<h1>The Foundation</h1><p>The Kendall Madison Foundation was formed in 2000 to provide more than just an annual scholarship. The Foundation provides financial contributions to help the East End community such as The Kendall Madison Fitness Center as well as financial assistance to those in need for the purposes of enhancing their student-athlete experience. Over $100,000 has been gifted to individuals and organizations since its inception.</p><h1>The Scholarship Fund</h1><p>The Kendall Madison Scholarship Fund was established in 1995 in memory of Kendall Madison, a model student-athlete who was tragically lost at the age of 21. Kendall was beloved by the East End and UCONN community and the scholarship was created in his honor to reward a male and female student athlete who exemplifies Kendall&#39;s core characteristics of being a role model for the community, not only in sports but community service and academics as well.</p>

Talkhouse

Kendall Madison Fundraiser

The Stephen Talkhouse

<p>Nancy Atlas and her band of Journeymen have been dominating the East End Music scene or Long Island for quite some time. Known for her raw, live performances and stellar songwriting Nancy and her band, The Nancy Atlas Project, have opened for almost everyone under the sun. To name a few: Elvis Costello, Lucinda Williams, Toots and the Maytals, Jimmy Buffett, Crosby, Stills and Nash… the list goes on and on. The reason is simple. When people want a solid act to open their show and get the crowd warmed up, they call  Nancy and her boys because they know they will deliver. Every time.<br />Nancy grew up with gypsy blood in Commack, NY. Eager to get the buck out of dodge she spent her entire college years abroad at both Cambridge University in England and Richmond College in London and Florence.  She majored in art history, fine art, drinking lots of wine and talking shit. There was a serious recession going on the year she graduated college so instead of becoming a mad advertising executive she walked down to Portabello Road, London, bought a guitar for 60 quid and never looked back. It was pouring buckets of English rain that day so they gave her a black plastic bag to cover her guitar as it didn’t come with a case. Nothing, it is said, can stop true desire.<br />Nancy now lives in Montauk, New York with her husband Thomas and her two sons, Cash and Levon, and her daughter Tallulah. When she is not writing a song or on stage rocking out, she can be found clamming with her kids, surfing with her kids, walking with her kids, reading with her kids or <a href="http://nancyatlas.com/?page_id&#61;285">cartooning</a> for her kids. On rainy days she lazily traces tour maps of Europe with her right hand while sipping her beloved PG Tibs English Tea and smiling out into the East End Mist.</p><blockquote></blockquote>

Nancy Atlas

Rose Kerin w/ Nancy Atlas Band

<p>Black &amp; Yellow is the collaboration of local Hamptons frontman Ray Ramos and renown drummer Julian Edmond, both formerly of the band Hello Brooklyn. The band&#39;s lineup also features NYC-based singer Jason Karnell, who will co-front the band with Ramos. Black&amp;Yellow promises to feature musical selections from the early days of Motown, dance and R&amp;B to hip-hop and chart topping hits today.</p>

Black & Yellow

<div><div>$25.00</div><div> </div><div>To purchase tickets click this link:   <a href="https://springsschool.givebacks.com/store/items/1154344">Givebacks</a></div><div> </div><div> </div><div>4th Annual Springs Break PTA Fundraiser</div></div><div><p>March 28, 2025</p><p>6 - 10 PM</p><p>Stephen Talkhouse</p><p>$25 individual pre-sale</p><p>$30 at the door</p><p>Admission includes:</p><br /><ul><li><ul><li>1 drink ticket toward sponsored drinks</li></ul></li></ul><br /><ul><li><ul><li>1 free raffle ticket</li></ul></li></ul><br /><ul><li><ul><li>Music all night</li></ul></li></ul><br /><p>Additional items for purchase:</p><br /><ul><li><ul><li>Merch</li></ul></li></ul><br /><ul><li><ul><li>Raffle tickets</li></ul></li></ul><br /><ul><li><ul><li>Silent auction bids</li></ul></li></ul><br /><ul><li>Full bar available</li></ul></div>

Copy and paste link to purchase tickets: https://springsschool.givebacks.com/store/items/1154344

Springs School PTA Fundraiser

<p>Where Stars Collide isn’t just your typical cover band – they are a dynamic force of talent and pure energy guaranteed to light up the stage like never before. With undeniable energy and songs spanning all eras and genres, WSC is all about keeping the dance floor jumping and the party alive all night long. Get ready to party with the Stars! </p><div> </div>

Where Stars Collide

<p>When you hear Annie Trezza it&#39;s often hard to believe that all that sound comes out of one person. With groovy guitar riffs, 60&#39;s inspired melodies, and transportive lyrics, she projects an energy well beyond her size. Upon listening to Dylan and Beatles records on repeat at a young age, she felt compelled to pick up a guitar and start writing her own tunes at age 14. She spends her summers playing all around her home in Montauk, NY. In the off-season when she&#39;s not chasing the waves she&#39;s writing new music, and continuing to play anywhere in the world she finds herself. Between her distinctive voice and her poetic lyrics, it&#39;s hard not to get a little carried away when listening to any of her tunes. And that&#39;s okay because that&#39;s exactly what they&#39;re meant to do. With an album to follow, her EP Blue Suitcase #2 was released December 2019.</p>

Annie Trezza

<p>Coverland has been described as one of the most exclusive and exciting party bands in the Northeast. Made up of the cover band industrys most entertaining and seasoned musicians, Coverland is best known for playing the widest array of artists and music genres that are guaranteed to keep the night moving and leave a lasting impression on party-goers. From Boston to Montauk to the Jersey Shore, Coverland has stunned club owners by perfecting the sounds of all eras, but can change in a NY minute.</p>

Coverland

<p>Since first lighting up the world with their glorious fusion of country and soul, The War And Treaty<br />have steadily built a legacy as one of the most iconic husband-and-wife duos in music history. In the<br />last few years alone, Michael Trotter Jr. and Tanya Trotter’s phenomenal talent and daring originality<br />have led to major milestones like earning two Grammy nominations, taking home the Duo/Group<br />of the Year prize at the Americana Music Honors &amp; Awards two years in a row, and performing at<br />stadiums as support for superstars like the Rolling Stones and Zach Bryan—a triumph that’s won<br />them a whole new legion of fans thanks to the electrifying impact of their revelatory live show. On<br />their new album Plus One, The War And Treaty double down on the powerful sense of togetherness<br />that’s always fueled their music, offering up 18 life-affirming songs aimed at providing a shared<br />experience of hope and healing and much-needed joy.<br />“We see this record as an open invitation to be a part of what we’re doing—it came from wanting to<br />be the hope we believe people need right now, as well as the hope that we need for ourselves,” says<br />Tanya. “Too often we feel all alone in this world, and when we feel alone it can be easy to succumb<br />to despair,” Michael adds. “One of our main intentions with this album is to inspire people to share<br />themselves with others, and open themselves up to the possibility of being loved.”<br />Mainly produced by Michael and recorded at the legendary FAME Studios in Muscle Shoals, Plus<br />One marks their fourth full-length and follow-up to Lover’s Game—a 2023 LP whose standout track<br />“Blank Page” nabbed a Grammy nomination for Best American Roots Song, with The War And<br />Treaty nominated for Best New Artist. To create their most extravagant body of work to date, the<br />duo enlisted their longtime live band and dreamed up a singular sound touched with elements of<br />gospel, bluegrass, contemporary country, classic soul, symphonic pop, folk-rock, and more. Partly<br />made in collaboration with esteemed producers like Jonathan Singleton (Luke Combs, Chase Rice),<br />John Shanks (Stevie Nicks, Sheryl Crow), and Jesse Frasure (Jelly Roll, Kelsea Ballerini), the result is<br />a transcendent double album firmly rooted in their timeless musicality and forward-thinking vision.<br />“There’s a spirit in the walls at FAME that I could hear speaking to us—I could feel Wilson Pickett<br />and Percy Sledge and the Allman Brothers, all telling us to be honest and humble and take this<br />moment very seriously,” says Michael. “The goal was to pull from the energy of the past and the<br />present, and come up with something that becomes part of the future.”<br />In a potent introduction to the album’s sonic magnificence, Plus One opens on “Love Like Whiskey”:<br />a soul-soothing portrait of a love strong enough to overcome any obstacle, co-written by the<br />Trotters and country queen Miranda Lambert. “We’ve been friends with Miranda for a while, and we<br />all got together and decided to write a song about how Michael and I work through those times<br />when we’re not getting along,” Tanya explains. With its radiant guitar work, rousing horns, and<br />beautifully lived-in storytelling, “Love Like Whiskey” finds The War And Treaty leaning further into<br />their deep-seated love of country while boldly expanding the genre’s boundaries. “In the past we’ve<br />been told our sound wasn’t radio-friendly, but over time we started getting attention from country<br />radio,” says Michael. “We’ve been seeing a lot of new artists pushing the envelope as far as what<br />country music can be, so we decided, ‘Why not join them, and push it our own way?’”<br />Both exquisitely gifted vocalists, Michael and Tanya trade off verses all throughout Plus One to share<br />their distinct perspective on their one-of-a-kind love story—a dynamic put to dazzling use on songs<br />like “Can I Get An Amen.” Over the course of the hard-hitting but exuberant track, the two present<br />an up-close glimpse into their daily lives and the countless ways in which they lift each other up<br />(from the opening lyrics, delivered by Michael: “Sunday morning, she’s a bona fide preacher/Laying<br />hands all over me”). “When I sing that line, it’s a true statement about when I was going through the<br />height of my PTSD and Tanya would massage me to calm me down,” says Michael, an Iraq War<br />veteran and wounded warrior. “The whole song came from being thankful for the seven days a week<br />I get to spend with Tanya, and all the good that can come when I really open up and let her in.”<br />One of the most thrilling moments on Plus One, “Carried Away” revels in the unending passion at<br />the heart of their romance. “Sometimes we have to sit back and marvel at the fact that we’ve been<br />together for 15 years,” says Tanya. “So many marriages crumble a few years in, but with us it just<br />keeps getting better and better with time.” In a particularly brilliant move, “Carried Away” takes the<br />shape of a pedal-steel-laced honky-tonk ballad during the verses, then slips into a groove-heavy R&amp;B<br />slow-burner at the chorus. “The most important part about nailing that song was making sure that<br />Tanya and I were in the same room, vibing off each other,” Michael recalls. “We put our foreheads<br />together and left that space between our lips, and then just moved together like the ocean.”<br />Endlessly revealing the incredible depth of their musicianship, Plus One encompasses everything<br />from the moody bluegrass romp of “Drink From Me” (featuring virtuoso guitarist Billy Strings) to<br />the wildly ecstatic “Called You By Your Name” (a breakneck-paced rallying cry influenced by the<br />Black gospel tradition of shout music). On “Skyscraper,” the duo serve up a stomp-and-clap anthem<br />graced with guest vocals from their daughter (Courtney Trotter) and Michael’s mother (Deborah<br />Trotter), transforming the track into a triumphant family affair. “When you look up at all those<br />skyscrapers in New York City, you don’t usually think about what it took to build them,” says<br />Michael. “We know that sometimes it takes a lot of pain and struggle and loneliness to get to where<br />you’re meant to be, so we wrote that song to remind everyone that we’re all beautiful skyscrapers<br />with a story to tell.” And on “Tunnel Vision,” The War And Treaty lay down a fiery country-rock<br />banger declaring their determination to fully live their truth. “I started writing that song during the<br />pandemic, which reminded us how we need to stay focused on doing what brings us joy,” says<br />Michael. “It’s about coming out of that experience with a victorious mindset and telling the world,<br />‘We’ve got a goal in mind, and we’re not going to let anyone or anything get in our way.’”<br />In selecting a title for their latest album, The War And Treaty chose to honor the once-in-a-lifetime<br />connection evident in everything they create. Now based in Nashville, the two first met at a<br />Maryland music festival in 2010 and instantly discovered an undeniable chemistry despite their<br />disparate backgrounds. To that end, Tanya grew up near Washington, D.C., and found success as a<br />singer and actress as a teenager, while Michael taught himself to play piano while encamped in one<br />of Saddam Hussein’s palaces during his time in the military. Within several years of crossing paths,<br />the duo co-founded The War And Treaty and set off on an unstoppable rise that’s now included<br />sharing stages with such eclectic artists as Chris Stapleton and Al Green, performing twice at the<br />White House, joining forces with Zach Bryan on his platinum-certified smash “Hey Driver”<br />(nominated for a People’s Choice Country Award), and amassing an ever-growing list of accolades<br />and award nominations. But for Michael and Tanya, the duo’s greatest achievement lies in the<br />constant growth of their adoring and deeply engaged fanbase. “We hear a lot from veterans who tell<br />us our music inspires them to keep holding on, and from young girls who look up to Tanya and<br />show us the pictures they’ve drawn of her,” he notes. “We’ve also seen people fall in love at our<br />shows, and then get in touch later to let us know that one of our songs was the first dance at their<br />wedding. It’s becoming a whole culture cultivated in love.”<br />As they get set to tour in support of Plus One, The War And Treaty look forward to joining their fans<br />in rejoicing in the album’s mood of unbridled gratitude and full-hearted celebration. “At a time<br />when human connection is being threatened by AI and all the division happening in our country, I<br />think a lot of us are thirsting to really connect with others,” says Michael. “We want our live show to<br />be a place where you can be around other likeminded people, where we can all get together and let<br />the love wash over all the pain we’ve experienced. And if you can, we hope everyone will bring a<br />plus one—someone who needs to hear what we’re saying, so that we can all grow together and<br />extend that spirit of love as far as it can go.”</p><p>Tiera Kennedy:</p><p>Tiera Kennedy is an artist, visionary and movement-builder who aims to inspire and share her<br />truth as liberation – and a lesson to live life fully with love and joy. Tiera is emerging as one of<br />the most exciting voices in the format - injecting Country music with a breath of vitality. The<br />Alabama native’s unique sound stems from equal parts nature and nurture. She credits her<br />celestial singing voice to God, while crediting her country music songwriting artistry to what<br />organically flows from her pen.<br />A singer-songwriter, musician, radio host, entrepreneur and philanthropist – Tiera believes that<br />our lives and others’ are made better when we live in our purpose as our best and most authentic<br />selves.<br />Tiera’s talents have already garnered acclaimed recognition as a collaborator on Beyoncé’s<br />groundbreaking Grammy-winning album Cowboy Carter, having been featured in a music video<br />with legend Dolly Parton, and as a mentee of pop-country star Shaina Twain who encouraged her<br />to be herself.<br />Tiera’s independently released debut album, ROOTED, displays her extraordinary talents,<br />country roots and lived experiences, and the journey to stay connected to herself, her loved ones,<br />her story and her ancestors. A courageous artist, Tiera’s truth shines through in a cohesive<br />project that is brilliantly unfiltered, passionate, and intentionally outside-the-box with a barrier-<br />breaking blend of R&amp;B and country.<br />As the host of the Tiera Show on Apple Music, Tiera gives listeners a behind-the-scenes glance<br />with some of country music’s icons.<br />Indeed, Tiera is just getting started. She seeks to be part of creating an inclusive movement of<br />people who are ready to take up space, believe in themselves, and channel the power of living<br />joyously and authentically.</p>

