<p>Homegrown on the East End of Long Island, Local Motion is a tight-knit group of performers with deep roots in their community and a widespread reputation for reviving the magic of live music. With a unique Beach-Rock style that infuses the laid-back vibes of Jack Johnson, the virtuosity of John Mayer, and the timeless charm of The Beatles – Local Motion brings a modern vibrance to an exciting retro sound.</p>

Talkhouse

Local Motion w/ REEB Opening

The Stephen Talkhouse

<blockquote>Tigres, the electrifying band hailing from Long Island, NY, ignites stages with their funky and fresh sound. With a seamless fusion of genres, their music transcends boundaries, leaving audiences mesmerized by their magnetic performances. From pulsating beats to soul-stirring melodies, Tigres’ artistry captivates the hearts of listeners, infusing energy and groove into every note they play. With a unique chemistry among the members, their onstage synergy is palpable, creating an unforgettable live experience. Embracing their roots while pushing musical boundaries, Tigres continuously redefine their sonic landscape, leaving a permanent mark on the contemporary music scene.</blockquote>

Tigres

<p>There are certain things one just isn’t bold enough to ever expect… [one] such moment was seeing ska legends/pioneers English Beat… I’ve sent countless evenings at ska shows while growing up, but this was the perfect first/biggest ska show of 2010. – BEYOND RACE MAGAZINE</p><p>The English Beat’s influence was incalculable… - Allentown Morning Call</p><p>&#34;... [Dave] Wakeling and his crew played 90 minutes worth of hits, deep cuts, some General Public chestnuts and a few new songs… every song was met with recognition and applause.&#34; – River Front Times</p><p>&#34;[The English Beat are] more popular now than ever.&#34; – San Francisco Chronicle</p><p>[Dave Wakeling] has assembled an incredible band and is playing his hits with the same raucous enthusiasm that made The English Beat one of the biggest acts of the New Wave Era… Every time they play, The Brew [San Luis Obispo, CA] is packed to the gills with an audience bouncing in unison.&#34; – SLO New Times</p><p>&#34;People were spilling out the doors by the time [English Beat] went on stage and the palpable joy was in the air when they started… With lyrics about unity, peace, love and partying, and a beat that’s guaranteed to get you out of your seat, their music will always be dancetastic.&#34; – The New York Examiner</p><p>[The English Beat continues to take] on 2 tone, ska, reggae and new wave, still dishing out on issues of strife and discontentment at times, but always with a happy, danceable tune… drawing large audiences and still has a growing fan base&#34; – San Gabriel Valley Tribune</p><p>&#34;[Dave Wakeling of The English Beat] is a musician who seems to genuinely enjoy performing, and even those new to the Beat couldn’t help but get swept up in the infectious brand of &#34;happy&#34; music, as one put it.&#34; – Napa Valley Register</p><p>&#34;In 2010, [The English Beat] remains on fire, opening their set with a rousing cover of The Staple Singers classic I’ll Take You There. If the excitement wasn’t at a fevered pitch by then, their second song I Confess brought the entire Gibson Amphitheatre to their collective feet. The song still sounds as fresh and lively today as it did when KROQ was granting it massive airplay back in 1982. Another cover followed, a skankin’ version of Tears Of A Clown, originally by Smokey Robinson and The Miracles.&#34; – Highwire Daze</p><p>&#34;As always, the English Beat&#39;s sound is a driving blend of ska, punk, rock and reggae that&#39;s made for dancing.&#34; – Daily Local News</p><p><strong>Dave Wakeling</strong><br />Lead Vocals/Guitar</p><p><strong>Matt Morrish</strong><br />Sax/Vocals<br /><strong><br />Kevin Lum</strong><br />Keys/Vocals<br /><br /><strong>Minh Quan</strong><br />Keys/Vocals<br /><strong><br />Brian &#34;Nucci&#34; Cantrell</strong><br />Drums/Vocals<br /><strong><br />Antonee First Class</strong><br />Toaster<br /><strong><br />Chuck Elder</strong><br />Bass/Vocals</p>

The English Beat

<p>LHT Little Head Thinks--cool and down to Earth. the group is located in a perfect place--the Hamptons--for their laid back rap/rock party that they throw while on stage. Putting their fingerprints all over an eclectic mix of covers from the 70&#39;s, 80&#39;s and 90&#39;s while intertwining some of their own catchy originals, LHT keeps the party moving, the drinks flowing and the dance floor packed. LHT has plays regularly at the legendary Stephen Talkhouse as well as other venues in the Hamptons. LHT has lended their talents to benefit Wounded Warriors, The Blue Point Fired Department, as well as local individuals in the community in need of help for medical issues. LHT regularly plays private parties including weddings, providing the perfect atmosphere for any fun party. LHT has shared the stage with Chad Smith, G.E. Smith, and Jimmy Buffet, as well has played shows with Susan Vega, Tribe Called Quest, Paul Simon, and many more.</p>

