaggering rhythm. “Some say that the sun’s gone down in our town. But baby come on, we know better than that”.“I wanted to write a song that captured the feeling of where I’m from and also comments on the rough shape it’s in,” he says. “Two vignettes of people who live in a small town. They&#39;re sad and a little desperate, but I’m not sure they know it. Rural towns have their own specific problems and maybe none of us are exactly where we thought we’d be, but we still show our pride to our neighbors. That’s a very Maine and New England sentiment. That feeling is the essence in Our Town.”“I’m ready for a new chapter,” he says. “I don’t have a choice but to keep going; I have to make and play music. I had to make this record, which ultimately is both deeply personal and reflects where I call home, with all its failings and all its charm.  I hope I’m always curious, just as I hope I’m always proud of where I’ve been and where I can go. And I hope that I never lose that drive to tell stories I can find myself in”.Ultimately, Griffin’s telling the story he’s meant to.

Griffin William Sherry

Steve Earle is one of the most acclaimed singer-songwriters of his generation. A protege of legendary songwriters Townes Van Zandt and Guy Clark, he quickly became a master storyteller in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Pretenders, and countless others. 1986 saw the release of his record, Guitar Town, which shot to number one on the country charts and is now regarded as a classic of the Americana genre. Most recently, Earle’s 1988 hit Copperhead Road was made an official state song of Tennessee in 2023.Subsequent releases like The Revolution Starts...Now (2004), Washington Square Serenade (2007), and TOWNES (2009) received consecutive GRAMMY® Awards. Jerry Jeff, released in 2022, consisted of Earle’s versions of songs written by Jerry Jeff Walker, one of his mentors.Earle has published both a novel I’ll Never Get Out of This World Alive (Houghton Mifflin Harcourt 2011) and Dog House Roses, a collection of short stories (Houghton Mifflin 2003).<h1>Earle produced albums for other artists such as Joan Baez (Day After Tomorrow) and Lucinda Williams (Car Wheels on A Gravel Road)</h1>As an actor, Earle has appeared in several films and had recurring roles in the HBO series The Wire and Tremé.  In 2009, Earle appeared in the off-Broadway play Samara, for which he also wrote a score that The New York Times described as “exquisitely subliminal.” Earle wrote music for and appeared in Coal Country, for which he was nominated for a Drama Desk Award. Earle is the host of the weekly show Hard Core Troubadour on Sirius Radio’s Outlaw Country channel.In 2020, Earle was inducted into the Nashville Songwriters Hall of Fame. And in 2023, Steve was honored by the Bruce Springsteen Archives &amp; Center for American Music. Steve’s latest album, “Alone Again (Live)”, released on July 12th, 2024.

Steve Earle-Solo & Acoustic 50 Years of Songs w/ Laura Cantrell opening

Steve Earle-Solo & Acoustic 50 Years of Songs

Karina Rykman plays bass, sings, jumps around, and laughs a lot. In doing so, she has garnered rare attention and avid listenership. Straddling the worlds of jam rock and indie pop drenched in psychedelia, Karina’s effervescent presence comes to life in musical form.Born &amp; raised in New York City, Karina Rykman’s musical path began in her early teens playing in bands whenever she could while attending a veritable ton of live music as a fan. By the end of her senior year at NYU, Rykman’s virtuoso talent &amp; infectious spirit saw her invited to join pianist Marco Benevento’s band (as recommended by Ween bassist Dave Dreiwitz), with whom she’s performed countless shows including dates with Vulfpeck, Dispatch, The Claypool Lennon Delirium, &amp; many more.Rykman soon formed her own namesake band, accompanied by Adam November (guitar, loopers, effects) and Chris Corsico (drums). She quickly earned a reputation as an unmissable live act - a bombastic exposition that floats freely between dreamy indie pop and thick, distorted rock -  with “fun” as its guiding light. Tearing up sold out headline performances to ravenous fans, show-stealing festival performances (including Bonnaroo, Peach Music Festival, and Sweetwater 420 Fest), opening for Khruangbin, My Morning Jacket, the Tedeschi Trucks Band (&#43; many more), plus recent appearances in the house band on NBC’s Late Night with Seth Meyers, Karina stays busy.Rykman released her debut album, JOYRIDE via AWAL in August 2023. Written &amp; recorded with childhood friend and producer Gabe Monro, the album serves as a vivid canvas for Rykman’s vibrant expression &amp; chameleonic songcraft. JOYRIDE features Trey Anastasio as co-producer &amp; featured musician, contributing guitar on five of the album’s nine tracks.The bassist/vocalist’s concerts are often packed with fans who feel more like friends—a testament to her undeniable charisma and her embrace of the live music community—and that circle continues to expand at alarming rates.