The War and Treaty

The War and Treaty w/ Tiera Kennedy opening

<p>The Memberberries are NYC’s hottest 90’s-00’s pop/rock cover band. They perfectly replicate classic pop/rock nostalgic songs while still adding a touch of their own flare. These musicians are professionals that have spent years dedicating themselves to delivering a high quality show. Along with an engaging performance, the band is able to supply top of the line sound quality from their own state of the art PA system as well as an advanced lighting system that is sure to set the tone for a night of fun for any occasion.</p>

The Memberberries

<div>Welcome to BOWIE STATION, where you can make your connection to the past and the future through the timeless music of David Bowie!</div><div>Drawing from his classic albums from the 1970s, Bowie Station recreates the energy, excitement and theatricality of David Bowie&#39;s songs without the use of wigs, costumes or fake accents adopted by so many tribute bands today.</div><div>Bowie Station is Real Rock &amp; Roll !!</div><div><div>The Band is:</div><div>ED RYAN, lead vocal (Trans-Siberian Orchestra, Petty Rumours, Wide Awake)</div><div>RICHIE NASO, lead guitar (Desert Highway)</div><div>KEVIN McCANN, gtr/keys/vox (Wonderous Stories)</div><div>RICH COYLE, keyboards (Four Way Street, Badlands)</div><div>PAT FALCO, bass (Falco Brothers)</div><div>JEFF SCHUMACHER, drums (Various)</div></div>

Bowie Station

<p>O.P. Effect was formed in 2014, and over the last 10 years, has become one of Long Island&#39;s premier alternative rock cover bands - Specializing in music spanning 1990-2010, with a little sprinkle of some older favorites as well. The band has worked the circuits of bars and restaurants, music venues, street festivals, private parties, weddings and other events. Offering both a 4-person full band lineup, or acoustic duo, O.P. Effect will bring a good time to any setting and get the crowd singing along. </p>

OP Effect

<p>Don’t be fooled by the title of Glenn Tilbrook’s latest album, Happy Ending, or at least not all of it. He’s happy, of course, and why <br />wouldn’t he be? He’s more than earned his place at pop’s top table as one of our most cherished singers, guitarists and songwriters, <br />not to mention an in-demand and endlessly endearing live performer. But more than 40 years after he first answered an ad placed <br />by Chris Difford looking for like-minded sorts to form the band that became the much-loved evergreen Squeeze, an ending is <br />nowhere in sight.<br />In 2014 alone, in addition to releasing the highly acclaimed Happy Ending (“an unqualified triumph” – Daily Mirror), Glenn is <br />busy treading the boards both at home and away, saddling up with Mr Difford again for a tour of songs and stories under the <br />banner “The At Odds Couple”, and – also in tandem with Chris – writing material for a TV series based on the life of another South <br />London renaissance man, journalist and broadcaster Danny Baker.<br />“It’ll be just Chris and myself on stage playing songs in quite a different way,” says Glenn. “We’re very different musicians to when <br />we first started out, we’re way ahead of where we were – you could say we’ve actually learned how to play properly! We’ve put in a <br />lot of time rehearsing, and have gone into our catalogue of songs from before we started making records, things people won’t have <br />heard before, and there’s some good stuff in there. <br />“On record, there’s never really any reason to look back, but live it’s a different perspective. It’s interesting to revisit those songs we <br />wrote between 1974 and ’76; there’s lots of them. It was an incredibly fruitful time for us. There will also be some new stuff, songs <br />that we’ll be recording early next year, which go hand in hand with the Danny Baker TV series.”<br />The Glenn &amp; Chris connection to Baker stretches back to even before the days of Squeeze.<br />“I remember meeting Danny for the first time when I was about 17, and Chris actually went to the same school as him. We’re South <br />London contemporaries, so we know what the area was like back then. I read Danny’s book, which is very evocative of that time, <br />and I thought it would be a good idea for us to do something based on it. Of all the vehicles I’ve been looking at for myself and <br />Chris to get involved in, this was the one I thought really had legs. It’s a really exciting project.”<br />Such is the continuing work ethic of a fellow who’s never been far from the action since Squeeze made their recording bow with <br />the Packet Of Three EP in 1977. Those humble three tracks led to such enduring pop classics as Take Me I’m Yours, Cool For Cats, <br />Up The Junction, Another Nail In My Heart, Tempted, Labelled With Love, Black Coffee In Bed, Hourglass (this could go on for a <br />while...), not to mention landmark albums like Argybargy, East Side Story and Some Fantastic Place.<br />Squeeze’s demise in 1998 (though not permanent) saw Glenn embark on a solo career that spawned the albums The Incomplete <br />Glenn Tilbrook (2001) and Transatlantic Ping-Pong (2004), showcasing an ever-maturing songwriting talent (his first major works <br />without the input of lyricist Difford) and the formation of his new band The Fluffers. Initially put together as a touring concern, <br />The Fluffers came into their own on Glenn’s next long player, 2009’s Pandemonium Ensues – by which time Squeeze were also back <br />in business, playing sell-out tours across the UK and US.<br />2011 saw Glenn and Nine Below Zero collaborate on The Co-operative, an inspired mix of original songs co-written with Dennis <br />Greaves, plus instrumental tracks and a few covers, from Johnny Paycheck via Randy Newman to Lennon &amp; McCartney.<br />Arguably, though, Happy Ending is Glenn’s most personal work to date, a series of evocative portraits of time, people and places, <br />that included writing and vocal contributions by his own children Leon and Wesley, in addition to old friends Simon Hanson <br />(Fluffers/reunited Squeeze drummer) and Dennis Greaves (Nine Below Zero, also Glenn’s compatriot in the side project band The <br />Co-operative).<br />“I’m really, really vibed up on what I’m doing now,” Glenn says of Happy Ending. “To me, this record takes its place alongside <br />Pandemonium Ensues, East Side Story, Argybargy and Cool For Cats, which are my favourites of all the ones I’ve made. That’s five <br />albums that I’ve thought ‘Yes! I’ve actually done that properly now”...” <br />Anyone who has witnessed Glenn on the live stage can attest to the properness of his doings, as it were. Armed with ready wit, <br />raucous vibes and a shed load of grin-inducing great songs, there are few musicians able to connect with their audience on such <br />an immediate and warm level. The ever burgeoning festival circuit is frequently enriched by Tilbrook the troubadour, whether he <br />be leafing through his own plentiful back pages or dashing off impromptu audience requests ranging from Jimi Hendrix to Tony <br />Orlando &amp; Dawn, and all points in-between.<br />“I’ve been doing solo tours for the last 18 years or so, and it’s been great fun. When I started it was becoming clear that the old <br />music business model of record companies was a thing of the past, for me, and it was time to do things under my own steam. And <br />to be honest, I’ve never been happier. You may not have the major sales of the old days, but what you’re doing is so much more <br />gratifying.<br />“More or less everything I do now is because I want to do it. I’ve always wanted to make music, but there were times when the <br />business side of it got in the way, and I felt removed from what I’d originally set out to do. When you’re involved with a major label <br />it kind of becomes like writing by committee, whereas all the best stuff should be personal, it should be your own voice. Happy <br />Ending is probably the most personal album I’ve ever made, and I’m really, really proud of it.” <br />Away from the constant and steady stream of fine music, Ivor Novello, Nordoff Robbins, Mojo and PPL awards, landmark plaques <br />commemorating his formative Squeeze years in Greenwich, Glenn is also active in the charity Love Hope Strength, set up by his <br />friend Mike Peters of The Alarm. LHS raises money to set up cancer units in countries in need, and works tirelessly on raising <br />awareness on bone marrow donation. His work with the charity has included record-breaking treks up mounts Everest, Fuji and <br />Kilimanjaro, which should come as no surprise to anyone already in thrall to the man</p>

Glenn Tilbrook

Klyph Black & Rumor Has It

<p>New York&#39;s newest Tribute to the 90&#39;s. Playing all your favorite songs spanning multiple genres.</p><div><div>The Max- Ultimate 90&#39;s Party is here! We&#39;re playing all your favorite Rock, Pop, Hip Hop and Dance Hits from the decade.</div></div><div><div>So give us a follow, tell your friends and come to a show, because ain’t NO PARTY like a 90’s PARTY with THE MAX!</div></div>

The Max-Ultimate 90's Party

The Max- Ultimate 90's Party!

<p>Long Island&#39;s tribute to Pink Floyd<br />Recreating the true, live experience..</p>

ECLIPSE-Long Island's Tribute to Pink Floyd

<blockquote><div><div><div><div>&#34;Stereomatic is an 80&#39;s cover band - they cover songs you know and love from the WLIR New Wave Days. Playing the best of Duran Duran, The GoGo&#39;s, Depeche Mode, Blondie, The Cure, Yaz, Erasure, Madonna and many more.&#34;</div></div></div></div></blockquote>

Stereomatic

<p>The Seismatics perform a unique mix of powerful great rock &amp; roll from the classics to modern. And every song has been chosen to make you want to get up and dance and sing along. Expect to hear songs by David Bowie, Aerosmith, The Cure, Tom Petty, Modern English, The Beatles, Simple Minds and The Doors, just to name a few.</p><p>The Seismatics are:</p><p>Michael Schmidt – lead vocals, rhythm guitar and harmonica</p><p>With decades of performing and recording experience, Michael Schmidt has fronted several notable East Coast and Midwest groups including: U2 Decades, U2byUV, The Deluge and The Louder You Hush. Michael also writes and produces original songs that he has licensed for film, television, and broadcast radio. </p><p>Jeff Levitt – lead guitar and vocals. Jeff has been playing lead guitar in numerous rock bands for decades, covering everybody from The Beatles to The Allman Brothers and Steely Dan.   He is the lead guitarist with The Moondogs since 2016. Jeff is also a member of The Steven Tekulsky Band / Steven Tekulsky Trio and is a frequent member of Sarah Conway and the Playful Souls.</p><p>David Zensky – lead guitar and vocals.  David is a Long Island native and lifelong rock &#39;n&#39; roll roller, most recently playing in some of New York City&#39;s favorite tribute bands, including Mockingbird Hill, Local Heroes, The Letterbombs and Tumblweed Connection.</p><p>Paul Brokaw – keyboards and vocals. Paul is another lifelong rocker and is also a prolific composer having written, recorded and produced over 600 pieces of music published in over 36 countries around the world. Paul has played in numerous bands for decades and is currently a longtime member of Damaged Goods and Ken McGorry and the Achievements.</p><p>Troy Grindle – bass and vocals. Troy is a multi-instrumentalist (bass guitar, guitar, drums, violin, keyboards) best known as a member of Real East End Brass (REEB!). He also performs with Peconic County Ramblers, Hamptons Chamber Orchestra and Alhambra Orchestra</p><p>Mark Pohl – drums and vocals. Delivering the swinging rhythms for The Seismatics has been the culmination of over 40 years on the drum kit, playing for and with such musical luminaries as The Haymakers, The Pop-O-Matics, Frank Barajas &amp; the Shakedowns, Albert Lee, Nick St. Nicholas, The Corsican Brothers, Arlen Roth, Gene Casey &amp; the Lone Sharks, Lillie Mae, The Buzzards, The Bobby Volkman Trio, EverBlue, The Moondogs, Blue Bayou, Freddy &#34;Boom-Boom&#34; Cannon, Big Daddy Deluxe, The Mary Lamont Band, Boomerang, The Rockinghams, Eddie Clendenning, Brien McVernon, among others. Over those years, Mark has been honored to play opening sets for rock &amp; roll legends ZZTop, Robert Gordon, Big Bad Voodoo Daddy, Southside Johnny &amp; the Asbury Jukes, The Moving Sidewalks, Cherry Poppin&#39; Daddies and Lisa Marie Presley.</p><p><br /><br /></p>

The Seismatics

<div>Midnight Sun is back, with a new lineup, and a new high energy</div><div>show, consisting of your favorite tracks from the 70’s all the way</div><div>through today! Led by outstanding professional musicians, this</div><div>lineup is more more versatile than ever before. We’re here to satisfy</div><div>your classic rock nostalgia cravings, appeal to your urge for a night</div><div>of dancing to your favorite top 40 tracks, and even get you</div><div>headbanging and jumping to some high energy rock tunes. We</div><div>believe in a true, fully live experience, showcasing each of the</div><div>members of the band’s vocal and instrumental ability, to create the</div><div>absolute best show for you all. For a night full of songs to sing along</div><div>and have fun to, come check out Midnight Sun!</div>

Midnight Sun

<p>In 2015 six lifelong musicians came from all across the country (well, just San Francisco and New York, but whatever) to form a band that is too hot for the police, fireman, and many many others. </p><p>Rated Fresh throw down harder than your typical party band with a setlist you won&#39;t hear anywhere else, including Top 40 mashups, 90s throwbacks, 60s and 70s classics, and musicianship beyond their years.</p>