Big Karma

<div>Hello Brooklyn is an NYC-based cover band servicing the tri-state area. Throwing parties since 2011, we aim to provide you with an unforgettable live music experience. Whether you’re having a wedding, birthday bash, or a party for no reason, you can count on us to get everyone on the dance floor.</div><div> </div>

Hello Brooklyn

<p>Nancy Atlas and her band of Journeymen have been dominating the East End Music scene or Long Island for quite some time. Known for her raw, live performances and stellar songwriting Nancy and her band, The Nancy Atlas Project, have opened for almost everyone under the sun. To name a few: Elvis Costello, Lucinda Williams, Toots and the Maytals, Jimmy Buffett, Crosby, Stills and Nash… the list goes on and on. The reason is simple. When people want a solid act to open their show and get the crowd warmed up, they call  Nancy and her boys because they know they will deliver. Every time.<br />Nancy grew up with gypsy blood in Commack, NY. Eager to get the buck out of dodge she spent her entire college years abroad at both Cambridge University in England and Richmond College in London and Florence.  She majored in art history, fine art, drinking lots of wine and talking shit. There was a serious recession going on the year she graduated college so instead of becoming a mad advertising executive she walked down to Portabello Road, London, bought a guitar for 60 quid and never looked back. It was pouring buckets of English rain that day so they gave her a black plastic bag to cover her guitar as it didn’t come with a case. Nothing, it is said, can stop true desire.<br />Nancy now lives in Montauk, New York with her husband Thomas and her two sons, Cash and Levon, and her daughter Tallulah. When she is not writing a song or on stage rocking out, she can be found clamming with her kids, surfing with her kids, walking with her kids, reading with her kids or <a href="http://nancyatlas.com/?page_id&#61;285">cartooning</a> for her kids. On rainy days she lazily traces tour maps of Europe with her right hand while sipping her beloved PG Tibs English Tea and smiling out into the East End Mist.</p><blockquote><div><div><div><div><div><div><div><div><div><p><strong>Danielia Cotton is a New York City based singer/songwriter originally from Hopewell, NJ. In 2010 Danielia was named </strong><strong>Lilith Fair&#39;s</strong><strong> Ourstage Local Talent Winner for NYC. Since then she has shared the stage with the likes of Robert Cray, Bon Jovi, and Gregg Allman.  In the review of her <em>Rare Child</em> album The NY Times says this: “</strong><strong><span style="color:#262626;font-family:&#39;cambria&#39; , serif;font-size:medium">She’s a belter who can hold back or work her way up to a gospelly blues-rock shout, and in the songs she writes with her band’s brawny guitar riffs, she grapples with the road, salvation, holding on and letting go. “The truth will set you free, but it always feels like it tears you apart,” she sings. She’s a throwback, but a gutsy one.” Her latest studio album </span><span style="color:#262626;font-family:&#39;cambria&#39; , serif;font-size:medium"><em>Good Day </em>and new single “<em>She Too&#34; </em></span></strong><strong>is out now where music is sold! </strong></p></div></div></div></div></div></div></div></div></div></blockquote>

Nancy Atlas & Band w/ Randi Fishenfeld

<p>Mean Machine has been considered the Tri-State area&#39;s most &#34;over the top&#34; party rock cover band since 2010. Best described as explosive, alive and exciting, they deliver an audience interactive live performance second to none. With big guitars, hard-hitting drums, and boundless energy they create a true concert &amp; party vibe in any club, big or small. Their show has captured the attention of both the staff and patrons of live music venues up and down the East Coast, so find out what the buzz is about! </p>

Mean Machine

<p>Members of LHT, REEB, and Local Motion, and Mike Maz</p>

Members of LHT, REEB, and Local Motion, and Mike Maz

Sublime Tribute Band

<h2>Grab your friends and your dancing shoes! CANDY SHOP will get you movin’ and groovin’ all night long!</h2><p>Packaged with energetic stage presence, professional musicians, and colorful outfits, CANDY SHOP delivers an exciting show sure to get you out of your seats. Showcasing a trio of young divas singing alongside an all star band mixing covers and original music from the upbeat, pop, and funk styles of the 70’s to now.</p><div><div><h2>WE DO IT ALL!!</h2></div></div>

Candy Shop

<p>Talkhouse Trivia 10 different categories. The legendary Peter Honerkamp hosts</p>