Karina Rykman

GA (Fees Included)

Loudon Wainwright III begins another year of his career in 2025 with the January release of the new album “Loudon Live in London” which was recorded during a 3-night residency at Nell’s Jazz and Blues club in 2024.  Then in February, he is a special guest on the UK’s prestigious “Transatlantic Sessions” tour – the highly acclaimed concert series which for the last 30 years has explored and celebrated the rich musical traditions that connect Scotland, Ireland and the U.S.Born in Chapel Hill, N.C. in 1946, Loudon Wainwright III came to fame when “Dead Skunk” became a Top 20 hit in 1972.  He had studied acting at Carnegie-Mellon University but dropped out to partake in the Summer of Love in San Francisco and wrote his first song in 1968 (“Edgar,” about a lobsterman in Rhode Island).  Loudon was signed to Atlantic Records by Nesuhi Ertegun, and after that was lured by Clive Davis to Columbia Records, which released “Dead Skunk.”  His songs have since been recorded by the likes of Bonnie Raitt, Johnny Cash, Earl Scruggs, Kate &amp; Anna McGarrigle, his son Rufus Wainwright, and Mose Allison among others.  In 2010 Wainwright and Dick Connette released the Grammy winning “High, Wide &amp; Handsome: The Charlie Poole Project”.  In 2010 “I’d Rather Lead A Band” came out to critical acclaim. That album features Loudon singing songs from the classic American Songbook. He’s backed by Vince Giordano and The Nighthawks, a 12-piece jazz orchestra.“Lifetime Achievement” is his most recent studio album of original songs, reinforcing his status as our foremost six-string tragicomedian.  Upon its release in 2022 he put it in context by saying “When I made my first record for Atlantic in 1969, I wanted to make not only a recording, but a document that captures a moment.  Now, fifty years later, I guess I still want to make a testament of songs, and I like to think they might last a while.”In 2023 Loudon and Dick Connette collaborated on “Monsters”, a 10 minute film about Wainwright’s boyhood obsession with horror films of the 1930s and 1960s.  Prior to that, he rode out the pandemic by producing a number of virtual shows, including “The Special Relationship” (presented by the Royal Albert Hall) and “The Great Unknown”, a musical tribute to his friend, the late George Gerdes.  Also featured in that show were Richard Thompson, Suzanne Vega, Steve Forbert, and the members of Spinal Tap.Wainwright also created a one-man theatrical show, “Surviving Twin”, which combines his songs and the writings of his late father.  Initially developed as part of University of North Carolina&#39;s Playmakers series, it focuses on fatherhood - both being a father and having one - and also explores the issues of birth, self-identity, loss, mortality, fashion, and of course, pet ownership.  The show has been performed in limited theatre engagements and is available as a Netflix special, produced by Judd Apatow and directed by Christopher Guest.He has also co-written songs with Joe Henry for Judd Apatow’s hit movie “Knocked Up”. Other credits include his music for the British theatrical adaptation of the Carl Hiaasen novel “Lucky You”, and his topical songs for NPR’s “Morning Edition” and “All Things Considered” as well as ABC’s “Nightline”.  An accomplished actor, he has appeared in films directed by Martin Scorsese, Hal Ashby, Christopher Guest, Tim Burton, Cameron Crowe, and Judd Apatow.  Wainwright has also starred on TV in “M.A.S.H.” and “Undeclared”, and on Broadway in “Pump Boys and Dinettes”.

Loudon Wainwright III

VIP (arrive 30min within showtime to ensure entry)

Loose Buttons are a four-piece of lifelong New Yorkers, praised for their “ultra-catchy downtown rock n&#39; roll&#34; by Stereogum and “sun-dappled garage sound&#34; by The Fader. Their first release of 2024 - &#34;I Saw Jon Hamm At The Beach&#34; - is, in fact, the true story of seeing Don Draper in swim trunks during the summer; but simultaneously it uses the experience to explore the pitfalls and illusions of chasing &#34;perfection.&#34; Fronted by Eric Nizgretsky - a first-generation Ukrainian-American with Kyiv roots - the band have spent much of the past year organizing a series of benefit shows to help those wounded and displaced in the country.