Rated Fresh

<p><span style="font-weight:400">Often referred to as “The Hendrix of the Sahara”, Vieux Farka Touré was born in Niafunké, Mali in 1981. He is the son of legendary Malian guitar player Ali Farka Touré, who died in 2006. Ali Farka Touré came from a historical tribe of soldiers, and defied his parents in becoming a musician. When Vieux was in his teens, he declared that he also wanted to be a musician. His father disapproved due to the pressures he had experienced being a musician. Rather, he wanted Vieux to become a soldier. But with help from family friend the kora maestro Toumani Diabaté, Vieux eventually convinced his father to give him his blessing to become a musician shortly before Ali passed.</span></p><p><span style="font-weight:400">Vieux was initially a drummer / calabash player at Mali’s Institut National des Arts, but secretly began playing guitar in 2001. Ali Farka Touré was weakened with cancer when Vieux announced that he was going to record an album. Ali recorded a couple of tracks with him, and these recordings, which can be heard on Vieux’s debut CD, were amongst his final ones. It has been said that the senior Touré played rough mixes of these songs when people visited him in his final days, at peace with, and proud of, his son’s talent as a musician.</span></p><p><span style="font-weight:400">In 2005, Eric Herman (still Vieux’s manager today) of Modiba Productions expressed an interest in producing an album for Vieux; this led to Vieux’s self-titled debut album, released by World Village in 2007. Ali Farka Touré’s work to tackle the problem of malaria is continued as 10% of proceeds are donated to Modiba’s “Fight Malaria” campaign in Niafunké through which over 3000 mosquito nets have been delivered to children and pregnant women in the Timbuktu region of Mali. On this first album, Vieux pays homage to his father and follows Ali’s musical tradition, giving new versions of the West African music that is echoed in the American blues. The album features Toumani Diabaté, as well as his late father.</span></p><p><span style="font-weight:400">On his second record, Fondo on Six Degrees (2009), Vieux branched out and presented his own sound: while remaining true to the roots of his father’s music he uses elements of rock, Latin music, and other African influences. The album received a great deal of critical acclaim from across the globe, and Vieux was clearly moving out of his father’s shadow.</span></p><p><span style="font-weight:400">By June 2010, Vieux was performing at the opening concert for the FIFA World Cup in South Africa. That month Vieux also released his first live album, LIVE. His live performances are highly energized and Vieux is known for dazzling crowds with his speed and dexterity on the guitar, as well as his palpable charisma and luminous smile, both of which captivate audiences from all audiences in spite of any language barriers (though Vieux does speak 8 languages).</span></p><p><span style="font-weight:400">In 2011 Vieux released his 3rd studio album, The Secret, so named because the listener will hear the secret of the blues with a blend of generations from father to son. It was produced by guitarist Eric Krasno (of the Soulive trio) and features South African-born vocalist Dave Matthews, Derek Trucks on electric slide guitar and jazz guitarist John Scofield. The title track is the last collaboration between Vieux and his late father. With the heralded release of The Secret, Vieux Farka Touré has clearly established himself as one of the world’s rare musical talents and guitar virtuosos with a distinct style that always pays homage to the past while looking towards the future.</span></p><p><span style="font-weight:400">Vieux released The Tel Aviv Session (Cumbancha) in April 2012, a collaborative project with Israeli superstar Idan Raichel dubbed ‘The Touré-Raichel Collective’ that has been hailed by fans and critics alike as a masterpiece and one of the best collaborative albums in the history of international music, drawing comparisons to Ali Farka Touré and Ry Cooder’s legendary Talking Timbuktu album.</span></p><p><span style="font-weight:400">In 2013, Vieux Farka Touré’s beautiful and critically acclaimed album Mon Pays was released as an homage to his homeland. Being that his native Mali had recently been splintered by territorial fighting between Tuareg and Islamic rebels since January 2012, Mon Pays was devoted to reminding the world about the beauty and culture of his native Mali. Translated as ‘My Country,’ this predominantly acoustic undertaking transformed into an artifact of cultural preservation. Two songs on the project - ‘Future’ and ‘Peace’ feature Sidiki Diabate’s kora leading an emotional charge complemented by Touré’s spectacular guitar work. Both tracks represent an important generational “passing of the torch” as Sidiki’s father, Toumani is considered one of the greatest living kora masters and was a close friend of Vieux’s father Ali. Mon Pays has been widely hailed as the most mature and lovely record yet from one of this generation’s most exciting artists to come out of Mali and one of world music’s true rising stars.</span></p><p><span style="font-weight:400">Vieux reunited with Idan Raichel in Paris to record, release and subsequently tour their 2nd collaborative album as The Touré-Raichel Collective in 2014. The result was yet another musical and critical triumph, titled &#39;The Paris Session&#39; (Cumbancha) revered by many as not just a musical gem for the ages, but a powerful testimonial to the power of art and fraternity to transcend vast cultural and political divides. In 2015, Vieux released another unexpected, genre-bending collaborative album, this time with New York-based singer Julia Easterlin, aptly titled &#39;Touristes&#39;. The album shot to the top of the iTunes World chart and earned critical acclaim, including that of John Schaefer (NPR) who called it &#34;brilliant.&#34; On April 7, 2017, Vieux released his next album &#39;Samba&#39;, recorded live in front of a small audience at Applehead Studio in Woodstock, NY.</span></p><p><span style="font-weight:400">When the COVID pandemic hit in 2020 and all touring ground to a halt, Vieux stayed focussed on his craft at home. He worked tirelessly in the studio he built at his family&#39;s compound (which he named &#39;Studio Ali Farka Toure&#39; in honor of his late father) to record his debut album for World Circuit Records/BMG, the prestigious UK-based record label with whom his father recorded and released most of his own work. The resulting album, &#39;Les Racines&#39; (released June 2022), sees Vieux masterfully return to the deep roots of the Desert Blues music that his father introduced to the world and Vieux spent most of his career to date exploring, experimenting with, and expanding. 2022 also saw the release of a long-awaited collaborative album between Vieux and Houston-based psych-rock superstars Khruangbin called ‘Ali’ - an album on which the artists join forces to pay homage to Ali Farka Toure by reimagining eight of his songs together.  The album was an instant hit around the globe, immediately getting millions of streams, enormous critical acclaim and even earning the praise of Sir Elton John who called it &#34;one of the albums of the year - absolutely wonderful music.&#34; With each new project Vieux broadens his horizons, embraces new challenges and further entrenches his reputation as one of the world’s most talented and innovative musicians.</span></p><p><span style="font-weight:400">As a passionate champion for the people of Mali and The Sahel, Vieux founded the charity Amahrec Sahel in 2012. As part of Amahrec Sahel’s mission to support humanitarian reconstruction and culture, the charity has provided school supplies for children, supported an orphanage in Bamako and provided musical instruments for young musicians in Mali. Vieux is also the director of The Ali Farka Touré Foundation, an international organization dedicated to the preservation of Ali’s legacy and the cultural growth of Mali.</span></p>

Vieux Farka Touré

VIP (Fees Included)

GA (Fees Included)

<p><strong>ONE SHOW, TWO CHARISMATIC BANDS</strong></p><p><strong> </strong></p><p><strong>P.O.C</strong></p><p>4-5 pc Classic Rock band covering an eclectic mix from 60s to 2000s.</p><p>Ryan, the lead guitarist and Larry, the drummer started this project over two decades ago with the mutual love of RUSH. This transformed to widening their repertoire to cover Zeppelin, Floyd, AC/DC, Van Halen, Nirvana, Lenny Kravitz and BUSH, to name a few. Along with Brian on vocals and Rob on bass, this monster band have played many venues out in EASTERN Long Island. This includes many medical foundation shows and winning the 2015 Stony Brook’s Battle of the Bands!  Their shows are always different and will always bring many surprises in bringing the house down!</p><p><strong>EXPRESSWAY JAM</strong></p><p>energetic 5-6 pc band covering your favorite DANCE and ROCK songs from the 70s, 80s, and 90s.</p><p>Started over 6 years ago with the idea of bringing incredible experienced musicianship, strong vocals, and enthusiastic fun chaos to their audiences!  Always evolving and improving their craft, they guaranteed to kick your audio and visual senses to a great high! Having played music venues in Huntington, Patchogue, Baldwin, Queens, Brooklyn, Northport, Smithtown, Greenport, local beaches and Fire Island, they aim to please!</p><p>With JJ on bass/vocals, Pauly on drums, Karen on lead vocals, guest keyboardist and Mike P as guest lead guitarist/vocals, Expressway Jam will always bring you a memorable show each time!</p>

Expressway Jam / P.O.C

<p>LHT Little Head Thinks--cool and down to Earth. the group is located in a perfect place--the Hamptons--for their laid back rap/rock party that they throw while on stage. Putting their fingerprints all over an eclectic mix of covers from the 70&#39;s, 80&#39;s and 90&#39;s while intertwining some of their own catchy originals, LHT keeps the party moving, the drinks flowing and the dance floor packed. LHT has plays regularly at the legendary Stephen Talkhouse as well as other venues in the Hamptons. LHT has lended their talents to benefit Wounded Warriors, The Blue Point Fired Department, as well as local individuals in the community in need of help for medical issues. LHT regularly plays private parties including weddings, providing the perfect atmosphere for any fun party. LHT has shared the stage with Chad Smith, G.E. Smith, and Jimmy Buffet, as well has played shows with Susan Vega, Tribe Called Quest, Paul Simon, and many more.</p>

<p>Get ready to unleash your inner 80s aficionado with the Cherry Bombs! This explosive tribute band is here to take you on a time-traveling journey back to the neon-soaked era of big hair, shoulder pads, and leg warmers. Whether you&#39;re looking to dance, sing along, or simply bask in the nostalgic glow of the 80s, the Cherry Bombs are the band to see.</p><p>Formed in 2022, the Cherry Bombs were brought together after their fateful encounter at the annual Battle of the Fantasy Girl Bands held at the iconic Stephen Talkhouse. Their shared love for the music of the 80s and their electrifying performances catapulted them into the spotlight, capturing the hearts of audiences far and wide.</p><p>Yuka Silvera, the grooving bassist, lays down the funky foundation that will keep your feet moving all night long. An exciting new addition to the band is the dynamic multi-sensory solo performer, Mila Tina on drums who will blow your mind.</p><p>Leading the charge is the charismatic Lola Lama, whose captivating vocals can effortlessly transport you from power ballads to high-energy anthems. Vanessa Lynah’s sultry vocals adds the perfect touch. Adding a touch of je ne sais quoi is Nika Nesgoda, the band&#39;s cellist, whose strings soar through the mix, weaving a unique tapestry of sound.</p><p>But the Cherry Bombs&#39; explosive performances wouldn&#39;t be complete without the multi-musician, Christopher Walsh who ignites the stage with his scorching guitar riffs, the young talented artist Matthew Brand on keyboards.</p><p>Dust off your mixtapes, dig out your cassette player, and get ready to be transported back to a time when MTV ruled the airwaves and the 80s were in full swing. The Cherry Bombs are here to take you on a musical journey through the greatest hits of the decade, ensuring a night of unforgettable fun and infectious nostalgia. Get ready to rock out with the Cherry Bombs and experience the neon glow of shoulder pads, spandex, and Stiff Stuff like never before!</p><p>The Cherry Bombs</p><p>Mila Tina on Drums, Yuka Silvera on Bass, Nika Nesgoda on Cello, Lola Lama and Vanessa Lynah Lead Vocals, Christopher Walsh on guitars, Matthew Brand on Keyboards </p><p>Follow Us: <a href="https://www.instagram.com/cherrybombsmusic/">CherryBombsMusic</a> </p>

The Cherry Bombs

<p>From fist pumping, sing-a-long anthems, to high energy Top 40, Party Rock and Dance (even some Country), Fast Five is New York&#39;s most exciting new cover band providing the best in live entertainment!  We are a dynamic group of 5 veteran musicians who have played every scene, including bars, nightclubs, colleges, weddings, corporate parties, and national venues. Our song list is huge and constantly growing!  We tailor our act to suit every type of audience, from late night club crowds, to country club parties and everything in between.  Playing songs that are meant to be played live, every Fast Five show is a high energy, live music experience!</p>

Fast Five

<p>Rebel Elle is all about fun with a unique take on all of your favorite covers that will keep you singing and dancing all night long.  We’ll play a Billy Idol song or two and won’t hold it against you if we see you dancing with yourself ;)</p>

Rebel Elle

<p>There are certain things one just isn’t bold enough to ever expect… [one] such moment was seeing ska legends/pioneers English Beat… I’ve sent countless evenings at ska shows while growing up, but this was the perfect first/biggest ska show of 2010. – BEYOND RACE MAGAZINE</p><p>The English Beat’s influence was incalculable… - Allentown Morning Call</p><p>&#34;... [Dave] Wakeling and his crew played 90 minutes worth of hits, deep cuts, some General Public chestnuts and a few new songs… every song was met with recognition and applause.&#34; – River Front Times</p><p>&#34;[The English Beat are] more popular now than ever.&#34; – San Francisco Chronicle</p><p>[Dave Wakeling] has assembled an incredible band and is playing his hits with the same raucous enthusiasm that made The English Beat one of the biggest acts of the New Wave Era… Every time they play, The Brew [San Luis Obispo, CA] is packed to the gills with an audience bouncing in unison.&#34; – SLO New Times</p><p>&#34;People were spilling out the doors by the time [English Beat] went on stage and the palpable joy was in the air when they started… With lyrics about unity, peace, love and partying, and a beat that’s guaranteed to get you out of your seat, their music will always be dancetastic.&#34; – The New York Examiner</p><p>[The English Beat continues to take] on 2 tone, ska, reggae and new wave, still dishing out on issues of strife and discontentment at times, but always with a happy, danceable tune… drawing large audiences and still has a growing fan base&#34; – San Gabriel Valley Tribune</p><p>&#34;[Dave Wakeling of The English Beat] is a musician who seems to genuinely enjoy performing, and even those new to the Beat couldn’t help but get swept up in the infectious brand of &#34;happy&#34; music, as one put it.&#34; – Napa Valley Register</p><p>&#34;In 2010, [The English Beat] remains on fire, opening their set with a rousing cover of The Staple Singers classic I’ll Take You There. If the excitement wasn’t at a fevered pitch by then, their second song I Confess brought the entire Gibson Amphitheatre to their collective feet. The song still sounds as fresh and lively today as it did when KROQ was granting it massive airplay back in 1982. Another cover followed, a skankin’ version of Tears Of A Clown, originally by Smokey Robinson and The Miracles.&#34; – Highwire Daze</p><p>&#34;As always, the English Beat&#39;s sound is a driving blend of ska, punk, rock and reggae that&#39;s made for dancing.&#34; – Daily Local News</p><p><strong>Dave Wakeling</strong><br />Lead Vocals/Guitar</p><p><strong>Matt Morrish</strong><br />Sax/Vocals<br /><strong><br />Kevin Lum</strong><br />Keys/Vocals<br /><br /><strong>Minh Quan</strong><br />Keys/Vocals<br /><strong><br />Brian &#34;Nucci&#34; Cantrell</strong><br />Drums/Vocals<br /><strong><br />Antonee First Class</strong><br />Toaster<br /><strong><br />Chuck Elder</strong><br />Bass/Vocals</p>

The English Beat

<p>Social Gold -- The New East Coast Party Band! A powerful &amp; lively performance with superior quality, reaching all ages from the crowd. Playing everyone&#39;s favorites of yesterday and today in every genre, Social Gold brings the party to YOU!</p>

Social Gold

<h2>Grab your friends and your dancing shoes! CANDY SHOP will get you movin’ and groovin’ all night long!</h2><p>Packaged with energetic stage presence, professional musicians, and colorful outfits, CANDY SHOP delivers an exciting show sure to get you out of your seats. Showcasing a trio of young divas singing alongside an all star band mixing covers and original music from the upbeat, pop, and funk styles of the 70’s to now.</p><div><div><h2>WE DO IT ALL!!</h2></div></div>

Candy Shop

<p>Roses Grove Band: RGB are known for their exploratory improvisation of the Grateful Dead&#39;s folk- rock and Americana sound. Their live performances are high energy, adventurous, and dynamic. Their set lists are also laden with extended jams, unique segues, delicate transitions between songs, and three part vocal harmonies.</p>