Talkhouse Trivia Night

GA-Click on as many tickets that are in your group

<p>Record of the Month Club is a collective of musicians who recreate a classic album, note for note, and bring it to life on stage. Bringing superior musicianship and energy, Record of the Month Club provides the audience with an amazing night of music reliving some of rock n roll’s biggest names in their biggest moments.</p><p> </p><p>We are thrilled to announce that Record of the Month Club will be presenting The Beatles’ Let It Be. Let It Be, was the legendary bands’ final studio album. It was released on 8 May 1970,nearly a month following the official announcement of the group’s public breakup, in tandem with the documentary of the same name. With singles like The Long and Winding Road, Get Back and the title track Let It Be, this classic album is sure to captivate audiences with a night they won’t forget.</p>

Record of the Month Club will be presenting The Beatles’ Let It Be. Let It Be,

Record Of The Month Club

<p>New York&#39;s newest Tribute to the 90&#39;s. Playing all your favorite songs spanning multiple genres.</p><div><div>The Max- Ultimate 90&#39;s Party is here! We&#39;re playing all your favorite Rock, Pop, Hip Hop and Dance Hits from the decade.</div></div><div><div>So give us a follow, tell your friends and come to a show, because ain’t NO PARTY like a 90’s PARTY with THE MAX!</div></div>

The Max- Ultimate 90's Party!

<p>Sarah Conway and The Playful Souls do a great mix of rock, country, and blues, with a dash of gospel. Really fun and uplifting shows. Sarah belts it from the heart. She will rock you, get down with the blues, touch your heart, make you laugh, and take you soaring with her incredible spirit - all with a fabulous band!   “a gem”  “electric”  poignant... and surprisingly sexy- Dan’s Papers   You blew us away. My friends had a ball. They are still talking about how great you were and your band. You got the stuff! - Louise Juliano   Sarah Conway and The Playful Souls do shows regularly at Stephen Talkhouse, and many other East End venues and events, including their 12th year rockin; the Lighting of the Light at The Montauk Lighthouse.   </p>

The Revel In Your Spirits Christmas Show!

Sarah Conway & The Playful Souls Christmas Show

<p>From house to techno and everything in between, with a forte for contagious rhythmic environments, Kikaii will get you moving. Don&#39;t miss an amazing night of dancing, good music, and good vibes.</p>

DJ Kikaii

<p>Lone Sharks</p><div> </div><div> </div>

Gene Casey and the Lone Sharks

<div><p>Merging the complex rhythms and Latin influences of South America with a modern fusion of funk and commercial dance music, Conga Cartel brilliantly combines to produce an explosive mix of dynamic music that rocks audiences to their very core.</p><p>Working out of New York, the seven-piece band represent the wonderful tapestry of the South American continent and have been weaving together a stunning sound that has been entertaining crowds for years. A true international collection of experienced musicians, with band members coming from Uruguay, Chile, Venezuela, Colombia, Ecuador and New York itself, their music is undeniably infectious and underpinned by that audacious Latin flare.</p><p>Fronted by the smokey and soaring vocals of Carolina, every single member of the band combines to become more than a sum of all their parts. Willy Fuentes from Chile drives the rhythm section with solid bass line grooves. Playing drums with boundless vitality, Jorge Castano, originally from Colombia, provides that perfect interplay with the rest of the band; complemented at all times by father and son percussionists Aquiles Jr. and Aquiles Senior. Infused with their Venezuelan heritage, they provide that infectious top line of congas, timbales, maracas, bongos, bells, and whistles that brings the carnival to the party. And finally, but by no means least, fitting like a smoldering glove of Santana-inspired guitar licks, Fabian Rodriguez from Ecuador proves his elegant mastery of the six-stringed instrument to audiences every time he performs.<br /><br />Conga Cartel has also egularly jammed with members of Mambo Loco.</p><p>Conga Cartel have played at some of the most memorable events and venues in the Hamptons including The Montauk Music Festival, North-West ‘Woodstock’, Stephen Talkhouse, The Gig Shack , Springs Tavern, Tauk at Trails End, The Surf Club and The Harpoon House. Either individually or as a band, they have worked with artists such as Taylor Dayne, Orquesta Alquimia, Steel Pulse, Mila Tina, GE Smith, Big Karma, Mambo Loco, and Bajo Suen?os. As these performances and legacy demonstrate, they firmly believe in providing a platform and a strong voice for the Latin community.</p><p>That incredible experience on stage and unique understanding of the musical journey that their audiences are on, is also driving them towards the studio and an album recording that is eagerly anticipated by their fans. Bringing together that melting pot of cultures with modern dance tunes is an intoxicating mix of ingredients that will redefine what is expected of the Conga Cartel.</p><p>As the world experienced the tragedies of the last two years, so did the lives of musicians descend into anxiety and the loss of their dreams. Now the world has turned and the future looks so much brighter with the Conga Cartel back in it. Stronger together with a musical bond that cannot be broken, they are once again taking to the spotlight with the energy that defines the joy and wonder of life.</p><p>There is nothing finer than hearing the Conga Cartel in full flight. Their collective knowledge of syncopated rhythms and inspiring, sophisticated melodies are a testament to their own self-belief and desire to take their music to the next level. Music is a part of all of our DNA and is the one thing that binds us as human beings. That cultural exchange that the Conga Cartel represents, lives through us in joy, love, celebration and song.</p><p>Fall in love with music all over again and experience the future with the Conga Cartel.</p></div><div> </div>