Loose Buttons

<div>“Coming off the recently completed sold out world tour as the heartbeat of Bruce Springsteen’s E Street Band, we are thrilled to welcome back Max Weinberg’s Jukebox to the Talkhouse”. </div><div> </div>Performing over 450 shows since April of 2017, Max Weinberg’s Jukebox continues to barnstorm the country, blasting out the hits! As Chuck Berry instructed us in his classic “School Days,”…drop the coin right into the slot” audiences have thoroughly embraced the idea of picking and calling out the songs the band pays—in real time and in a variety of intimate venues. From Beatles to Bruce and Stones to Steppenwolf the band infuses these classics with the respect the songs deserve. As one fan said, “It’s not a concert—it’s party! The bar was packed!” But don’t take our word for it. Here’s what Marc Steczyk, director of the Lincoln Amphitheater, in Indiana, had to say: “Max Weinberg’s Jukebox was one of the most interactive, energetic performances that we’ve ever had at the Lincoln Amphitheater! Max, literally, leaves the stage to be amongst the crowd—his fans—and lets them pick the set list from a scrolling list of 300&#43; songs…and they play it…on the spot…spot on! Max is a pro’s pro, as was his entire band—tremendously professional to work with and a great asset to our entire performance series!

Max Weinberg's Jukebox

GA ticket plus Meet and Greet

In the past year, Lina and Dean stepped into the East End music scene as an acoustic duo with a self-produced EP and as the Lina Maxine five piece band performing across Long Island and in the City. Their new music set to release in the fall of 2025, features Lina&#39;s husky voice in harmony with Dean&#39;s tenor, blending rock and folk instrumental styles influenced by Fleetwood Mac, Kacey Musgraves, and Kings of Leon. With lyrics touching on hope and the dream state, Lina Maxine&#39;s new record promises an ethereal groove to the sun setting on Montauk Highway.

Lina Maxine

O.P. Effect was formed in 2014, and over the last 10 years, has become one of Long Island&#39;s premier alternative rock cover bands - Specializing in music spanning 1990-2010, with a little sprinkle of some older favorites as well. The band has worked the circuits of bars and restaurants, music venues, street festivals, private parties, weddings and other events. Offering both a 4-person full band lineup, or acoustic duo, O.P. Effect will bring a good time to any setting and get the crowd singing along.