Roses Grove Band

<div><div><span style="font-family:&#39;helvetica neue&#39;;font-size:small"><strong>No Sailor</strong></span></div><div><span style="font-family:&#39;helvetica neue&#39;;font-size:xx-small"><em>No Sailor </em>is singer-songwriter Kieran Garvey and his five-piece folk band. Their fun and classical approach to folk has been described as &#34;heartwarming and authentic&#34; and “destined for the stages of Newport Folk Festival.”</span></div><div><span style="font-family:&#39;helvetica neue&#39;;font-size:xx-small"> </span></div><div><span style="font-family:&#39;helvetica neue&#39;;font-size:xx-small">Since their early days in small European cafes, No Sailor has a history of casting a wide net around their audience. Their passionate stage presence has earned them comparisons to <em>The Head And The Heart</em>, <em>Gregory Alan Isakov</em>, and <em>The Lumineers</em>. Garvey’s earnest songwriting, paired with a semi-classical band, has a profound way of playing on your heart strings. From the exuberance of <em>‘Rock, Paper, Scissors,’</em> to the melancholic strings on <em>‘Wedding Cake,’</em> the songs arc from euphoric folk rock to confessional orchestral ballads.</span></div><div><span style="font-family:&#39;helvetica neue&#39;;font-size:xx-small"> </span></div><div><span style="font-family:&#39;helvetica neue&#39;;font-size:xx-small">A decades long seasonal resident of the East End, Kieran and his band of locals (Ryan Sherman, Morgan Tracey, Jack Marshall) are regulars at the Montauk Music Festival and The Stephen Talkhouse. Their ominous new single “Tactless Butcher” comes out November 15th on all streaming platforms.</span></div><div><span style="font-family:&#39;helvetica neue&#39;;font-size:small"> </span></div><div><span style="font-family:&#39;helvetica neue&#39;;font-size:small"><strong>Reilly Rose</strong></span></div><div><span style="font-family:&#39;helvetica neue&#39;;font-size:xx-small">Reilly Rose is imaginative and introspective artist who blends indie, pop and folk genres. The NYC based singer/songwriter creates music that feels both whimsical and profound through her piano accompaniment and vivid storytelling. Reilly Rose’s music is characterized by a sharp wit, poetic lyricism, and an ability to capture complex emotions in unexpected ways. She incorporates her comedic practices into her live performances with audience engagement and conversational banter. She hopes to inspire others to laugh, dance, and sing—all at the same time!</span></div></div>

No Sailor

<p>They said it couldn’t be done. Four different songwriters joining forces to form a single band? There was simply no precedent (outside of CSNY, The Beatles, The Traveling Wilburys, The Highwaymen, Monsters of Folk, etc). And yet Fantastic Cat did it anyway, defying the odds and teaming up to record their highly unanticipated 2022 debut, The Very Best Of Fantastic Cat. Hailed by Rolling Stone as &#34;a wildly satisfying collection of folk-rock, country, Americana, and good old rock &amp; roll&#34; that offers “equal doses of Dylan and Springsteen,” the album earned the vocal-trading, instrument-swapping collective their national TV debut, sold-out headline dates around the US and Europe, festival performances everywhere from Sundance to Take Root, and a song in the Paramount&#43; series Tulsa King. In 2023, the unlikely four-piece collaborated with all-star producer Butch Walker on a 50th anniversary recording of Wings’ “Band On The Run,” which prompted even more love from Rolling Stone, who dubbed them “the Harlem Globetrotters of Americana.”</p><p>Individually, each member of Fantastic Cat boasts their own impressive resume along with a litany of critical acclaim. Paste declared Don DiLego&#39;s latest album a &#34;stunner.” NPR said Anthony D’Amato “sings and writes in the tradition of Bruce Springsteen or Josh Ritter.” Rolling Stone called Brian Dunne’s new record “the sleeper album of the year” and praised Mike Montali’s band, Hollis Brown, as “the soundtrack for a late-night drive through the American heartland.” Collectively, though, the four transcend their respective roots, emerging here as velvet-clad rock and roll cooperative far greater than the sum of its parts.</p><p>They say some cats are born fantastic; others have fantasy thrust upon them. These guys are somewhere in the middle.</p>

Fantastic Cat

GA(arrive 30min within show time to ensure entry)

<p>Alternative/pop rock band - Kids That Fly - formed in the fall of 2018, while attending the University of Connecticut. It wasn’t long before they fell into a rhythm playing shows around CT while simultaneously commuting in and out of NYC for recording both in Manhattan and Brooklyn; they have been on a trajectory ever since. In 2024, Kids That Fly take their alt/pop melodies and electrifying live show on the road, up and down the East Coast and beyond.</p>

Kids That Fly

<p>Crosby, Stills, Nash &amp; Young are best known for their beautifully crafted vocal harmonies.  Four Way Street performs the best of Crosby Stills Nash &amp; Young (CSNY) with meticulous attention given to recreate the vocal harmonies that make this super group beloved worldwide. Four Way Street harmonies are built around three outstanding singers, each bringing unique talent and timbre with meticulous attention to detail that truly make the whole greater than the sum of its parts.</p><p>This five-piece ensemble captures the full dynamic range of the CSNY song catalogue, from the softest ballads to the hardest rockers.  The members of Four Way Street have performed with some of the top bands on Long Island and the tri-state area, including Fast Lane (Eagles), Copperline (James Taylor) and Badlands (Springsteen). They are five seasoned musicians who share a common love of and dedication to the songs of CSNY.</p>

CSNY Tribute Band

CSNY Tribute Band-Four Way Street

<p>Faces for Radio is a high energy pop/rock/dance cover band?! We&#39;re young, professional, and have a well-rounded music foundation and understanding of how to get a party started. We travel all around the country and carry all our own equipment including a full PA system and lights!</p><p>When we&#39;re not playing at some of the East Coast&#39;s most notable venues, we do private parties/weddings! We do everything from solo acoustic performances, to full band (5-piece) shows.</p><p>Credits: Stephen Talkhouse (Hamptons), Parker House (Jersey Shore), Bowery Electric (NYC), Red Lion (NYC), Bar Anticipation (Jersey Shore), Nutty Irishman (Long Island), and many private parties all over the east coast!</p>

Must arrive 30min within showtime to ensure entry.

Faces For Radio

GA-(must arrive 30min within showtime)

Second Shift

<div><div><p>Americana and roots singer-songwriter Jackie Greene is a jack-of-all-trades, and an artist who can croon over soulful piano ballads as much as he can shred a bluesy guitar solo (like he did as the lead guitarist for The Black Crowes in 2013). A road warrior and musician&#39;s musician, Greene&#39;s new EP &#39;The Modern Lives - Vol 2&#39; (out October 2018 on Blue Rose Music) finds him at a new chapter in his life: his first months of fatherhood, time off his relentless touring circuit, and a cross-country move from Brooklyn to his birthplace of Northern California. </p><p>This new collection of six original songs is a thematic extension of &#39;The Modern Lives - Vol 1&#39; EP (released in 2017 on Blue Rose Music), imbued with a Brooklyn basement DIY feel and ethos. He is a student of American music, transfixed upon its progression through time, as well as how regional sounds fit in a contemporary context. Whereas &#39;Vol 1&#39; saw Greene experiment with the Delta blues as a canvas for his examinations of modern society, &#39;Vol 2&#39; sees Greene embrace the sounds of the bluegrass and folk tapes of his youth.</p><p>Lead single &#34;Crazy Comes Easy&#34; showcases Greene&#39;s dynamic, multi-instrumental range as he plays slide guitar, organ, bass, and percussion, the guitar licks an appreciative nod to his time in The Black Crowes. Meanwhile, &#34;Good Old Bad Times&#34; highlights Greene as the songwriter as he rattles off lines like &#34;How can somebody find a future? / If they ain&#39;t got a foothold in the past?&#34; while taking a critical eye to the idea of nostalgia. Piano ballad &#34;Victim Of The Crime&#34; was one of Jackie&#39;s oldest demos up until the feel of these sessions gave him the tools to finish a song that, in his words, was written for his wife before she was his wife. While the title possesses a kind of melodrama, the song itself is tender and heartfelt as he details love&#39;s trials and tribulations.  </p><p>Greene partnered with Academy Award-nominated &#34;king of indie animation&#34; Bill Plympton for a series of music videos for &#39;The Modern Lives - Vol 1&#39; that would eventually become an animated short film titled &#39;The Modern Lives&#39;. The film is currently making the rounds at film festivals where it has already won the Jury Award at the USA Film Festival in Dallas, TX, and the Grand Remi Award / Best in Show at WorldFest in Houstin, TX. The short is also being exhibited at the 71st Festival de Cannes/Court Metrage, Melbourne International Animation Festival, and ASIFA-East Festival, amongst others.</p></div></div><div><div></div></div><div><div><p>Since the release of his critically-acclaimed debut album &#39;Gone Wanderin’&#39;, Greene has built an enduring audience through a relentless touring schedule with the likes of BB King, Mark Knopfler, Susan Tedeschi, and Taj Mahal. He played lead guitar with The Black Crowes on their Layin’ Down With #13 World Tour, recorded and toured with Trigger Hippy - his supergroup with Joan Osborne - and in the last four years performed over 300 shows of his own, all while continuing to record and release his solo work. Greene is a frequent member of Phil Lesh &amp; Friends, and sits in with countless other artists including Tedeschi Trucks Band, Govt Mule, Mississippi All-Stars, Amy Helm, Steve Earle, and Bob Weir.</p></div></div>

Jackie Greene

VIP(arrive 3min within showtime to ensure entry)

GA (arrive 30 min within showtime to ensure entry)

<blockquote><div><div><div><em>— Madhouse Party Band </em><div><em> </em></div><div><em>Madhouse is a High Energy Regional Party Band Playing the Northeast’s Largest Casinos, Resorts, Premier Music Venues and Private Events. The Group is Fitted with the Areas Top Talent who’ve all worked in the Industry for years. </em></div><div><em>Playing a wide range of Popular Billboard Blockbuster Hits from all Eras. </em></div></div></div></div></blockquote>

Madhouse

<p>Seconds Out: A Tribute to the Music of Genesis, is a five-piece band from Long Island, NY that focuses on both the Phil Collins and Peter Gabriel eras. Founded in 2023, Seconds Out endeavors to play faithfully not only the more rock-driven songs (and some pop hits!) under Phil Collins’ term, but the rich and complex musical pieces from the Peter Gabriel era as well. In just over a year, they’ve secured a loyal fan base, drawn to the band’s high energy, attention to detail, and shared love of the music of Genesis. Each near-sold-out performance is an experience, inviting fans themselves to be immersed in the show and to recall great memories, while creating new ones. We&#39;re quickly becoming known as &#34;The Genesis tribute band that rocks!&#34;</p>

Seconds Out Genesis Tribute Band

GA-DOS

<p>Bringing parties to life for nearly a decade, Take 2 plays all of the hits from every era with their signature non-stop, high energy style. Whether you’re looking to get the party started, rock and roll all night, or dance the night away, Take 2 will turn your next gathering into an unforgettable experience, no matter the occasion!</p>

Take 2

<p>ECHOES OF THE EAGLES is the newest and hottest in demand Eagles band tribute. All their 2024 shows have been selling out!  They are known for their full lush harmonies, with all 6 members as vocalists, recreating the iconic vocals of the Eagles.  </p><p>The Eagles have the highest selling album of the 20th century with their Eagles Greatest Hits album &amp; are the best selling American band of all time, selling more than 200 million records. </p><p>Audiences have been raving how ECHOES OF THE EAGLES’ show duplicates the sound of the classic lineup of the Eagles.</p>

Echoes Of The Eagles

<p><em>Mo Lowda &amp; the Humble are a self-produced indie rock band hailing from Philadelphia.  The band is set to released their 5th studio album on June 20th, 2025, entitled: Tailing the Ghost.  Since releasing their debut album in 2013, they’ve vastly expanded the sonic exploration of their recorded material whilst developing a dialed-in, yet energetic live show through persistent touring. In turn, they’ve built a ravenous and loyal following across the country, selling out clubs and theaters throughout the US each year. &#39;Tailing the Ghost&#39; was recorded entirely on the road, with the majority of the songs being cut almost entirely live.  It is Mo Lowda&#39;s most cohesive, yet explorative album to date.  The band tours year around, often playing over 90 shows a year. </em></p>

Mo Lowda & The Humble

GA (arrive 30min within show time to ensure entry)

<p>Introducing The High Tops: a band that seamlessly blends classic charm with contemporary flair. With a passion for both tradition and innovation, The High Tops ignite the stage with their electrifying performances. Born from a collective love of music, the band members came together after years of playing in various bands, united by their shared desire to create something extraordinary.</p><p>Since their inception, The High Tops have swiftly gained acclaim for their dynamic stage presence and diverse musical repertoire. From timeless classics to the latest hits, they cater to every client&#39;s musical tastes, leaving audiences with unforgettable memories. Experience the artistry and energy of The High Tops, where every performance is a celebration of music.</p>