Conga Cartel

<p>We will be having a toy fundraiser to raise toys, clothing, jackets, etc. for local families of children in need during the holiday season thru East Hampton Community Council.</p>

Talkhouse Christmas Party! Donate a new toy!

FREE!- Please donate a new toy or clothing

<blockquote><div><div><div>“Picture a kitchen table, jammed with musicians playing together over beers on a Friday night. There’s something cooking on the antique stove, and the old piano in the corner is holding together the guitar, the bass, the violin, and the drums. That’s the ambience infused into every song unrolled by Brad Penuel and his Friday Night Traditional”, Sag Harbor Express Magazine.<br /><br />Through Friday Night Traditional (FNT), Penuel writes and records songs which draw on his deep Alabama roots and his love for gathering musicians together and having a good time. </div></div></div></blockquote>

Friday Night Traditional

Rum Punch Mafia

<div>Get ready to unleash your inner 80s acionado with the Cherry Bombs! This explosive tribute</div><div>band is here to take you on a me-traveling journey back to the neon-soaked era of big hair,</div><div>shoulder pads, and leg warmers. Whether you&#39;re looking to dance, sing along, or simply bask in</div><div>the nostalgic glow of the 80s, the Cherry Bombs are the band to see.</div><div>Formed in 2022, the Cherry Bombs were brought together a*er their fateful encounter at the</div><div>annual Ba&#43;le of the Fantasy Girl Bands held at the iconic Stephen Talkhouse. Their shared love</div><div>for the music of the 80s and their electrifying performances catapulted them into the spotlight,</div><div>capturing the hearts of audiences far and wide.</div><div>Yuka Silvera, the grooving bassist, lays down the funky foundaon that will keep your feet</div><div>moving all night long. An excing new addion to the band is the dynamic mul-sensory solo</div><div>performer, Mila Tina on drums who will blow your mind.</div><div>Leading the charge is the charismac Lola Lama, whose capvang vocals can e1ortlessly</div><div>transport you from power ballads to high-energy anthems. Adding a touch of je ne sais quoi is</div><div>Nika Nesgoda, the band&#39;s cellist, whose strings soar through the mix, weaving a unique tapestry</div><div>of sound. Vanessa Lynah’s sultry vocals adds the perfect touch.</div><div>But the Cherry Bombs&#39; explosive performances wouldn&#39;t be complete without their special</div><div>guest performer, the mul-musician, Christopher Walsh who ignites the stage with his</div><div>scorching guitar ri1s, the young talented pianist Ma&#43;hew Brand on keyboards.</div><div>Dust o1 your mixtapes, dig out your casse&#43;e player, and get ready to be transported back to a</div><div>me when MTV ruled the airwaves and the 80s were in full swing. The Cherry Bombs are here</div><div>to take you on a musical journey through the greatest hits of the decade, ensuring a night of</div><div>unforge&#43;able fun and infecous nostalgia. Get ready to rock out with the Cherry Bombs and</div><div>experience the neon glow of shoulder pads, spandex, and S1 Stu1 like never before!</div><div>The Cherry Bombs</div><div>Mila Tina on Drums, Yuka Silvera on Bass/Backup Vocals, Nika Nesgoda on Cello, Lola Lama</div><div>Lead Vocals, Vanessa Lynah Lead Vocals, Mary Goebel on Keyboards</div><p>Follow Us: <a href="https://www.instagram.com/cherrybombsmusic/">CherryBombsMusic</a> </p>

The Cherry Bombs

<p>Full band performing an eclectic genre-jumping mix of timeless covers and a blend of originals from his homegrown solo and band ventures with Rock/Country outfit Hopefully Forgiven</p><p>Tellyjams.com</p><p>Hopefullyforgiven.com</p>

Telly & Band

<p><strong>Dizzy After Midnight</strong>, founded by life-long pals Mike Alessi (vocals, guitar) &amp; Jake Atherton (guitar), are a four-piece rock group dipping into elements of pop, blues, country and RnB with their dazzling repertoire and sweet-tooth for catchy hooks. This isn&#39;t your father&#39;s party band; Dizzy is sophisticated, creative and locked in with clever mashups, arrangements and pinpoint covers of anything from Lady Gaga to Matchbox Twenty to The Chainsmokers to Tom Petty, and just about everything in between. Ryan Gruber on the bass and Sean Sokol on the drums make up the rhythm section, keeping the groove locked in and the crowd dancing till the sun comes up.</p>