OP Effect

Deer TickEmotional ContractsATO Records Emotional Contracts, the latest full-length album from Deer Tick, catalogs all the existential casualties that accompany the passing of time, instilling each song with the irresistibly reckless spirit that’s defined the band for nearly two decades. Before heading into the studio with producer Dave Fridmann (The Flaming Lips, Spoon, Sleater-Kinney), the Providence-bred four-piece spent months working on demos in a perpetually flooded warehouse space in their hometown, enduring the busted heating system and massive holes in the roof as they carved out the album’s 10 raggedly eloquent tracks. Emotional Contracts fully echoes the unruly energy of its creation, ultimately making for a heavy-hearted yet wildly life-affirming portrait of growing older without losing heart.Deer Tick’s first new body of work since 2017’s simultaneously released Deer Tick Vol. 1 and Deer Tick Vol. 2, Emotional Contracts is their most collaborative to date, and sees all four members operating at their peak songcraft powers. The album came to life over an unusually lengthy period of time for the band, with each track based in playing around together and connected in the almost telepathic way that’s only possible after nearly 20 years. Well-rehearsed and overly prepared, Deer Tick embraced a decidedly more free-and-easy approach to the recording process at Fridmann’s Tarbox Road Studios in Western New York. “We’ve had a habit of trying to maintain a strict control over everything in the studio, but this time we wanted to see what it would feel like to let go a bit,” says singer/guitarist John McCauley, whose bandmates include guitarist Ian O’Neil, drummer Dennis Ryan, and bassist Christopher Ryan. “We figured that the songs were strong enough to stand on their own two feet, so whatever we put them through would just make them stronger and take us in some new directions.” Dennis adds, “The fact that we’d spent so much time with these songs allowed us to be really free once we got into the studio. No one was overthinking anything, and because of that the album sounds like us in a way that we’d never captured to this extent before.” Featuring guest musicians like Steve Berlin of Los Lobos–and background vocals from singer/songwriters like Courtney Marie Andrews, Vanessa Carlton (who is also McCauley’s wife), Kam Franklin, Angela Miller, and Sheree Smith–Deer Tick’s ATO Records debut adds an even greater vitality to their feverish collection of timeless rock-and-roll.      Mostly recorded live–and honed down from nearly 20 songs to a concise, thoughtfully curated ten–Emotional Contracts brings its combustible but sharply crafted sound to an often-pensive look inward. “A lot of these songs are about standing at a certain point in your life and reflecting on what’s transpired so far, reckoning with the past but looking ahead with a pragmatic hope for the future,” says Chris. Opening on a blistering burst of guitar, Emotional Contracts begins that reflection with “If I Try To Leave”–the first-ever co-write between McCauley and O’Neil. “Most of us have families now, and that song came from imagining how lost and aimless I’d feel if I just walked away from everything,” says McCauley. “It’s about how much I need that grounding force of family in my life.” “If I Try To Leave,” partly inspired by the warmth and grit of Keith Richards’s solo records, builds a sublimely bombastic backdrop to the song’s lucid self-revelation (“Some animals survive/But I only play dead/If I were to leave/From my own beloved”), and illuminates Deer Tick’s undeniable gift for twisting melancholy into something glorious.Next, on “Forgiving Ties,” O’Neil takes the lead for an anguished yet exuberant track that finds McCauley chiming in to play the part of his jittery inner voice–lending another layer of lived-in pathos to the song’s punchy introspection (“All of my confidence/It had a warrant/Knocked on the door/And split open my mind”). “As you get older, you end up having to come to terms with traumas from your past while also dealing with the weight of certain responsibilities that you maybe didn’t have when you were younger,” says O’Neil. “That’s especially true of raising a family, but it also applies to how this band has become more and more precious to us the longer it goes on.” Featuring the spirited trumpet work of Fridmann’s son Jon (who also played flute, French horn, glockenspiel, marimba, and trombone across various songs), “Forgiving Ties” bounces along on a brightly frenetic cascade of rhythms achieved through a mid-session free-for-all. “We had a little party where we all went crazy with a bunch of different percussion items, like cowbell and a whole other litany of things,” O’Neil recalls. “It’s a dance song that’s completely authentic to who we are as a band,” adds Dennis.As revealed throughout Emotional Contracts, that unbridled authenticity stems from Deer Tick’s staying faithful to their instincts while tapping into the ineffable power of their easy camaraderie. On “Once In A Lifetime,”  the band shares a gorgeously sprawling and soul-soothing track born from a spontaneously composed accordion part brought in by McCauley. “I recorded a voice memo of me fooling around with this accordion the very first day I bought it years ago, combined that with another riff, and then we all made a jam out of it,” he says. “It turned into a song about how when you see an opportunity you need to take it, because time is always running out.” Meanwhile, on “Running From Love,” Deer Tick deliver a sweetly confessional, ’70s-R&amp;B-inspired slow-burner that first came to Dennis in a dream. “I dreamed that the band was performing at Roger Williams Park in Providence and we were all singing this song a cappella, with the whole crowd singing along,” he says. “I woke up and sang it into my phone while I was rocking the baby, and then brought it to the band later on. It’s funny because at first I didn’t really take the song seriously, but with the help of my friends we ended up bringing it to life.”After the one-two punch of “My Ship” (a lovely reverie co-written by McCauley and The Rugburns’ Steve Poltz) and “A Light Can Go Out In The Heart” (a particularly wistful track from O’Neil), Emotional Contracts closes out with the all-enveloping catharsis of “The Real Thing.” Another product of their deliberately free-flowing process, the nine-minute-long epic emerged from a jam at their rain-battered rehearsal space. “At first I had an idea for a song called ‘The Last Book on the Shelf,’ which I ended up using as a title for a song about all the creepy book-banning happening lately,” McCauley notes. “‘The Real Thing’ became about living with depression, which has been part of my existence since I was a kid, and how it takes even more work to keep your head above water as you get older.” As the song drifts from brooding urgency to dreamlike grandeur, Deer Tick intensify its captivating impact with an ever-shifting tapestry of sonic details (moody strings, reverbed snare, lush flute melodies, intermittently muted vocals). “Dave had me go through that song about five times and create different types of feedback for an hour straight,” O’Neil points out. “It’s a good example of how great he is at piecing together different elements and keeping even a very long song like that exciting all the way through. When I look back on our other records I can remember some incredibly frustrating moments where you’re working on a solo for six hours or something, but there really was nothing frustrating about making this album.”Founded by McCauley in 2004, with the lineup solidified in 2009, Deer Tick partly attribute their unfaltering chemistry to a shared sense of humor. To that end, the album takes its title from an inside joke regarding potential aliases for the band. “We were saying that if we had to play a secret show under a fake name, we could be The Hitmen and dress in pinstripe suits like Prohibition-era gangsters. Then we decided, ‘Let’s just release an album as The Hitmen—we’ll call it Emotional Contracts, like contract-killing on an emotional level,” says McCauley. “But the title connects here with each song somehow–every song is about a deal you’ve made with yourself at some level.” But as a phenomenally rowdy live act who once averaged 250 shows a year, Deer Tick mainly credit their deep-rooted connection to a mutual love for the unpredictability of the musical impulse. “I feel very lucky that we all ran into each other at some point pretty early on in our lives,” says McCauley. “From the start, I just wanted to find other musicians that would somehow all stick together, which definitely isn’t easy. But we all have a real fascination with music, and that desire to never limit ourselves or repeat ourselves is something that we all very much continue to share.”