The High Tops

<p>It’s dangerous to put Illiterate Light in a box, especially with the release of their new album, <em>Arches</em>. Are they a guitar-driven indie rock duo? Kaleidoscopic neo-psychedelia? Synth-kissed, harmony-laden folk? What does one do with an album beginning with “fake tits and diet coke,” then pivoting to train derailments in rural Ohio and never-ending black holes? These prolific farmers-turned-rockers have captured the energy of their live shows—fans crowd-surfing, moshing, crying, and crooning—and infused it into their latest release.</p><p>“We’ve always been shape shifters, moving between heavy, dark distortion and gentle sweet fingerpicking, writing aggressive songs, introspective songs, and love songs, exploding and embracing,” reflects singer-guitarist Jeff Gorman. “Smashing it all together used to feel strange, but now there&#39;s a glue between everything we do. Our fans get it. They care less about genre. All they care about is feeling. And that’s all we care about. Are you alive or not?”</p><p>Illiterate Light’s third album, <em>Arches</em>, is not a passageway but an arrival. “We’re no longer striving to define a sound,” said drummer Jake Cochran. “We’re leaning into sides of ourselves that have felt off-limits, sticking to what feels right rather than concerning ourselves with comparison.” Out November 1 via Thirty Tigers, the record is bursting with thunderous anthems, biting lyrics, and lush harmonies.</p><p>The band originated in the Shenandoah Valley in 2015 when multi-instrumentalists Gorman and Cochran began playing music together while working on an organic farm. Eventually, they left the farm to focus on music, adopting the moniker Illiterate Light from a Wilco lyric. After several years of non-stop touring, they signed with Atlantic Records and released their eponymous full-length debut in late 2019. Two years later, they signed with Thirty Tigers and, in 2023, issued their critically acclaimed LP, <em>Sunburned</em>. Shortly after, they released two additional EPs, making <em>Arches</em> their fourth release in two years.</p><p><em>Arches</em> was recorded in two very different locations: small-town Appalachia at Gorman’s home studio and Hollywood, CA at Sunset Sound with producer Joe Chiccarelli (The Strokes, Beck, The Killers). “We wanted the best of both worlds,” says Gorman. “We spent several days with Joe at Sunset. To record vocals in the same live room as so many of my heroes—Neil Young, Paul McCartney, Dylan—was unreal. I knew I was in a holy place.” The LA session was paired with sessions in Virginia, where Gorman and Cochran co-produced the bulk of the record with longtime collaborator Danny Gibney. In their hometown, they experimented with soaring instrumental journeys and had friends sit in on the sessions to keep things lively.</p><p>“Having our community stop by the sessions kept us on our toes—we haven’t been able to do that in the past. It helped connect us to the feeling of our live show,” recalls Cochran. Illiterate Light’s live performances, described by the Washington Post as “massive,” feature Gorman on one foot, hammering bass on a foot-pedal synth, shredding big guitar riffs, and spitting out song after song while Cochran matches Gorman harmony for harmony, dancing with his standing drum kit, teetering on the edge of the stage only to dive head first into his next solo.</p><p><em>Arches</em> is the closest you can get to their live show, with heavier songs like “I Ride Alone” and “Bloodlines” encapsulating the best of the writhing, uninhibited front-row experience. The keystone of the album, “Norfolk Southern,” crashes in with Gorman belting, “Here comes the Norfolk Southern / It&#39;s off the tracks / and heading for you,” with Cochran chanting, “break, break, break, break” to the ghost of the train that derailed in 2023 in East Palestine, Ohio, releasing 10,000 gallons of hazardous materials into the atmosphere. The song also serves as a metaphor for Gorman’s own turbulent feelings. “I certainly wanted to shine a light on the environmental catastrophe. But strangely, some days I feel just like that Norfolk Southern, barreling out of control at warp speed.”</p><p>Gorman lets the lyrics take control. Showing up relentlessly, day after day, to his home studio dubbed “The Bookhouse” (a tribute to David Lynch&#39;s <em>Twin Peaks</em>), he can’t predict what will arise. For the album&#39;s first track, “Payphone,” the opening lyrics were a surprise to Gorman: “Fake tits and diet coke / Full of undefeated hope / You are the only one I trust.” The jangly and groovy album opener is a pep talk between a woman named Big Red and her man as he faces crippling self-doubt and is self-medicating. She comforts him during a time of despair on a phone call that continues to drop.</p><p>Another relationship study, “Montauk,” is a cold beachside dance under the full moon inspired by the central question in Gorman’s favorite movie, <em>Eternal Sunshine of the Spotless Mind</em>. “Do we go for it again—even though we&#39;re destined to fail?” he asks. “For me, the answer is a resounding yes.”</p><p>“All the Stars Are Burning Out” continues in that reflective vein. “It’s a throwback song, about getting high, going for a drive, dreaming up your future. You’re looking at that wide open black sky of bright stars, and they’re so beautiful and inspiring, and they make you want to follow your dreams. And yet all those stars eventually burn out. It’s a song about going for it even though life is impermanent and full of change,” Gorman said.</p><p>The saying goes, “arches never sleep.” Designed to distribute weight evenly, arches naturally rebalance as the structure around them shifts over time. Illiterate Light’s <em>Arches</em> exists within this metaphor in many ways. The album marks a period of artistic strength, a balancing act of identity and possibility. To listen to <em>Arches </em>is to plant yourself within the arch, to stand in the threshold between two worlds and gaze into Gorman and Cochran’s constant motion forward.</p>

Illiterate Light

GA-Arrive 30 min prior to showtime to ensure entry

<div>Hello Brooklyn is an NYC-based cover band servicing the tri-state area. Throwing parties since 2011, we aim to provide you with an unforgettable live music experience. Whether you’re having a wedding, birthday bash, or a party for no reason, you can count on us to get everyone on the dance floor.</div><div> </div>

Mus arrive 30min within showtime to ensure entry.

Hello Brooklyn

GA (arrive 30min within showtime to ensure entry)

<div><p>For over a decade, RUBIX KUBE has taken the universe by storm as the most original ‘80s tribute band of all time! Its one-of-a-kind, ever-evolving and interactive “The EIGHTIES STRIKE BACK Show” captivates public &amp; private audiences of all ages. From their NYC headquarters, to our U.S. troops overseas, The KUBE rocks for the coolest fans in the most prestigious venues across the globe . . and galaxies far, far away. More than just a cover band, “The EIGHTIES STRIKE BACK Show” is like the rad lovechild of a Rock concert and a Broadway musical – from a honeymoon down <em>Electric Avenue</em>!</p><p>RUBIX KUBE is led by a male &amp; female dynamic duo of <em>karma chameleons,</em> able to transform in the-blink-of-an-eye into any of your favorite ‘80s icons, personifying in sight and sound. It’s like Madonna, Michael Jackson, Cher, Prince, Devo, Bon Jovi, Boy George, Paula Abdul, Guns N’ Roses and more teleport right before your eyes on the same stage, in one concert! The band dazzles with some of the most talented &amp; versatile musicians in the entertainment business, including Steve Brown &amp; P.J. Farley of the million-selling band TRIXTER. All are decked out in vibrant &amp; vintage threads and with enough hairspray to take down Freddy Krueger, The Terminator, Beetlejuice and all The Gremlins at once. Together, The KUBE is able to crank out ’80s Pop, Rock, New Wave, Dance and Hair Metal hits, and perform them just like the originals – yet with their own gnarly <em>twist</em>.</p><p>So well-known for their world-class musicianship, RUBIX KUBE is often joined on stage by ’80s legends themselves. Rick Springfield,  Dee Snider of (Twisted Sister), Tiffany, Debbie Gibson, Night Ranger, and Dennis DeYoung (of STYX) are just some of The KUBE’s impressive collaborators. To boot, The KUBE is the only ’80s band that can honestly claim to have played with Bret Michaels (of Poison), Mike Score (of A Flock Of Seagulls), Colin Hay (of Men At Work), MC Hammer, Tone Loc, Taylor Dayne, and Bonnie Tyler.</p><p>Talkshow star Kelly Ripa <em>exclusively</em> praises RUBIX KUBE as “Amazing. You definitely have to check it out, it’s so much fun. It’s like going back to The Eighties!” As the name suggests, they’re also the world’s only authorized &amp; licensed band of the most iconic puzzle toy of the ‘80s, the official Rubik’s Cube.</p><p>Often imitated, never duplicated, RUBIX KUBE throws the most awesome ‘80s party there is and sends you on a time-travel experience like no other. So jump in the DeLorean and blast to “The EIGHTIES STRIKE BACK Show”!!</p></div>

Rubix Kube

<p>3 Decades Rewind is a thematic Rock Band based out of Brooklyn, NY. The band was formed almost twenty years ago with remaining band members Jimmy Kuhn (keyboardist) and David Katzman( guitar player and singer ) and ten years ago welcoming Apoena Frota (singer and bass player), Andre Vasconcelos( lead guitarist and singer) both graduates from the Berklee College of Music, and Dorsey Sky Parker (drummer) after touring with Jefferson Starship.</p><p>In addition to playing sold-out shows in NYC at the Cutting Room, and residencies at The Red Lion and Bar 55, they often perform at casinos in the NY Tri-State area including Wind River Casino (Bethlehem, PA), Tioga Downs Casino (Upstate New York) and Turning Stone (Syracuse, NY).</p><p>The band has performed at the annual benefit for the Westhampton Beach Performing Arts Center (WHBPAC) for the last three years, as well as for the New York University Alumni Weekend’s sold-out show in October at the Cutting Room.</p><p>Every summer, they participate in the NYC Outdoor Summer Concert series on Park Avenue in Manhattan.</p><p>The band is well known for shows such as “A Beatles Tribute Night”, “The Beatles Meet the Queen”, “The 50th Anniversary of Woodstock,” and most recently, the “No 90s Show—A Twenty-Five Year History of Rock and Roll: 1964-1989,” often times playing with their two female vocalists. Juke Box NY’s Pam Steebler and Nashville recording artist, Rhianna Radick.</p><p>They most recently played Jonnie Browns in Delray Beach as well as Old Square BANDSHELL FOR A SECOND YEAR. They are headed to Nashville in October.</p><p>Apoena, Andre, Jimmy Kuhn, and Joe Ulner launched their music and production company Ghidrah Music, 4 years ago.</p>

3 Decades Rewind

<p>King Yellowman <br />Jamaica&#39;s first dancehall superstar, Yellowman ushered in a new era in reggae music following Bob Marley&#39;s death. His early-&#39;80s success <br />brought the popularity of toasting -- the reggae equivalent of rapping -- to a whole new level, and helped establish dancehall as the wave of the <br />future. For better or for worse, he also epitomized dancehall&#39;s penchant for &#34;slack&#34; lyrics -- that is, casual violence, sexism, homophobia, and <br />general rudeness. Graphic sexuality was his particular forte, reaching levels of explicitness previously unheard in Jamaica. It brought him <br />numerous detractors, but it was also a big reason for his early popularity. There was more to it than that, though; Yellowman was one of the most <br />verbally nimble toasters of his time, with a loose, easy flow, a talent for improvisation, and a definite wit in his wordplay. Plus, all the boasting <br />about his prowess on the mic or in the bedroom had to be over the top to be convincing: true to his stage name, Yellowman is an albino, which <br />carries a tremendous social stigma in Jamaica. His rise to stardom was unlikely enough, but his transformation from untouchable outcast into <br />sex symbol was staggering -- and may not even have taken place without his trademark lewdness. Shocking though it could be, it affirmed him <br />as a sexual being just like his listeners, and was delivered with enough humor to let the audience know that he didn&#39;t take himself too seriously. <br />Bouts with cancer pushed him into more thoughtful, socially conscious territory in the 1990s, but his initial style remains the most influential, <br />paving the way for countless dancehall toasters to follow. He remained quiet through most of the 2000s before mounting a comeback with 2019&#39;s <br />No More War. <br />Yellowman was born Winston Foster in Negril, Jamaica, in 1959 (some accounts say 1956). An early target for abuse because of his albinism, <br />he grew up in an institution in Kingston, with little to keep him company besides music. Influenced by early toasting DJs like U-Roy, he practiced <br />rhyming and got a job with the Gemini Sound System as a substitute DJ. Christening himself Yellowman and dressing in a bright yellow suit, he <br />peppered his lyrics with jokes about his skin color and outlandish tales of his sexual conquests. In 1979, he won a landslide victory at the <br />well-known Tastee Talent Contest, and within months he had become one of Jamaica&#39;s top concert draws, thanks to a dynamic, humorous stage <br />show in which he often used the microphone to mimic his anatomical gifts. <br />Yellowman recorded prolifically in the early &#39;80s, at one point flooding the Jamaican market with more than 40 singles. His first full-length album, <br />Them a Mad Over Me, was recorded for Channel One in 1981 and featured the hit title track and the single &#34;Me Kill Barnie,&#34; an answer record to <br />Lone Ranger&#39;s hit &#34;Barnabas Collins.&#34; He also scored with singles like &#34;Operation Eradication&#34; and the infamously slack &#34;Shorties,&#34; which Peter <br />Tosh condemned as degrading to women (hardly the first time such a criticism would be leveled at him). Despite this success, Yellowman didn&#39;t <br />truly hit his stride on record until he hooked up with groundbreaking dancehall producer Henry &#34;Junjo&#34; Lawes. The 1982 LP Mister Yellowman <br />kicked off their collaboration; released internationally by Greensleeves, it started to break him in the U.K. and U.S., and is still often acclaimed as <br />his best album. It also launched a series of Jamaican hit singles over the next few years that included &#34;Yellowman Getting Married&#34; (a rewrite of <br />the My Fair Lady number &#34;I&#39;m Getting Married in the Morning&#34;), &#34;Mr. Chin,&#34; &#34;Who Can Make the Dance Ram&#34; (a rewrite of &#34;The Candy Man&#34;), <br />&#34;Zungguzungguguzungguzeng&#34; (sampled by several hip-hop acts), &#34;The Good, the Bad, and the Ugly,&#34; &#34;Soldier Take Over,&#34; &#34;Nobody Move <br />Nobody Get Hurt,&#34; and &#34;Wreck a Pum Pum,&#34; among others. Many of his recordings during this era featured vocal contributions from fellow <br />DJ/toaster Fathead, whose specialty was punctuating lines with animal noises (&#34;ribbit&#34; and &#34;oink&#34; were his favorites). <br />After 1983&#39;s Zungguzungguguzungguzeng album, Yellowman signed a major-label deal with CBS Records, which encouraged him to maintain <br />the stylistic versatility of his previous work. However, his lone album for the label, 1984&#39;s King Yellowman, sported mixed results, attempting <br />everything from slack toasts to R&amp;B and pop-tinged crossover tracks, including covers of &#34;Sea Cruise&#34; and &#34;Take Me Home Country Roads,&#34; and <br />the much-maligned fusion attempt &#34;Disco Reggae.&#34; He subsequently released several albums on Shanachie, including 1984&#39;s Nobody Move <br />Nobody Get Hurt, 1985&#39;s Galong Galong Galong, 1986&#39;s Going to the Chapel, and 1987&#39;s Don&#39;t Burn It Down. The latter found him delving <br />more into social consciousness; the title cut was a pro-marijuana protest, while &#34;Stop Beat Woman&#34; condemned domestic violence and &#34;Free <br />Africa&#34; criticized apartheid. Around the same time, he suffered a bout with cancer that required the removal of part of his jaw, leaving him facially <br />disfigured. Always a fighter, he nonetheless returned to action with the hit Fats Domino cover &#34;Blueberry Hill,&#34; and moved to the Ras label to <br />record the well-received Yellow Like Cheese album with producer Philip &#34;Fatis&#34; Burrell. <br />Yellowman&#39;s recording career continued apace, as his sexual boasts and gay jokes kept getting raunchier and nastier. His popularity had slipped <br />after 1985, due in part to less consistent material, and also in part to the emergence of a legion of new dancehall artists, many of whom harked <br />back to his early material for inspiration. Things changed, however, after an early-&#39;90s bout with skin cancer. Greatly shaken after this second <br />life-threatening illness, Yellowman completely rethought his approach to music, and thereafter devoted himself almost exclusively to spiritual and <br />social concerns. 1994&#39;s Prayer album (still on Ras) was the first effort in this new direction, and it was followed quickly by Message to the <br />World in 1995. 1997&#39;s Freedom of Speech continued in a similar vein, after which Yellowman switched over to the Artists Only label. His first <br />effort was 1999&#39;s Yellow Fever, which concentrated on conscious reggae but also featured some good-natured party tracks. Following the 2003 <br />release of New York, Yellowman entered a lengthy recording hiatus, though he continued to perform live. <br />In 2019, 16 years after his last album, he returned with No More War. The LP was the inaugural release on Yellow Baby Records, a label <br />launched by Yellowman&#39;s daughter K&#39;reema, with whom he also collaborates.</p>