Dizzy After Midnight

GA(arrive 30min within show time to ensure entry)

<p>Roses Grove Band: RGB are known for their exploratory improvisation of the Grateful Dead&#39;s folk- rock and Americana sound. Their live performances are high energy, adventurous, and dynamic. Their set lists are also laden with extended jams, unique segues, delicate transitions between songs, and three part vocal harmonies.</p>

Roses Grove Band

<blockquote><div><div><div><p>Led by exciting male and female vocalists, the tight and energetic music never lets up. Our fun-filled, wide-ranging musical catalog is performed effortlessly while partying up a storm with our audience.</p><p>Combining dynamic singing, top-notch musicianship, and years of experience results in a truly unique interactive party band. We can handle any situation smoothly, whether it be wild club shows, corporate events, private parties or distinguished weddings. We are HI-gh energy, DEF-inetly fun, and are available to perform throughout the Tri-State Area. HI DEF is the band to book for all your entertainment needs!</p></div></div></div></blockquote>

Hi Def

<div><div><div><div><div><div><span style="text-decoration:underline">On April</span> 21, 2016, the world lost one of the most profound musical artists of our time: Prince Rogers Nelson. Since his 1978 debut album, For You, his music has filled the airwaves with raw musical emotion. All of the performers have been inspired by the music of Prince, and now they have joined forces for the first time to bring his music to a live audience. “All of the performers have been inspired by, and have performed Prince’s music for decades,” said guitarist Mike Mazzaraco. “We are honored to have the opportunity to pay tribute to this musical great.” The collaborative effort is spearheaded by an all-star lineup of local musicians including vocalist Dawnette Darden of The HooDoo Loungers, guitarist Mike Mazzaraco, drummer Kevin Santacroce, bassist Klyph Black, keyboardist Etienne Lytle, and percussionist Bopa King Carré.</div></div><div><div> </div><div></div></div></div></div></div></div><p>Show less</p>

Kissed By A Prince Tribute Band

New Year's Eve Party w/ Hello Brooklyn!