Deer Tick

<h5>Cousin Curtiss brings to the stage a fiery dynamic rarely seen by a solo act and now partnered up with the equally enigmatic and soulfully driven electric guitar prowess of Harrison B, these two road warriors are on a mission to electrify audiences everywhere with their two-man full-band sound. Think, &#34;blues at bluegrass speeds.&#34; Imagine, &#34;rock americana with a soulful drip.&#34; Experience rapid fire acoustic guitar, incendiary harmonica, fiercely energized solos, all driven by a thunderous kick drum.</h5>

Cousin Curtiss

<blockquote><div><div><div><div>Dave Bootle is a lifetime solo musician and entertainer who is currently the House Act at Mangoes Restaurant, Key West. Originally from Toronto, Canada then solidifying his career for 20 years entertaining in Bermuda, Dave has collected a global fan-base regularly traveling to share his soulful voice and unique piano skills and stories.</div><div>Dave covers all genres and styles as well as writing his own music. His fans say his energy and personality are contagious. </div><div>More of Dave&#39;s story and repertoire can be found on his website <a href="http://www.davebootle.com/" target="_blank" rel="noopener noreferrer">www.davebootle.com</a></div><div>Dave joins us for one night only on a road tour of the East Coast!</div></div></div></div></blockquote>

Dave Bootle

The New York Times called Willie Nile &#34;one of the most gifted singer-songwriters to emerge from the New York scene in years.&#34; Uncut Magazine called him “A one-man Clash.” Bono, Bruce Springsteen, Pete Townshend, Lou Reed, Lucinda Williams, Jim Jarmusch, and Little Steven are among those who have sung his praises. Willie has toured across the U.S. with The Who and has sung with Bruce Springsteen and Ringo Starr. As the induction program from the Buffalo Music Hall of Fame says: “His live performances are legendary.”    We are delighted to announce that Willie will be bringing along his New York City band for these shows including long-time friend Johnny Pisano on Bass, Jimi K Bones on guitar and Jon Weber on drums. Support comes from the Micky Kemp Band, and this will be an amazing night of rock &#39;n&#39; roll!