King Yellowman

Karaoke!! w/ JBM

<div><p>Merging the complex rhythms and Latin influences of South America with a modern fusion of funk and commercial dance music, Conga Cartel brilliantly combines to produce an explosive mix of dynamic music that rocks audiences to their very core.</p><p>Working out of New York, the seven-piece band represent the wonderful tapestry of the South American continent and have been weaving together a stunning sound that has been entertaining crowds for years. A true international collection of experienced musicians, with band members coming from Uruguay, Chile, Venezuela, Colombia, Ecuador and New York itself, their music is undeniably infectious and underpinned by that audacious Latin flare.</p><p>Fronted by the smokey and soaring vocals of Carolina, every single member of the band combines to become more than a sum of all their parts. Willy Fuentes from Chile drives the rhythm section with solid bass line grooves. Playing drums with boundless vitality, Jorge Castano, originally from Colombia, provides that perfect interplay with the rest of the band; complemented at all times by father and son percussionists Aquiles Jr. and Aquiles Senior. Infused with their Venezuelan heritage, they provide that infectious top line of congas, timbales, maracas, bongos, bells, and whistles that brings the carnival to the party. And finally, but by no means least, fitting like a smoldering glove of Santana-inspired guitar licks, Fabian Rodriguez from Ecuador proves his elegant mastery of the six-stringed instrument to audiences every time he performs.<br /><br />Conga Cartel has also egularly jammed with members of Mambo Loco.</p><p>Conga Cartel have played at some of the most memorable events and venues in the Hamptons including The Montauk Music Festival, North-West ‘Woodstock’, Stephen Talkhouse, The Gig Shack , Springs Tavern, Tauk at Trails End, The Surf Club and The Harpoon House. Either individually or as a band, they have worked with artists such as Taylor Dayne, Orquesta Alquimia, Steel Pulse, Mila Tina, GE Smith, Big Karma, Mambo Loco, and Bajo Suen?os. As these performances and legacy demonstrate, they firmly believe in providing a platform and a strong voice for the Latin community.</p><p>That incredible experience on stage and unique understanding of the musical journey that their audiences are on, is also driving them towards the studio and an album recording that is eagerly anticipated by their fans. Bringing together that melting pot of cultures with modern dance tunes is an intoxicating mix of ingredients that will redefine what is expected of the Conga Cartel.</p><p>As the world experienced the tragedies of the last two years, so did the lives of musicians descend into anxiety and the loss of their dreams. Now the world has turned and the future looks so much brighter with the Conga Cartel back in it. Stronger together with a musical bond that cannot be broken, they are once again taking to the spotlight with the energy that defines the joy and wonder of life.</p><p>There is nothing finer than hearing the Conga Cartel in full flight. Their collective knowledge of syncopated rhythms and inspiring, sophisticated melodies are a testament to their own self-belief and desire to take their music to the next level. Music is a part of all of our DNA and is the one thing that binds us as human beings. That cultural exchange that the Conga Cartel represents, lives through us in joy, love, celebration and song.</p><p>Fall in love with music all over again and experience the future with the Conga Cartel.</p></div><div> </div>

Conga Cartel

<div>Hot Lava is, quite simply, the greatest cover band on Earth.</div><div> </div><div>Hot Lava is more than a band—it’s a social movement, with shows drawing hundreds of fans looking to be scalded by our molten musical interpretations anchored in 70s-era rock-and-roll and the scorching sounds and blistering beats of the 80s, 90s, 00s, and today. A key to our success is that we play great songs. And we play the shit out of them.</div><div> </div><div>Known for an epic live music experience, Hot Lava performs regularly in NYC and the Hamptons. We’ve played small private parties for the 1% and 2,000&#43; person benefits for charity. Some of our members have toured with national acts yet, if you ask them, they’ll admit nothing is more kickass than Hot Lava.</div><div> </div><div>Once the Lava gets flowing, there&#39;s no outrunning it.</div>

Hot Lava

GA-must arrive 30min within showtime

<p><span style="font-weight:400">With her enchanted voice and evocative songwriting, Leslie Mendelson has won the hearts and minds of both an adoring fanbase and fellow artists alike. No less than Jackson Browne has declared, “Leslie&#39;s melodies are timeless. They reach me way back in my youth somewhere. I hear traces of Burt Bacharach and Carole King, and hooks and passages that remind me of the pop songs I grew up hearing on the radio,” while The Wallflowers frontman Jakob Dylan shares: “Voices like Leslie’s can get away with almost anything. Along with being a great songwriter, this leaves her with few if any peers.” </span></p><p><span style="font-weight:400">A Grammy Award-nominated artist, Mendelson returns this summer with her fourth studio album, </span><em><span style="font-weight:400">After The Party</span></em><span style="font-weight:400">. For this latest effort, she collaborates with not one, but three producers: the legendary Peter Asher (James Taylor, Linda Ronstadt, Bonnie Raitt), the young, in-demand Tyler Chester (Madison Cunningham, Sara Bareilles, Sara Watkins) and her longtime songwriting partner, three-time Grammy Award-winner, Steve McEwan. Recorded at Jackson Browne’s studio Grove Masters in Santa Monica, CA, she was joined by an ace band featuring guitarists Waddy Wachtel and John Jorgenson, bassists Leland Sklar and Derrick Anderson, and drummers Jim Keltner and Abe Rounds. </span></p><p><span style="font-weight:400">“Collaboration was so important to me with these songs. My previous album, </span><em><span style="font-weight:400">If You Can’t Say Anything Nice…</span></em><span style="font-weight:400"> looked inward and was often colored by the dark socio-political climate circa 2018 and 2019 when it was written. Throw in the pandemic during which it was released, and it just became really clear that I needed to have fun making music again,” explains Mendelson. “When the opportunity presented itself to have both Tyler and Peter produce me, along with Steve who’s been with me since the very beginning of my career, it felt as if the stars had aligned and were demanding that I indulge in the joy of creating with all of these musical geniuses who wanted to work together.” </span></p><p><span style="font-weight:400">Throughout </span><em><span style="font-weight:400">After The Party</span></em><span style="font-weight:400">’s ten tracks, Mendelson crafts a distinctive folk-rock, pop-Americana flavor, evoking the sounds of Laurel Canyon, but with the downtown grit and sharp wit of Brooklyn, the city she has called home for over two decades now. There’s a refreshing realness and effortless musicality that feels both nostalgic and new on songs like “Rock And Roll On The Radio,” “Signs Of Life,” and “I Know A Lot Of People.” The album’s first single “Other Girls” is an intoxicating twist of aural voyeurism mixed with a healthy dose of sexual openness. Its chorus suggestively musing, &#34;I like it, I said I like it when you talk about other girls.” </span></p><p><span style="font-weight:400">&#34;‘Other Girls,&#39; is about women empowering women,” says Mendelson. “Who doesn’t love women?! It’s also another way of looking at conventional relationships and indulging in fantasy. A bit of commentary on the ever-changing world we live in.” </span></p><p><span style="font-weight:400">Other standout tracks, “Have a Little Heart,” &#34;The Good Life” and the title track offer warm musings on a life worth living and a newfound appreciation for the little things.</span><span style="font-weight:400"><br /></span><span style="font-weight:400"><br /></span><span style="font-weight:400">“I would love for this record to connect,” said Mendelson. “I think there’s something in there to speak to people. There are personal moments, there are moments of fun, where you can turn it up loud and sing along, and there are moments of reflection. This record is an emotional journey, and I hope that people can take it with me.”</span></p><p><span style="font-weight:400">“Leslie is one of these very rare singers who can combine elegant precision with the soul and emotional resonance of a deeply moving writer and performer,” concludes producer, Peter Asher. &#34;She has a remarkable voice and one we need to hear.” </span></p><p><br /><br /></p>

Leslie Mendelson

Rated Fresh (arrive 30min within showtime)

<h1 style="font-weight:400"><strong>BATTLE OF THE FANTASY GIRL BANDS</strong></h1><p style="font-weight:400"><strong> </strong></p><p style="font-weight:400">BATTLE OF THE FANTASY GIRL BANDS, co-created by Holly Li and Christine Sciulli, is an amateur band competition where women&#39;s empowerment in its wildest form and fierce community fundraising meet in the fulfillment of Rock and Roll Fantasy. This event, March 16th, 2024 from 6:30- 10:30pm (doors open 6:00pm) will be raising hell to raise funds for the educational programs of The Neo-Political Cowgirls, a not-for-profit 501(c)(3) dance theatre company founded by multi-faceted theater artist Kate Mueth to create work rooted in an inclusive narrative. NPC&#39;s educational programs include January Girls, Dude&#39;s Eye View and Girls Gaze. Must be 21 to enter. Come to the Talkhouse or watch from home. Win awesome raffle prizes entertainment galore featuring our Fearless Contestants, MC &#34;Glorious Broads&#34; Maryjane Fahey, JUDGE Juliana Nash, HEADLINER: SPITNKITN with SPECIAL GUEST BANDS: TRACY CITY, MISS VICIOUS, LOVE KATS and UR MOM. Special thanks to our lead sponsor: EAST END ACUPUNCTURE.</p><div><div> </div></div><p style="font-weight:400"> </p>

Battle of the Fantasy Girl Bands

<blockquote><div><div><div>“Picture a kitchen table, jammed with musicians playing together over beers on a Friday night. There’s something cooking on the antique stove, and the old piano in the corner is holding together the guitar, the bass, the violin, and the drums. That’s the ambience infused into every song unrolled by Brad Penuel and his Friday Night Traditional”, Sag Harbor Express Magazine.<br /><br />Through Friday Night Traditional (FNT), Penuel writes and records songs which draw on his deep Alabama roots and his love for gathering musicians together and having a good time. </div></div></div></blockquote>

Friday Night Traditional

<p><strong>Dizzy After Midnight</strong>, founded by life-long pals Mike Alessi (vocals, guitar) &amp; Jake Atherton (guitar), are a four-piece rock group dipping into elements of pop, blues, country and RnB with their dazzling repertoire and sweet-tooth for catchy hooks. This isn&#39;t your father&#39;s party band; Dizzy is sophisticated, creative and locked in with clever mashups, arrangements and pinpoint covers of anything from Lady Gaga to Matchbox Twenty to The Chainsmokers to Tom Petty, and just about everything in between. Ryan Gruber on the bass and Sean Sokol on the drums make up the rhythm section, keeping the groove locked in and the crowd dancing till the sun comes up.</p>

Dizzy After Midnight

<div><div><div> </div><div><div>Theo Kandel&#39;s music is a tapestry, with each song woven together like a thread of memory</div><div>through your life. It’s a beer around the campfire with friends; it’s a baguette you picked up at</div><div>the farmer’s market; it’s the night’s last cigarette on the porch when everyone else has gone to</div><div>bed.</div><div>The New York-born and Los Angeles-based singer, songwriter, producer, and multi-</div><div>instrumentalist zeroes in on everyday details and extracts wonder from them. This spirit surges</div><div>through his eloquently-fashioned folk amplified by just the right dose of rock energy. It’s also</div><div>fueled his quiet rise as a phenomenon with millions of streams and packed shows.</div><div>After a series of what he describes as “test releases,” he emerged in 2021 with his debut EP,</div><div>Spin Cycle, which incited the applause of FLAUNT, OnesToWatch, and more. Theo then said </div><div>farewell to Nashville and set his sights on Los Angeles. His 2022 EP, What if it all works out in </div><div>the end?, was highlighted by “Me &amp; All My Friends Have Got the Blues,” a modern-day folk tune </div><div>à la Jackson C. Frank and James Taylor. The lead single from that project, “Flight to JFK,” has</div><div>reeled in over 500k streams to date. Between headlining dates of his own, he supported Evan</div><div>Honer, ROSIE, WINGTIP, KT Tunstall, AJR, and even the legendary John Oates. Following the</div><div>release of his stripped-down EP, Somewhere Along the Trail, Vol. 1, he released a duet with</div><div>Evan Honer of his song “Flight to JFK (Alt. Version) and signed to Nettwerk. His debut album is</div><div>due for a Fall 2024 release via the label. The first single from that record, Lunch, is out now</div></div><div> </div><div> </div><div> </div></div><div> </div></div><div> </div><div> </div><div> </div><div> </div><div> </div><div> </div>

Theo Kandel

<p>Hello Brooklyn is an NYC-based cover band servicing the tri-state area. Throwing parties since 2011, we aim to provide you with an unforgettable live music experience. Whether you’re having a wedding, birthday bash, or a party for no reason, you can count on us to get everyone on the dance floor.</p><div> </div><div> </div>

GE Smith Trio

<div>You ready for an unforgettable live performance?! It&#39;ll get you rocking, stomping, singing and dancing!!</div><div> <br />Summer Fling is a very, very serious 7 member conglomerate or “band” hailing<br />from NYC, led by crazy frontman Eddie Kam. These recent jazz musicians discovered their unique sound by blending their jazz background, 3 piece horn section and wild theatrical show antics with funk/pop/rock music. Get ready to hear Stevie, Prince, Sting, Tina, Bowie, Bruce Gaga and more! </div>

Summer Fling

Must arrive within 30min of showtime

<p>Born and raised on the beautiful island of Anguilla, Omari Banks found his musical calling at a young age when he first took the stage in Milan, Italy to sing alongside his father Bankie Banx . The emotions conveyed through music touched his heart and a star was born.</p><p>Founding his inspiration through an eclectic genre of music, Omari went on to perfect his craft by writing and becoming a proficient guitar player. The budding star went on to win multiple talent shows but as a teenager turned his attention to the sport of Cricket, where he excelled first locally, then regionally and ultimately on the world stage. Omari Banks became the first Anguillan to play test cricket for the West Indies. In 2010, Omari made the decision to move on and pursue his passion for music. With a lifetime of experiences and life lessons, he immersed himself in songwriting and perfecting his musicianship. He dedicated himself to his music and created his debut album, “Move On” recorded in Kingston, Jamaica and Houston, Texas.</p><p>With a simple musical mission, to spread messages of love and consciousness, his assimilation of traditional Jamaican Reggae music, accentuated with Rock and Blues backbeats, is an adult contemporary fusion that blends seamlessly with Lovers Rock and R ‘n’ B. Omari has to date released several breakthrough singles, as well hit filled albums such as “Move On Deluxe Edition” and &#34;Sunlight, all of them paired with a compilation of music videos with the hopes of reaching a bigger audience through a more global approach.</p><p>This bold global approach is a testament to the multi-award winning recipient’s drive and determination, despite the dawning of a musical journey that has only just begun.” I  want to use the gifts I’ve been blessed with to have a positive influence on people. I can communicate to all levels of thinking from a child to an adult and my music is ageless and really touches lives because the stories are true and talk about what’s really going on.” - Omari Banks</p>