<p><span style="font-weight:400">Eddie 9V has an endless stockpile of cool stories – and you’ll find twelve of them on</span></p><p><span style="font-weight:400">new studio album ‘Saratoga’, releasing November 22, 2024 on the fabled Ruf label. It’s a</span></p><p><span style="font-weight:400">record that will thrill both newcomers and fans who have trailed Eddie since the start,</span></p><p><span style="font-weight:400">showcasing his fresh, fiery spin on Southern soul, blues, rock and funk, with his</span></p><p><span style="font-weight:400">signature wit and sharp observations of modern America placing him squarely in the</span></p><p><span style="font-weight:400">here-and-now. “I do think it’s a wonderful road trip album,” he nods.</span></p><p><span style="font-weight:400">Eddie 9V has powered up. From the day he first slung a guitar on a local stage, the Georgia-born band leader announced himself as an artist to watch. But in the last few</span></p><p><span style="font-weight:400">meteoric years, Eddie’s music has crossed oceans and airwaves, transcending his</span></p><p><span style="font-weight:400">cult-hero status to become a beacon for fans of real music everywhere. “Eddie 9V is</span></p><p><span style="font-weight:400">something else,” wrote the UK’s Classic Rock. “A man who genuinely inhabits golden-era American roots, playing the most instinctive blues you’ll hear all year.”</span></p><p><span style="font-weight:400">Check out the gig listings and you’ll find this rising star playing a bigger club every</span></p><p><span style="font-weight:400">time he blows through town. Scan the charts and you’ll find his most recent album,</span></p><p><span style="font-weight:400">2022’s ‘Capricorn’, locking horns with the giants of rock ‘n’ roll. “Capricorn debuted at</span></p><p><span style="font-weight:400">#1 and that was a cool feeling for a week, until Bonnie Raitt kicked us off,” reflects</span></p><p><span style="font-weight:400">Eddie with a smile. “But hey, that’s a cool story to be able to say…”</span></p><p><span style="font-weight:400">We’ve rode shotgun with Eddie for a couple of decades now. Born Brooks Mason in</span></p><p><span style="font-weight:400">June 1996, he was playing guitar by the age of six (“One of those with the speaker in</span></p><p><span style="font-weight:400">it – the most bang for your buck, y’know?”). Even then, manufactured pop music held</span></p><p><span style="font-weight:400">nothing for him, and his years at Union Grove High School were instead soundtracked</span></p><p><span style="font-weight:400">by local heroes like Sean Costello, alongside his studies of “older cats” like Muddy</span></p><p><span style="font-weight:400">Waters, Howlin’ Wolf, Freddie King and Rory Gallagher.</span></p><p><span style="font-weight:400">“I wanted to see what made them groove and tick,” he explains. “I’ve been making up</span></p><p><span style="font-weight:400">lyrics on the spot for years. I believe that came from my Uncle Brian at our family fish</span></p><p><span style="font-weight:400">fries – he taught me about what made people laugh and what kept the audience’s</span></p><p><span style="font-weight:400">attention.”</span></p><p><span style="font-weight:400">Coming up on his home state’s live circuit – first with cover band The Smokin’ Frogs,</span></p><p><span style="font-weight:400">then with highly rated blues-rockers The Georgia Flood – Mason soon turned heads,</span></p><p><span style="font-weight:400">even representing the Atlanta Blues Society at the 2013 International Blues Challenge</span></p><p><span style="font-weight:400">in Memphis. But his true birth as an artist came when he buried his birth name and</span></p><p><span style="font-weight:400">adopted that striking solo moniker. “A lot of people wanted me to be the Brooks</span></p><p><span style="font-weight:400">Mason Blues Band, but that’s been done,” he reasons. “I wanted to start from scratch</span></p><p><span style="font-weight:400">– and I ain’t never heard of no bluesman named Eddie 9V.”</span></p><p><span style="font-weight:400">From the start, Eddie’s output pricked up ears, with 2019’s </span><em><span style="font-weight:400">Left My Soul In Memphis</span></em></p><p><span style="font-weight:400">dubbed “fresh and life-affirming” by Rock &amp; Blues Muse and the chaotic free-for-all of</span></p><p><span style="font-weight:400">2021’s </span><em><span style="font-weight:400">Little Black Flies</span></em><span style="font-weight:400"> praised by Classic Rock as “like having all your best mates in</span></p><p><span style="font-weight:400">the speakers”. In 2023, he got his best reviews yet for ‘Capricorn’, a record tracked at</span></p><p><span style="font-weight:400">the near-mythical Macon studio of the same name, that led The Guardian and NME’s</span></p><p><span style="font-weight:400">Henry Yates to declare: “As an artist, he sounds fully charged”.