Willie Nile Band

What goes around comes around, and nearly 25 years since their founding in Denton, Texas, multi-Platinum country band Eli Young Band have come home.Led by an unmistakable vocal and bringing a Texas-rock edge to modern country, the never-changing lineup of Mike Eli, James Young, Jon Jones, and Chris Thompson have spent two-plus decades on the run, growing from hometown heroes into globe-trotting, chart-topping pioneers. Yet in all that time, EYB never forgot its raising, and today the foursome reclaim the spirit behind their success.Returning to their independent roots, the bold creative defiance that launched them into the mainstream – and in many ways to their old stomping grounds – it’s a new chapter driven by experience and a million miles of wisdom, from a band of brothers still very much in their prime.“We started this thing when we were like 20 years old, and it’s been such a crazy road and such a longer road than any of us could have conceptualized at the time,” says Jones. “I think right now feels a little full circle, in a really nice way.”“Now, we get to step back into our Texas shoes,” Eli agrees. “I think this new stuff finds us reaching deep into our past as a band. We’re remembering where the magic was – all those songs we wanted to record for our Level record, that felt way too edgy for Country Radio at the time.”Indeed, after becoming icons of Texas’ vibrant college-bar scene – and then packing arenas all over the state (without label support) – that Level album from 2005 landed like a live wire, injecting EYB into the mainstream. They followed in 2008 with their Gold-certified breakout “Always the Love Songs” and Jet Black &amp; Jealous, one of three career Billboard Top 5 albums which include the Number One 10,000 Towns and Platinum Life At Best.Likewise, back-to-back Number One singles came with the 5X Platinum “Crazy Girl” in 2011 and 3X Platinum “Even If It Breaks Your Heart” (2012), plus the Platinum Number One “Drunk Last Night” and 2X Platinum Number One “Love Ain’t” after that. All along they kept the intensity of their live shows front and center, and with a following which now includes more than 1.4 million Facebook followers, 2.2 million monthly Spotify listeners and more, it’s time to get back to the point.Ready to follow up 2022’s Love Talking, the band have returned to Panhandle House Studio in their hometown of Denton – the same studio where Level was born – bringing new tunes and new excitement along with them. All co-written as a band or with long-trusted collaborators, a fresh batch of songs return EYB to the raw, grassroots energy and emotional sting of their early work, geared for the stage and recorded without digital tricks.For the band, being independent again for the first time in years isn’t a challenge, it’s a reward – and they took the chance to embrace not just renewed creative freedom, but the fun of their self contained live-band philosophy.“Going back to Panhandle House where we recorded Level, it feels like we got to remind ourselves why we started making the kind of music we make,” Eli says. “When this music comes out, I think fans will know it is 100% coming from us.”“Honestly, going to Panhandle House feels like going back to your childhood house in a way,” Jones notes. “It just evokes these memories, like this slightly-younger version of ourselves comes out.”“One thing that’s really special is we’ve come full circle and remember that energy, but we’re also older and wiser,” Thompson adds. “We have years of studio, songwriting and performing experience under our belt, so we have more of a honed edge going in. That’s a really cool advantage.”The comfort level is plainly evident. Exploring new corners of their patented sound by day, and going home to their families each night, the band were free to bring every ounce of the last 25 years to bear. Tracks like the lead single “Home In Hometown” are proof, featuring all the elements that made EYB what it is – from the electric vocal delivery to the deeply textured sonics and soulful theme.A true-to-experience ballad of life on the highway, “Home In Hometown” stands as a heart-on-their-sleeve tribute to those the band loves most – and what they’ve learned from 20&#43; years away. While atmospheric guitars and a steady rhythmic pulse capture a sense of anticipation, another euphoric chorus helps the band unpack what “home” really means.“I was digging deep into our Texas roots,” Eli says of the modern-classic midtempo. “I wanted to write something that felt like Pat Green or Jack Ingram would cut. And when you travel like we do, a lot of times you’re thinking about coming home and being with your family – but, it’s almost like if they meet you on the road, anywhere can be home. It just feels right. I wanted to capture that.”More new tunes will roll out as 2025 and their 25th anniversary arrive, with the band continuing to celebrate an EYB homecoming. From feel-good singalongs and heart melting wedding anthems to pure, untamable romance and clever comebacks of love, they show the same stage-rocking Texas-country hit makers fans know and love, undaunted and with new maturity baked in. We all know seasons change, but if you pay attention long enough, things have a way of coming back around.“It’s been a blessing just to be able to do this for so long, and over our career we’ve seen a lot of bands come and go,” Young says. “It feels it’s family, and we can take that with us as we go down this next part of the road.”“Our music, since it’s been the four of us making it from day one, has such a strong through line,” Jones agrees. “The way we sounded in the beginning, that’s the way we’re going to sound in the end.”“There is no A&amp;R, there’s no label head. There’s nobody saying, ‘Maybe you should do this, maybe you should push that,’” Eli explains.“Yeah, we’ve got no one to blame,” Jones adds with a laugh. “Honestly, we just want people to know we still absolutely love making music, and this comes from a place of passion. Life is good and we’ve got stuff to say, we’ve got this thing we’ve built. I feel like we’re in a good place.”

Eli Young Band

Perry a New York city native who has worked behind the scenes as a songwriter for many years. He has collaborated with artists such as the Backstreet Boys, Jackson Wang and Marc E. Bassy and done work as a film composer.  His writing is a smooth and melodic blend of Pop, Folk and soul and is hitting the stage all across the country this year.

Since 1970

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