Omari Banks

<blockquote><div><div><div>Subterranean basement rockers serving up sonic walls of melody, warped jazz sounds, and twisting spaced out jams. Whale/Heart is Chris Clark (vox/guitar) Matt Orlando (vox/guitar) Devlin Webb (bass) Jack Marshall (keys) and Kevin Foran (drums).</div></div></div></blockquote>

Whale/Heart

<p>The Dog Watchers formed in 2015 from the remnants of various east end musical projects. The band consists entirely of local musicians from around East Hampton and Sag Harbor. Focusing on a broad range of covers from the golden age of the 60&#39;s &amp; 70&#39;s, as well newer material. The goal is to surprise and entertain with songs you know &amp; love, ones you may have not heard in a while along with ones that may be new to you. The band members are Michael Rusinsky on Lead Vocals and Guitar, Anthony Liberatore on Vocals and Guitar, Toby VanKeuren on Drums and Bob Charney on Bass. There were frequently dogs present in the studio during rehearsals and that&#39;s how the band got it&#39;s name. Repertoire includes songs from The Beatles, Rolling Stones, Tom Petty, The Grateful Dead, Van Morrison, Springsteen, The Decemberists, Steve Earle, The Band and many more. The band has played various venues all over the east end including The Stephen Talkhouse, Guild Hall as well as numerous private parties and benefits. </p>

The Dog Watchers

<p>It&#39;s after midnight in a rehearsal studio on Central Park West. Five of the Manhattan music scene&#39;s deadliest gunslingers are planning to pull off the crime of the decade. Their objective: Bring Back The Awesome Music of The 90&#39;s! Meet THE RESERVOIR DAWGS! NYC&#39;S Premier &#39;90s Tribute Show. More than just a cover band, The Dawgs are Masters of their Domain. A fully-costumed high-energy all-&#39;90s Party of Five covering the dopest grunge, power-pop, hip-hop, r&amp;b, and alternative jams from the end of the second millennia. You Oughta Know that The Dawgs are ready to help you get a little Crazy, Right Here Right Now and have a Hella Good time. The Dawgs are available for Clubs, Theaters, Corporate Parties, Private Events, Casinos and 90&#39;s Night Charity Fundraisers. So, if you&#39;re thinking of reaching out, just go ahead now! </p>

Reservoir Dawgs

<p><span style="font-weight:400">Suzanne Vega will perform a career-spanning show including favorites like Tom’s Diner, Luka, and many more, plus new material from her forthcoming album Flying with Angels (May 2025).</span></p><p><span style="font-weight:400">She will be joined on stage by her longtime guitarist, Gerry Leonard (of David Bowie fame), and cellist Stephanie Winters.</span></p><p><strong>About Suzanne Vega</strong></p><p><span style="font-weight:400">Widely regarded as one of the foremost songwriters of her generation, Suzanne Vega emerged as a leading figure of the folk revival of the early 1980s. Accompanying herself on acoustic guitar, Vega sang what has been called contemporary folk or neo-folk songs of her own creation in Greenwich Village clubs. Since the release of her self-titled, critically acclaimed 1985 debut album, she has given sold-out concerts in many of the world’s best-known venues. Known for performances that convey deep emotion, Vega’s distinctive, “clear, unwavering voice” (Rolling Stone) has been described as “a cool, dry sandpaper-brushed near-whisper” by The Washington Post, with NPR Music noting that she “has been making vital, inventive music” throughout the course of her decades-long career.</span></p><p><span style="font-weight:400">Bearing the stamp of a masterful storyteller who “observes the world with a clinically poetic eye” (The New York Times), Vega’s songs have tended to focus on city life, ordinary people and real-world subjects. Notably succinct and understated, her work is immediately recognizable—as utterly distinct and thoughtful as it was when her voice was first heard on the radio over 30 years ago.</span></p><p><strong><span style="font-size:large">WATCH SUZANNE VEGA LIVE ON TOUR:</span></strong></p><p><a href="https://www.youtube.com/watch?v&#61;_mWDKenSI98">https://www.youtube.com/watch?v&#61;_mWDKenSI98</a></p><div><strong>SUZANNE VEGA SOUNDCHECK VIP EXPERIENCE UPGRADE </strong></div><div>Package inclusions:</div><div>•<strong> Must have a concert ticket to purchase upgrade </strong></div><div>• Pre-show visit to Suzanne’s soundcheck </div><div>• Pre-show Q&amp;A with Suzanne </div><div>• One autographed tour poster </div><div>• One commemorative Suzanne Vega VIP laminate </div><div>• One commemorative Suzanne Vega ticket </div><div>• You will receive an email from VIP&#64;OTLPresents.com 2-3 days prior to show with check-in/pickup </div><div>instructions</div><div>* Package details and timing subject to change.</div><div> </div><div>Confirmation Language</div><div> </div><div>Thank you for purchasing a Suzanne Vega VIP experience upgrade. You will be required to sign a </div><div>waiver &amp; release of liability. Package details subject to change without notice. All VIP packages are </div><div>NON-TRANSFERABLE; NO NAME CHANGES will be permitted under any circumstances; NO REFUNDS </div><div>or EXCHANGES; all sales are final.</div><div> </div><div>You will receive an email from On The List Presents (VIP&#64;OTLPresents.com) 2-3 days prior to the </div><div>performance date with check-in/pick up instructions (be sure to check spam/junk email in case it lands </div><div>there). For packages including soundcheck, you may be required to arrive up to several hours prior to </div><div>the show. Exclusive VIP merchandise items will be distributed at the venue, on the day of show ONLY. </div><div>You must proceed to the designated check-in at the scheduled time to receive your package </div><div>merchandise. To redeem all elements of your order you must present your receipt and picture ID at </div><div>the check-in location. </div><div> </div><div>If you have questions regarding the VIP packages, or have not received your instructions in the time</div><div>frame indicated, please contact On the List Presents by emailing vip&#64;otlpresents.com. If you have </div><div>ACCESSIBLE needs: please email On The List Presents customer service after you have placed your</div><div>order, and we will do our best to accommodate your needs based on venue availability.</div>

Suzanne Vega- Flying With Angels

VIP Experience- Ticket Not Included must purchase

<h3>There is no other band like <strong>Lez Zeppelin</strong>. Since 2004, this all-girl powerhouse quartet has captured the essence, spirit, power and seductiveness of Led Zeppelin both onstage and in the studio becoming a worldwide phenomenon. The band&#39;s explosive performances are more of a &#34;channeling&#34; than a tribute. Never interested in impersonation, Lez Zeppelin sets its sights on the art and challenge of a group playing in communion. This has earned them the moniker: <em><strong>She-Incarnation</strong></em><em>.</em></h3><h3>In June, 2013, <strong>Jimmy Page</strong> attended their show in London and said of the group, “They played the Led Zeppelin music with an extraordinary sensuality and an energy and passion that highlighted their superb musicianship.”</h3><h3>In 2025, the band will mark the 50th Anniversary of one of the greatest rock albums of all time, <em>Physical Graffiti</em>, with a full scale tour that features the performance of the album in its entirety. We invite you to come and experience the unique brilliance of this music. Rest assured that we will play the notes. But, know that it is the spaces in-between the notes that create the magic...</h3>

Lez Zeppelin

<p>Cowabunga, dudes!</p><p>Cowabunga, dudes! The 21st century is sooo overrated, but you know what&#39;s ALL THAT? The SAVED BY THE 90s PARTY! Boo Ya! Hailing originally from New York City and now active all over the U.S., this party has tons of live 90s music from a totally fresh band (they&#39;re da bomb). Get ready for everything from Third Eye Blind to the Spice Girls, from The Backstreet Boys to The Beastie Boys. And after that, we&#39;re not leaving you hangin&#39;! As if! Get jiggy with the DJ spinning dope tunes all night. It&#39;s gonna be the raddest thing since Your Mom!</p>

Saved by the 90's a party with the Bayside Tigers

<p>Since 2008, the Hoodoo Loungers have brought their New Orleans flavored old school R&amp;B, SOUL and SWING to top venues and festivals all over the tri-state area. They released their third CD of original material, SO BEAUTIFUL, in the fall 2021!</p>

The HooDoo Loungers

Big Karma

<p>The Los Angeles League of Musicians, LA LOM, are an instrumental trio formed in Los Angeles in 2021. They blend<br />the sounds of Cumbia Sonidera, 60’s soul ballads and classic romantic boleros that emanate from radios, backyard<br />parties and dance clubs of Los Angeles with the twang of Peruvian Chicha and Bakersfield Country.</p>

LA LOM

<blockquote>Tigres, the electrifying band hailing from Long Island, NY, ignites stages with their funky and fresh sound. With a seamless fusion of genres, their music transcends boundaries, leaving audiences mesmerized by their magnetic performances. From pulsating beats to soul-stirring melodies, Tigres’ artistry captivates the hearts of listeners, infusing energy and groove into every note they play. With a unique chemistry among the members, their onstage synergy is palpable, creating an unforgettable live experience. Embracing their roots while pushing musical boundaries, Tigres continuously redefine their sonic landscape, leaving a permanent mark on the contemporary music scene.</blockquote>

Tigres

<p><span style="font-weight:400">Emerging from Atlanta’s thriving music scene, Penelope Road crafts a sound that’s as bold as it is soulful. With lush, layered vocals at the core of their music, this five-piece powerhouse seamlessly weaves ‘70s rock, funk, soul, and pop into a rich, rhythmic fusion that’s unmistakably their own.</span></p><p><span style="font-weight:400">Rooted in the timeless influence of legends like Stevie Wonder and Hall &amp; Oates while channeling the modern energy of artists like Mk.gee and Goose, their music bridges eras with effortless groove and vibrant originality.  Their tight harmonies, masterful instrumentation, and infectious grooves come together in electrifying, feel-good performances—creating an experience that stays with you long after the final note.</span></p>

Penelope Road

Klyph Black & Friends

<p>Nora Conlon is a native of Springs who has been playing gigs on the east end of Long Island and in NYC since high school. She is a multi-instrumentalist and singer-songwriter, and is working on her craft as a producer and audio engineer at the Clive Davis Institute of Recorded Music at NYU, where she just finished her Junior year. With a sound inspired by artists such as Mitski, Jeff Buckley, Hozier, Madison Cunningham, and Big Thief, she has an eclectic style that melds folk and alternative rock with unique melodies influenced by tropes of Irish folk music. She likes to work with unexpected chord progressions and has a voice that has been compared to Joni Mitchell, Sarah McLachlan, and Sinead O’Connor. </p><p>Nora released her first single “Cut It Out” on all streaming platforms in September from Berlin where she did her semester abroad. Over the past year, Nora has been prolifically writing new music and has been compiling her favorites in anticipation of putting out an EP soon! She’ll be spending her next semester continuing to hone her skills as an artist, songwriter, and engineer at the Clive Davis Institute.</p>

Nora Conlon

<p>The Water Boys are a five-piece band made up of college students from the East End. Initially starting in 2019 as a group of high schoolers jamming in the basement of their drummer Dan Stark, they’ve grown to do shows across the East End and up-island. Their sound combines blues and jam band influences with the energy of 90s/00s punk and pop. At the heart of this is the lead guitar duo of Grayson Fox and Jack Oats who complement each other’s playing and drive them to new, sonic heights, while Vinny Palermo holds it down on bass. Concert-goers should be ready for a night of impassioned improvisations combined with uptempo sing-alongs. The band plays a mix of originals written by lead singer James Puccio and a variety of covers from artists like the Grateful Dead, John Mayer, Green Day, Taylor Swift and Sublime. With such a variety of songs and unique style, this is a band that you won’t want to miss.</p>

The Water Boys

<p>“We can argue politics and policies, but, at the end of the day, we are bound together beyond these,” shares Americana singer-songwriter Inda Eaton. “I do what I do to connect—music has this great disarming quality—it leads to vulnerability quickly as people lay down their shields.”</p><p>In a career that spans 8 albums in 20 years, and a blur of endless tours, for her latest album, <em>Shelter In Place</em>, Inda opted for once to stay put. The 11-song record was literally tracked in the Springs, New York-based artist’s backyard. In the stillness of the album writing process, she sifted through her scrapbook of travels, and created a Huck Finn-spirited collection of story-rich heartland rock songs brimming with adventure, and personal reflection.</p><p>Inda’s warm humor, free-spirited emotionality, and literate flair make her songs feel as comfy as a favorite pair of jeans. Inda’s vocals have a whiskey and honey-tinged raspy quality that’s both stirring and soothing. Her stories and musings feel instantly resonate. Inda’s songwriting spans fist-pumping anthemics and bucolic balladeering, and it embraces a wide swath of influences, including country, classic rock, folk, and pop.</p><p>Inda’s music has been a global passport, taking her through Latin America, Australia, and Germany in her early years. There, she became something of a charming troubadour, winning over audiences with her quick wit, affable onstage connectivity, and her ability to fuse rousing hooks within a downhome roots-rock sensibility. These formative experiences have served her well in building an engaged following in the U.S.</p><p>Inda has toured in various configurations throughout America, both as a captivating solo performer and a powerful bandleader with a trusted posse of ace musicians. Select live highlights include opening for noted names like John Hiatt, Blues Traveler, Earl Scruggs, Hootie and the Blowfish, LeAnn Rimes, Shemekia Copeland, and Molly Hatchet. Additional performance highlights include tours for American Society of Young Musicians and VH1’s Save the Music Program.</p><p>Inda has been a fixture on the CMJ alternative charts, earned an AFIM “Best Independent Album” nomination, and garnered critical industry acclaim in publications such as <em>Billboard </em>and <em>Relix.</em></p><p>Through it all, her DIY flag has flown majestically. She has her own music publishing company, Skin to the Wind Productions, and Inda has self-produced or co-produced many of her albums.</p><p>In 2010, Inda formally committed to sharing music with younger generations in school music programs with what has become <a href="http://ideastoinspire.org/">Ideas to Inspire™</a>, an arts-fostering organization that works to provide students with creative experiences through music, storytelling and self-expression. When not touring in support of her albums, Inda and her bandmates can be found traveling from one k-12 classroom to another supporting i2i programs across the country.</p><p>For album 8, however, Inda put the brakes on to ponder her winding path, thus far. “The road is a muse for me—the best way to ground ideas for me is a road trip. This album is kind of the shelter to process the trips I’ve been on,” she details.</p><p>Besides geographic travels, <em>Shelter In Place</em> is rife with coming of age themes couched in loss. Also threaded throughout the album is Inda’s multi-layered take on America. Inda was born in California and raised in Wyoming and Arizona, so one could say she deeply feels the heart of the heartland. She’s also a gay woman who married in 2011.</p><p>“I do come from the heartland, and identify so much as an American—it feels like anything is possible here. We are the best chance for hope,” Inda says.  “I just get upset when we can’t get along.”</p>