</span></p><p><span style="font-weight:400">But the great artists evolve, and in both its songcraft and execution, ‘Saratoga’ finds</span></p><p><span style="font-weight:400">Eddie painting with more colors from his palette. “I was shooting for a more</span></p><p><span style="font-weight:400">Americana-type album this time, less blues songs and solos and more focusing on the</span></p><p><span style="font-weight:400">songwriting,” he explains of the eleven originals co-written with his brother, the much-</span></p><p><span style="font-weight:400">respected Southern musician, Lane Kelly. Unlike the anarchy of earlier albums,</span></p><p><span style="font-weight:400">meanwhile, the sessions mostly saw the multi-instrumentalist siblings hunkered down</span></p><p><span style="font-weight:400">at their own Echo Deco Studio in Atlanta, self-producing the new tracks with Patrick</span></p><p><span style="font-weight:400">Meese and inviting guest players to supply horns, fiddle and lap steel.</span></p><p><span style="font-weight:400">“It was definitely more me and my brother in our home studio recording everything.</span></p><p><span style="font-weight:400">There’s a lot of guests, for sure, but it was mainly overdubbing. We did the songs</span></p><p><em><span style="font-weight:400">Saratoga</span></em><span style="font-weight:400">, </span><em><span style="font-weight:400">Delta</span></em><span style="font-weight:400"> and </span><em><span style="font-weight:400">Halo</span></em><span style="font-weight:400"> at Crown Lanes Studio in Denver and it was nice to take a</span></p><p><span style="font-weight:400">break, walk outside, see the mountains, feel the fresh air. At our studio, it’s just muggy</span></p><p><span style="font-weight:400">with mosquitoes. But sometimes it’s good to not have distractions.”</span></p><p><span style="font-weight:400">Likewise, the new songs of ‘Saratoga’ deserve nothing less than your full attention.</span></p><p><span style="font-weight:400">Eddie’s latest album announces his new groove with the crisp, purposeful beats of the</span></p><p><span style="font-weight:400">opening title track, an instant favorite that gets under your skin with its almost disco-</span></p><p><span style="font-weight:400">style harmonies and joust of horns and slide guitar. As Eddie says: “That song is about</span></p><p><span style="font-weight:400">being in a lonely tiny town that feels impossible to escape.”</span></p><p><span style="font-weight:400">Halo struts from the speakers on Eddie’s falsetto howl, before the lush yearning of </span><em><span style="font-weight:400">Cry</span></em></p><p><em><span style="font-weight:400">Like A River</span></em><span style="font-weight:400"> and </span><em><span style="font-weight:400">Love Moves So Slow</span></em><span style="font-weight:400"> (co-written by Spencer Pope) brings vintage</span></p><p><span style="font-weight:400">soul into the modern age. The brittle riffs and spacey vocal of </span><em><span style="font-weight:400">Delta</span></em><span style="font-weight:400"> mark another</span></p><p><span style="font-weight:400">gearshift, flowing into </span><em><span style="font-weight:400">Red River’s</span></em><span style="font-weight:400"> reflective-yet-kinetic groove. </span><em><span style="font-weight:400">Wasp Weather</span></em><span style="font-weight:400"> speaks</span></p><p><span style="font-weight:400">to Eddie’s love of rapid-fire streams of consciousness. “That’s my favorite lyrically</span></p><p><span style="font-weight:400">’cos I like spewing words that don’t make sense into songs. ‘I got a big mud house</span></p><p><span style="font-weight:400">that I can’t keep clean, it’s useless’ – I love that line.”</span></p><p><span style="font-weight:400">The album plays out in style with the trilling alt-folk of </span><em><span style="font-weight:400">Truckee</span></em><span style="font-weight:400"> – “We got high and did</span></p><p><span style="font-weight:400">shrooms and camped on the Truckee river in California,” he explains of the inspiration</span></p><p><span style="font-weight:400">– the wistful </span><em><span style="font-weight:400">Tides</span></em><span style="font-weight:400"> and </span><em><span style="font-weight:400">Love You All The Way Down</span></em><span style="font-weight:400">. Eddie even slips in a brass-</span></p><p><span style="font-weight:400">blasting take on Mac DeMarco’s </span><em><span style="font-weight:400">Chamber Of Reflection</span></em><span style="font-weight:400">, before bringing the record</span></p><p><span style="font-weight:400">home with </span><em><span style="font-weight:400">The Road To Nowhere’s</span></em><span style="font-weight:400"> shuddering, tremolo-drenched country lament, his</span></p><p><span style="font-weight:400">trademark twang utterly transformed into a vintage croon.</span></p><p><span style="font-weight:400">Eddie 9V is right: this latest album takes us all over the musical and emotional map,</span></p><p><span style="font-weight:400">while announcing that his recent career peaks are just the start. “Capricorn was a big</span></p><p><span style="font-weight:400">jump for us,” he reflects. “But I’m already writing new songs, y’know?”</span></p>