Inda Eaton

<p><em>&#34;Fusing Mardi Gras Indian culture with swaggering Bayou funk in a defiant, delicious gumbo, The Rumble featuring Chief Joseph Boudreaux Jr. is among the more exhilarating bands to bubble up from New Orleans onto the national landscape in some time.&#34;</em><br /><em>- </em><a href="https://liveforlivemusic.com/news/chief-got-a-new-suit-the-rumble-grammy-live-at-the-maple-leaf-listen/" target="_blank" rel="noopener noreferrer"><strong>Live For Live Music</strong></a></p><p><em>&#34;It’s a Mardi Gras experience that hangs around all year long, a funky, feather rufflin’ extravaganza good for second line strutting no matter the season.&#34;</em><br /><em>- </em><a href="https://www.nodepression.com/album-reviews/album-review-live-and-kicking-the-rumble-captures-sounds-and-sights-of-mardi-gras/" target="_blank" rel="noopener noreferrer"><strong>No Depression</strong></a></p><p><em>“Through their steadfast stomping sound and grooving connectivity, the collection has the spirit of a parade contained within a building bursting at the seams.”</em><br /><em>- </em><a href="https://relix.com/blogs/song_premieres/detail/song-premiere-the-rumble-ft-chief-joseph-boudreaux-jr-my-people/" target="_blank" rel="noopener noreferrer"><strong>Relix</strong></a></p><p><em>“When a band this funky and tight can draw from deep wells of instrumental prowess and match that with vocal strength and ability, you get the feeling they’re gonna be around and thriving for a long while.”</em><br /><em>- </em><a href="https://www.jambase.com/article/new-orleans-jazz-fest-2024-review-weekend-2-highlights" target="_blank" rel="noopener noreferrer"><strong>JamBase</strong></a></p><p><strong>• 2025 Grammy Nominees for Best Regional Roots Album for the album </strong><a href="https://therumbleband.com/music" target="_blank" rel="noopener noreferrer"><em><strong>“Stories From The Battlefield”</strong></em></a> </p><p><strong>• 2024 Grammy Nominees for Best Regional Roots Album for the album </strong><a href="https://therumbleband.com/music" target="_blank" rel="noopener noreferrer"><em><strong>“</strong></em></a><a href="https://distrokid.com/hyperfollow/therumblechiefjosephboudreauxjr/the-rumble-ft-chief-joseph-boudreaux-jr-live-at-the-maple-leaf-bar" target="_blank" rel="noopener noreferrer"><em><strong>Live at the Maple Leaf”</strong></em></a></p><p>On Mardi Gras morning, your eyes may feast on the intricate and elaborate beadwork of the Indians as they dance down the street, but the first thing you&#39;ll hear when they make their way toward you is the back line, known as <em>&#34;the rumble&#34;</em>. Featuring seven GRAMMY-nominated musicians, <strong>The Rumble</strong> is more than just a band — it&#39;s an opportunity to be immersed in a wholly unique facet of New Orleans culture. Composed of <strong>Second Chief Joseph Boudreaux Jr.</strong> of the Golden Eagles, trumpeter Aurélien Barnes, trombonist José Maize Jr., bassist TJ Norris, guitarist Ari Teitel, keyboardist Andriu Yanovski, and drummer Trenton O’Neal, the group fuses iconic New Orleans funk in the vein of The Meters and The Neville Brothers — but updated, modern and vibrant befitting the next generation — with electrifying brass and the singular visual splendor of the Black Masking carnival tradition. </p><p>The Rumble&#39;s debut album, <em>“Live at the Maple Leaf”</em>, received a <strong>GRAMMY nomination for Best Regional Roots Album 2024</strong>. Their live show is a symphony of rich color and propulsive sound, with each member sharing vocal duties and engaging the audience in the classic Mardi Gras Indian-style call-and-response chanting. The group pays homage to trailblazers like Wild Magnolias and Golden Eagles, both of which featured the vocal stylings of Boudreaux’s father, Monk Boudreaux. The Rumble continues the fight to preserve the legacies and traditions of the community for the next generation while bringing new layers of depth to their live performance. The Rumble provides audiences with not only a top-tier musical event, but a chance to participate in a culture that, while deeply rooted in centuries-old tradition, is thriving and evolving through the active work of this next generation of bold and passionate culture-bearers.</p>

The Rumble ft. Chief Joseph Boudreaux Jr.

<div><h1>HOT DATE BAND</h1></div><div><p>High Energy / Party Rock / Dance / Cover Band</p></div>

Hot Date

<p>The Moondogs have been performing their limited-edition Beatles shows since 2014 when they celebrated the 50<sup>th</sup> anniversary of The Beatles first appearance on the Ed Sullivan Show. In 2017 it was &#34;Sgt Pepper” in its entirety, featuring a full horn section and a multi-media show. Next was “George Harrison’s 75<sup>th</sup> Birthday Celebration” covering everything from early Beatles to The Traveling Wilburys.  In 2019 the “Let It Be” and “Abbey Road” albums were performed in their entirety. Next up was “The White Album” in its entirety – yes, they even performed “Revolution #9”! In 2022 it was “Paul McCartney – The Early Years” focusing on his Beatles years as well as his first two solo albums. In 2023 it was a John Lennon celebration, focusing on his Beatles years and his Plastic Ono Band albums. For 2024 they are performing their all-time favorite albums “Rubber Soul” and “Revolver” in their entirety.  Every cut from the US and UK versions will be included.</p><p>The Moondogs are Fred Gilde – keyboards and vocals, Mick Hargreaves – guitar and vocals, Dan Koontz – keyboards and vocals, Joe Lauro – bass guitar and vocals, Jeff Levitt – guitar, Tom Licameli – guitar and vocals, Mark Pohl – percussion and vocals and Howie Silverman – drums and vocals.</p>

The Moondogs

<h3>&#34;Okay...The Allmost Brothers Band&#34;</h3><p>The Allmost Brothers Band is a progressive tribute act honoring the tradition of the legendary Allman Brothers Band. Working within the framework of the incredible and vast song book of the ABB, The Allmost Brothers inject something new, fresh and exciting into the material. In a matter of words: high level musicianship, authentic improvisational interplay, dedication to the high octane performance, and power that established the</p><p>original ABB back in 1969, and sustained their 45 year carreer.</p><p>The Allmost Brothers Band are: Sean McGrath, and Dave Filloramo on lead guitars, Joe Wasserman on Vocals &amp; Keys, Dave Losee and Dan Roth on Drums, and Tom Hooker on the Bass.</p><p>This band of brothers truly thrives on chemistry and improvisation bringing a unique fire every night to the song book of the ABB.</p><p>Duane Allman had a clear vision all those years ago, to spread the gospel of American Blues, R&amp;B, &amp; Jazz music to the people.  With this gospel the original ABB created a new sound that would fill concert halls, car radios, and smokey bars for decades to come.  The Allmost Brothers share in this same vision, and bring their explosive sound to paying tribute to  the greatest live band in history.  From the Fillmore to the Beacon, The Allmost Brothers stretch from the original Duane Allman &amp; Dickey Betts lineup to the recent Warren Haynes &amp; Derek Trucks lineup and everything in between.</p><p>At the heart of things The Allmost Brothers Band are more than a tribute act, they are an experience. </p>

The Allmost Brothers Band

<p>&#34;Their name says it all: The Dave Matthews Tribute Band. For nearly 20 years, the band has been performing sold out shows around the world; playing over 1,500 dates in 46 states and 8 countries. Many go to their live shows with reservations, high expectations, and the burning question, &#34;Do these guys sound like the real Dave Matthews Band?&#34; Almost always the answer is &#34;Yes!&#34;</p><p>Beyond mastering the DMB sound and the relentless touring, what separates The Dave Matthews Tribute Band from other cover bands is their passion, love, and respect for DMB and their music. That is what makes you come out of one of their shows saying, &#34;Yeah, they really do sound like the real Dave Matthews Band.&#34;</p>

Dave Matthews Tribute Band

<p>The Wailers 2024 Tour: Celebrating the Legacy of &#39;Legend&#39; and the Release of &#39;Bob Marley: One Love&#39; Ladies and gentlemen, prepare for an extraordinary musical journey with The Wailers in their 2024 Tour! This year, the iconic reggae band celebrates two significant milestones: the anniversary of Bob Marley&#39;s legendary album &#34;Legend&#34; and the release of the eagerly awaited biopic &#34;Bob Marley: One Love.&#34; Under the skilled leadership of Aston Barrett Jr., The Wailers are not just preserving their timeless sound but also enriching it with new dimensions. The addition of Mitchell Brunings, with his soulful voice and dynamic stage presence, has infused the band with fresh energy and charisma, enhancing their already electrifying performances. This tour is set to be a spectacular tribute to the &#34;Legend&#34; album, bringing its classic hits to life on stage. Fans will be treated to a unique blend of nostalgia and contemporary reggae rhythms, making each concert an unforgettable experience. In a remarkable crossover into film, Aston Barrett Jr. debuts his acting skills in &#34;Bob Marley: One Love,&#34; portraying his father. The film, directed by Reinaldo Marcus Green, features an impressive cast, including Kingsley Ben-Adir as Bob Marley. Scheduled for release on February 14, 2024, the biopic promises an intimate look into Marley&#39;s life, his rise to fame, and his lasting impact on music and culture. Don&#39;t miss this opportunity to witness The Wailers as they celebrate the rich legacy of Bob Marley&#39;s &#34;Legend&#34; and the cinematic homage &#34;Bob Marley: One Love.&#34; Join us for a tour filled with love, unity, and the powerful, uplifting vibes of reggae. The Wailers are back, bringing their A-game to stages across the world!</p>

The Wailers

<p><span style="font-weight:400">For the first time in almost a decade, brothers Taylor and Griffin Goldsmith grace the cover of a Dawes record. It’s just the two of them this time, and as such, </span><em><span style="font-weight:400">Oh Brother</span></em><span style="font-weight:400"> marks a distinctive new chapter for the California rock band — one that is both introspective and accessible, all while maintaining their beloved sense of sincerity.</span></p><p><span style="font-weight:400"> </span></p><p><span style="font-weight:400">After the amicable departure of two bandmates last year, Taylor realized that the group’s natural evolution was nothing to hide from Dawes’ dedicated fans. He likens it to looking back on The Rolling Stones’ career — eras with Brian Jones versus Ronnie Wood — or Dire Straits’ lineup with and without brothers Mark and David Knopfler together, or The Cure’s fluctuating cast encircling Robert Smith. People change. Music evolves. But a band is still a band.</span></p><p><span style="font-weight:400"> </span></p><p><span style="font-weight:400">“We’re not shying away from this information, because then it just seems cowardly or something,” Taylor says. “Rather than try to hide something, let’s celebrate it. Let’s call our record </span><em><span style="font-weight:400">Oh Brother</span></em><span style="font-weight:400">.” The title of Dawes’ ninth LP serves as a sort of double entendre too, an exasperated sigh acknowledging that change can still be challenging. “We’re gonna miss our dudes,” he says. “They’re still brothers.”</span></p><p><span style="font-weight:400"> </span></p><p><span style="font-weight:400">Still, </span><em><span style="font-weight:400">Oh Brother </span></em><span style="font-weight:400">steers Dawes decidedly forward, honoring 15 years of Taylor and Griffin’s musical relationship, as well as the next era of their band. That spirit informed much of the album’s writing and recording, too. Each of the nine songs began with just Taylor on guitar and vocals and Griffin on drums. They initially tracked each one live together, before adding in additional instrumentation and collaborating with touring guitarist Trevor Menear in the studio. Additionally, </span><em><span style="font-weight:400">Oh Brother</span></em><span style="font-weight:400"> is the first record the brothers have co-produced, working alongside longtime friend Mike Viola.</span></p><p><span style="font-weight:400"> </span></p><p><span style="font-weight:400">Lyrically, the songs on </span><em><span style="font-weight:400">Oh Brother</span></em><span style="font-weight:400"> encompass personal moments in their lives and larger ideas of what consistency and stability mean. “House Parties,” a musical sibling to 2015’s “All Your Favorite Bands,” came toward the end of the recording process for 2022’s </span><em><span style="font-weight:400">Misadventures of Doomscroller</span></em><span style="font-weight:400">. Shortly thereafter, “The Game” and “Surprise!” — a six-and-a-half-minute not-quite-center, centerpiece about life not going as expected — came as Taylor was settling into fatherhood. Elsewhere, “King of the Never-Wills” subtly addresses addiction and “Mister Los Angeles” serves as a sardonically satirical commentary on their hometown.</span></p><p><span style="font-weight:400"> </span></p><p><span style="font-weight:400">At this point in the Goldsmiths’ career, Dawes has cemented itself as one of the most earnest, no-bullshit musical acts out there. To some degree, Taylor acquiesces, “I definitely choose to believe that definitive work can always be out in front of us instead of behind us, but it’s also a fact that we have established a personality.” They’re a band that can move seamlessly between folk rock, piano ballads, and sprawling jams while maintaining both an immediately recognizable sound and a freedom from expectations.</span></p><p><span style="font-weight:400"> </span></p><p><span style="font-weight:400">Across its heartfelt songs — sometimes silly and sometimes serious, and all filled with sing-along choruses, deeply felt poetic lyrics, and sterling musicianship —</span><em><span style="font-weight:400"> Oh Brother</span></em><span style="font-weight:400"> highlights the band’s independence. Even as the Goldsmith brothers navigate new chapters in their personal and professional lives, they remain creative, ambitious, and inspired. “All you can really do is find out what are the most essential, truest, and idiosyncratic parts of yourself,” Taylor says. “And I like the fact that Griffin and I are kind of clinging to each other and holding on to each other more than we ever have. We’re grateful for each other in a new way. But we’ve also been through a lot.</span></p><p><span style="font-weight:400"> </span></p><p><span style="font-weight:400">“It feels like we’re reborn in a way, and I mean that with so, so much love and gratitude to everyone we’ve ever played with before! This is what it means to be a lifer, to have iterations. It means having phases and chapters, and this is a very clear delineation as to the beginning of a new one. So </span><em><span style="font-weight:400">Oh Brother</span></em><span style="font-weight:400"> feels like a ninth record, but it also feels like a first record.”</span></p>

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