Eddie 9V

<p><span style="font-weight:400">Often referred to as “The Hendrix of the Sahara”, Vieux Farka Touré was born in Niafunké, Mali in 1981. He is the son of legendary Malian guitar player Ali Farka Touré, who died in 2006. Ali Farka Touré came from a historical tribe of soldiers, and defied his parents in becoming a musician. When Vieux was in his teens, he declared that he also wanted to be a musician. His father disapproved due to the pressures he had experienced being a musician. Rather, he wanted Vieux to become a soldier. But with help from family friend the kora maestro Toumani Diabaté, Vieux eventually convinced his father to give him his blessing to become a musician shortly before Ali passed.</span></p><p><span style="font-weight:400">Vieux was initially a drummer / calabash player at Mali’s Institut National des Arts, but secretly began playing guitar in 2001. Ali Farka Touré was weakened with cancer when Vieux announced that he was going to record an album. Ali recorded a couple of tracks with him, and these recordings, which can be heard on Vieux’s debut CD, were amongst his final ones. It has been said that the senior Touré played rough mixes of these songs when people visited him in his final days, at peace with, and proud of, his son’s talent as a musician.</span></p><p><span style="font-weight:400">In 2005, Eric Herman (still Vieux’s manager today) of Modiba Productions expressed an interest in producing an album for Vieux; this led to Vieux’s self-titled debut album, released by World Village in 2007. Ali Farka Touré’s work to tackle the problem of malaria is continued as 10% of proceeds are donated to Modiba’s “Fight Malaria” campaign in Niafunké through which over 3000 mosquito nets have been delivered to children and pregnant women in the Timbuktu region of Mali. On this first album, Vieux pays homage to his father and follows Ali’s musical tradition, giving new versions of the West African music that is echoed in the American blues. The album features Toumani Diabaté, as well as his late father.</span></p><p><span style="font-weight:400">On his second record, Fondo on Six Degrees (2009), Vieux branched out and presented his own sound: while remaining true to the roots of his father’s music he uses elements of rock, Latin music, and other African influences. The album received a great deal of critical acclaim from across the globe, and Vieux was clearly moving out of his father’s shadow.</span></p><p><span style="font-weight:400">By June 2010, Vieux was performing at the opening concert for the FIFA World Cup in South Africa. That month Vieux also released his first live album, LIVE. His live performances are highly energized and Vieux is known for dazzling crowds with his speed and dexterity on the guitar, as well as his palpable charisma and luminous smile, both of which captivate audiences from all audiences in spite of any language barriers (though Vieux does speak 8 languages).</span></p><p><span style="font-weight:400">In 2011 Vieux released his 3rd studio album, The Secret, so named because the listener will hear the secret of the blues with a blend of generations from father to son. It was produced by guitarist Eric Krasno (of the Soulive trio) and features South African-born vocalist Dave Matthews, Derek Trucks on electric slide guitar and jazz guitarist John Scofield. The title track is the last collaboration between Vieux and his late father. With the heralded release of The Secret, Vieux Farka Touré has clearly established himself as one of the world’s rare musical talents and guitar virtuosos with a distinct style that always pays homage to the past while looking towards the future.</span></p><p><span style="font-weight:400">Vieux released The Tel Aviv Session (Cumbancha) in April 2012, a collaborative project with Israeli superstar Idan Raichel dubbed ‘The Touré-Raichel Collective’ that has been hailed by fans and critics alike as a masterpiece and one of the best collaborative albums in the history of international music, drawing comparisons to Ali Farka Touré and Ry Cooder’s legendary Talking Timbuktu album.</span></p><p><span style="font-weight:400">In 2013, Vieux Farka Touré’s beautiful and critically acclaimed album Mon Pays was released as an homage to his homeland. Being that his native Mali had recently been splintered by territorial fighting between Tuareg and Islamic rebels since January 2012, Mon Pays was devoted to reminding the world about the beauty and culture of his native Mali. Translated as ‘My Country,’ this predominantly acoustic undertaking transformed into an artifact of cultural preservation. Two songs on the project - ‘Future’ and ‘Peace’ feature Sidiki Diabate’s kora leading an emotional charge complemented by Touré’s spectacular guitar work. Both tracks represent an important generational “passing of the torch” as Sidiki’s father, Toumani is considered one of the greatest living kora masters and was a close friend of Vieux’s father Ali. Mon Pays has been widely hailed as the most mature and lovely record yet from one of this generation’s most exciting artists to come out of Mali and one of world music’s true rising stars.</span></p><p><span style="font-weight:400">Vieux reunited with Idan Raichel in Paris to record, release and subsequently tour their 2nd collaborative album as The Touré-Raichel Collective in 2014. The result was yet another musical and critical triumph, titled &#39;The Paris Session&#39; (Cumbancha) revered by many as not just a musical gem for the ages, but a powerful testimonial to the power of art and fraternity to transcend vast cultural and political divides. In 2015, Vieux released another unexpected, genre-bending collaborative album, this time with New York-based singer Julia Easterlin, aptly titled &#39;Touristes&#39;. The album shot to the top of the iTunes World chart and earned critical acclaim, including that of John Schaefer (NPR) who called it &#34;brilliant.&#34; On April 7, 2017, Vieux released his next album &#39;Samba&#39;, recorded live in front of a small audience at Applehead Studio in Woodstock, NY.</span></p><p><span style="font-weight:400">When the COVID pandemic hit in 2020 and all touring ground to a halt, Vieux stayed focussed on his craft at home. He worked tirelessly in the studio he built at his family&#39;s compound (which he named &#39;Studio Ali Farka Toure&#39; in honor of his late father) to record his debut album for World Circuit Records/BMG, the prestigious UK-based record label with whom his father recorded and released most of his own work. The resulting album, &#39;Les Racines&#39; (released June 2022), sees Vieux masterfully return to the deep roots of the Desert Blues music that his father introduced to the world and Vieux spent most of his career to date exploring, experimenting with, and expanding. 2022 also saw the release of a long-awaited collaborative album between Vieux and Houston-based psych-rock superstars Khruangbin called ‘Ali’ - an album on which the artists join forces to pay homage to Ali Farka Toure by reimagining eight of his songs together.  The album was an instant hit around the globe, immediately getting millions of streams, enormous critical acclaim and even earning the praise of Sir Elton John who called it &#34;one of the albums of the year - absolutely wonderful music.&#34; With each new project Vieux broadens his horizons, embraces new challenges and further entrenches his reputation as one of the world’s most talented and innovative musicians.</span></p><p><span style="font-weight:400">As a passionate champion for the people of Mali and The Sahel, Vieux founded the charity Amahrec Sahel in 2012. As part of Amahrec Sahel’s mission to support humanitarian reconstruction and culture, the charity has provided school supplies for children, supported an orphanage in Bamako and provided musical instruments for young musicians in Mali. Vieux is also the director of The Ali Farka Touré Foundation, an international organization dedicated to the preservation of Ali’s legacy and the cultural growth of Mali.</span></p>

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